University of North Carolina - Greensboro
SPRING 2008 DCE 112 E #10877
Adv Beg Contemporary
T/R 5:00—6:15 HHP 322
Instructor: Duane Cyrus
Office: 220D
Phone: 256 1486
E-mail: dacyrus@uncg.edu
Office Hours My schedule changes often, so please check my
office door for availability. To make an appointment or if you ever have
questions or concerns feel free to use e-mail or phone contact listed above. So
that I might be better able to address your concerns, please specify the reason
for your appointment.
Prerequisite Pr. departmental permission; enrollment priority
given to dance majors.
May be repeated for credit.
Catalog Description Development of technical
skills in contemporary dance, including rhythmic perception and spatial
awareness, with emphasis on aesthetic and expressive qualities that lead to
performance. (Fall & Spring)
Topical Outline Students will work on
realizing, maintaining, and, most importantly, transitioning through shapes.
Various tools including video, video feedback, and selected readings will be
used. Students will be expected to work individually, with partners, and in
groups. Exploration of the movement styles of Martha Graham and Talley Beatty
will compliment contemporary approaches to movement and performance with the
goal of further understanding of individual expressive abilities for each
student.[DC1]
Warm-up exercises and combinations will develop over the
course of the semester in length, speed (faster as well as slower), and in
rhythmic and qualitative complexity to support the development of the Student
Learning Goals (listed below).
Student Learning Goals To the degree appropriate for
the advanced beginning level of contemporary dance training, students in this
course will learn to:
1. Move contra-laterally during locomotion (left/right
body halves in opposition).
2. Grasp and retain sequences of simple exercises and
combinations.
3. Breathe appropriately and as needed while moving.
4. Anticipate the beat when required.
5. Maintain energy/endurance throughout each combination
and a full class.
6. Demonstrate commitment/responsibility as appropriate
in and out of class.
7. Demonstrate awareness and attention to
studio/classroom procedures.
8. Demonstrate dynamic alignment-as appropriate to
exercises/combinations in the class and involving awareness of center.
9. Move on
the beat when required.
10. Show appropriate use of the legs as called for in an
exercise/combination.
11. Show appropriate use of the feet as called for in an
exercise/combination.
12. Show command of skills involving initiation of
movement.
13. Show command of skills involving weight shift.
14. Avoid extraneous tension in performing simple
movements - walks, skips, etc.
15. Fulfill the time/counts given for each part of the
movement.
16. Demonstrate attributes of/qualities in movement as
specified.
17. Demonstrate clarity of body line in simple movement
combinations.
18. Demonstrate clarity of spatial direction in simple
movement combinations.
19. Perform set movement with confidence/full
engagement.
20. Respond spontaneously and imaginatively to
improvisational prompts, with
confidence/full engagement, and some degree of invention-and/or
demonstrate creative spontaneity
within a given technique
Learning goals 1-20 mark distinct areas of skill in dance
technique. Excellence in dance
artistry is a matter of developing a high degree of skill in each area and
integrating these skills during the performance of movement.
Teaching Strategies To enable student achievement
of the learning goals, I will:
á
Demonstrate,
explain, analyze, and lead explorations of movement exercises and combinations
designed specifically to develop the skills required for achievement of
learning goals 1-20
á
Observe
your daily work in class and (a) orally assess your achievement of learning
goals 1-20, and (b) make recommendations for improvement in achieving learning
goals 1-20
á
Provide
a written assessment on the Dance Technique Feedback sheet of your achievement
at mid-term and again near the end of the semester;
á
Provide
opportunities for individual appointments in which we may discuss your learning
efforts;
á
Provide
opportunities for you to assess your own and others' progress toward the actual
achievement of the learning goals;
* not every student will receive individual feedback
during each class, but all students will receive individual feedback regularly
throughout the course of the semester.
Evaluation Methods and Guidelines for Assignments The fundamental and
ongoing assignments in this class are to:
á
Attend
to movement material presented, as well as to explanations and analyses of its
specific components;
á
Listen
carefully to and apply all corrections and recommendations for improvement that
I provide in class;
á
Learn
the movement material as quickly as you can through observation and practice;
á
Perform
the movement material as accurately as possible each time you are called upon
to do so;
á
Reflect
in writing as assigned on your progress toward and actual achievement of the
learning goals;
á
Observe
other dancers and assess their performance as assigned.
