English Composition 101-07

Instructor: Elizabeth Renn

Class Info: Graham 307, MWF 10-10:50

Office: 02 Petty Science Bldg.

Office Hours: 11:00-12 noon MWF

E-mail: ESRenn@aol.com

Texts:

Primis Online coursepack for English 101-07

MLA Handbook

3 ring binder

GeneralGoals:

This course is designed to introduce you to some skills and strategies for reading, writing, and thinking in college.

Youll learn some ways of composing: how to generate ideas, how to get them down on the page, revise them and make your work coherent for an audience. Becoming a clear and interesting writer involves much more than following rules and conventions: it means understanding the relationship between the writer, the message and potential readers.

The way to become better at this process is to practice. This class will include a great deal of writing, both formal and informal, in class and outside of class. Youll learn how to read texts closely and do research. You will spend class time in discussions and collaborative group work.

The goal of the class is to help you develop your writing voice and to support each of you to become confident writers as you discover your strengths and weaknesses through reflecting on your writing process.

The theme of this course centers on spiritual identity. Reading and writing assignments will focus on world religion, religious issues, ethics, morality, and how you fit with each.

 

Grades:

No grades will be given on individual papers. Since the goal of this course is to improve your writing, grades will only be given for the final portfolio and for class participation. You may talk with me at any time about your progress in this course.

 

Course Requirements:

Final portfolio (60%)

Class participation (40%): journal entries
reading checks
drafts in progress
writing conferences
group workshops

Portfolios:

The portfolio is a collection of "polished" work that demonstrates your growth and effort as a writer. Ill give you more detailed specifications in the following weeks.

Group Workshop:

On specified days, you will be required to bring in four copies of your current assignment for Group Workshop. In the workshop, you will read your work aloud to your group then discuss with them possible revision strategies.

Conferences:

We will be meeting individually to discuss your writing-in-progress. These meetings will be scheduled with me and are integral to your progress as a writer. Missing a scheduled conference will count as one absence.

Journals:

Journal entries are typically based on the days reading and require you to form an opinion about a subject and explain yourself coherently and informally.

Writing Center:

UNCG offers a workshop-type lab where you can bring in work-in-progress and receive feedback from writing instructors. Take advantage of this resource and schedule a session with an instructor to try out new ways of thinking about your writing. Drop in or call for an appointment.

(Located in McIver 101, 334-3125)

Policies:

Attendance: Because this course is focused on developing your skill as a writer, involvement is essential. You are allowed 4 absences. On the fifth absence and each absence thereafter your final average will be lowered 1/3 of a letter grade.

Tardiness: Walking into class late breaks the concentration levels of me and the rest of your classmates. Even being distracted for a few minutes negatively impacts the class. Plus, youll miss the days instructions and possibly a reading check. Three tardies equals one absence.

Due dates: No late work.

Plagiarism: Do not plagiarize. If the idea is not yours, then that idea has to be cited. Talk to me if youre unsure about what should be cited. Plagiarism will result in a failing grade for the course and possible university disciplinary action.

Essay Guidelines: All formal essays (and any other work you choose) should be typed and double-spaced. Use standard fonts and font size (Times New Roman 12pt, for example), with 1-inch margins. Adhere to MLA standards.

 

Syllabus: ENG 101-07 Introduction to Composition Fall 2001

WEEK ONE:

M 8/20 Intro. to course

HW Diagnostic writing exercise; read Writing Matters: Classroom Rituals, 11-16; Rhetoric in the Writing Class, 23-25; Writing Center, 28-30; Portfolio 35-36

W 8/22 Discuss these chapters; artifact exchange pt. 1

HW Read Writing Matters: Reading Strategies, 17-19; Journals, 79-80, 20-22; Film 31-34; Writing Conference, 26-27

F 8/24 Discuss these chapters; artifact exchange pt. 2

HW Read Writing Matters: 99-107; read this section using four of these reading strategies, write which ones you used and how you used them (how was your dorm room organized, did you take notes? On what? When? etc.).

WEEK TWO:

M 8/27 Discuss reading strategies and chapters

HW Use four different reading strategies and explain how you use them; read Descriptive Writing, 44-48; Reflective Writing, 73-78; Revision 86-95; Degrees of Good Writing 99-101

W 8/29 Discuss these chapters; return diagnostic writing to fit on writing scale; discuss reading strategies; essay #1 assigned

HW Read Wm. James "Lecture III, from The Varieties of Religious Experience" 13-27; Carl Sagan "The Cosmic Calendar" 72-75; Confuscious "Perfect Virtue" 86-89; and Theodore Roszak "In Search of the Miraculous" 31-43; know what the readings say and mean when you come to class; notate the reading strategies you use

F 8/31 Class canceled for individual conferences.

WEEK THREE:

M 9/3 Class canceled: Labor Day

W 9/5 Discuss religious pluralism; writing styles and audience in journal entries; How to succeed in your Group Workshop

HW Bring four copies of an advanced draft of essay #1 for group workshop

F 9/7 Group workshop

HW revise essay #1; read "Ship Fever" in Andrea Barretts Ship Fever

WEEK FOUR:

M 9/10 Revised essay #1 due; in-class writing assignment about group workshop; discuss "Ship Fever;" questions for Andrea Barrett

HW Read Robert Bellah, et al., "Community Commitment, and Individuality" 44-51; and Langston Hughes "Salvation" 28-30

W 9/12 Discuss essays and narrative style; intro. to research assignment

HW Read in Ship Fever "The Behavior of the Hawkweeds" 11-33; and "The Littoral Zone" 47-58

F 9/14 Discuss short stories; in-class writing exercise; essay #2 assignedFamily Narrative

HW Journal entry; bring four copies of and advanced draft of essay #2

 

WEEK FIVE:

M 9/17 In-