I will assess your progress toward and your actual
achievement of the learning goals through:
á
Daily
oral feedback to you and/or others on work done in class;
á
Written
mid-term and final evaluations of your achievement using the Dance Technique
Feedback sheet;
á
Oral
and/or written feedback of the accuracies and inaccuracies I perceive in your
written self-assessments.
Your achievement in mastering the learning goals to the
degree appropriate for this course, and as documented on the Dance Technique
Feedback Sheet,
will provide the primary basis for calculating your final letter grade.
Your attendance record and your record in turning in any written assignments
will be additional factors in calculating your final letter grade. Your
letter grade will be determined as follows:
93-100=A
90-92=A-
87-89=B+
83-86=B
80-82=B-
77-79=C+
73-76=C
70-72=C-
67-69=D+
63-66=D
60-62=D-
Below 60=F
The relationship between attendance and your final
letter grade is as follows: 1/3 of a letter grade will be deducted for
each absence incurred over the maximum absences allowed for this class.
See absences and grades policy below.
Absences and Grades You are allowed two
absences.
For each unexcused absence over the number allowed, the final grade will drop
1/3 of a letter (for example, from an A- to a B+). You are allowed one make up lesson (only required
if you have three or more unexcused absences.) When injured or ill (but
not contagious), students may still be counted as present and participating if
they attend class and move to the degree the infirmity allows. Remember, if you
are too sick or injured to take class then notify your instructor, stay home
and please consider seeing a physician. Remember to make choices that are healthy
for you. Any extended (more than one class) injury or illness requires a
doctorÕs or official note with anticipated date of return in order to be listed
as excused.
Participation The Dance Department requires
an 80% participation rate (students must dance in 24 out of the 30 meetings in
classes that meet twice a week, and in 36 out of the 45 meetings in classes
that meet three times a week) to get credit for the course. Sitting
and watching or taking notes does not count as participation unless you attempt
limited movement and remain engaged in the lesson.
If you provide an official note please make sure it
lists the dates of your absence or limited participation, otherwise you will be
allowed only one unexcused non-participation per semester. Two unexcused
non-participation days equal one absence and students who do not meet the 80%
participation requirement for any reason will need to repeat the
course.
If you arrive after the opening exercise has started
please wait until the instructor recognizes you before joining the class. If
you are late repeatedly you may be asked to sit out, in which case you will be
marked as non-participatory.
After the first week of class you will be marked
non-participatory and asked to sit out if you do not follow the dress code
listed below.
Requirements
á
Notebook with paper and
space to store documents. You should bring it to every class.
á
Dress
Code - Black and/or white leotard and tights or unitard. Additional
warm-ups should also be black
or white
á
Do
not wear baggy clothing that hides or distorts the "lines" and shapes you will
make in this class
á
Attendance
and active
participation
á
Demonstrated
commitment to reaching the Student Learning Goals
á
Adherence
to the fundamental and ongoing assignments listed in the Evaluation Methods
and Guidelines for Assignments
á
Adherence
to the Academic Honor Code (See Student Handbook)
á
Be
prepared to work intelligently and to your full potential in each class
á
Do
not leave the studio for any reason without notifying the instructor first
á
Be
respectful of others (fellow students, instructors)
á
No
food, candy, or gum in the studio
á
Sign
document indicating your understanding of and commitment to the guidelines and
requirements of the syllabus
Suggestions
á
Long
sleeves are recommended for floor work
á
Extra
clothing is permitted to keep warm. However, please remember that allowing the
instructor to properly asses the accuracy of alignment and shape is part of Student
Learning Goals
#8, 10, and 17 - Be prepared to remove outer layers once you are properly
warmed up
á
Prepare
your "dance bag" with kneepads, soft soled shoes (soft jazz shoes), bandages,
tape and antiseptic, towel, and a notebook to write down ideas and corrections
á
Eliminate
preconceptions and enter into the learning process with an open mind.
á
Know
that nothing you do is "wrong" as long as you apply yourself and maintain a
spirit of intelligent inquiry
á Enjoy the gift of dance!
[DC1]This course introduced a very specific focus on Graham technique and Ailey performance style. Half of the semester was spent on each. Guest artists were brought in to help enhance the learning experience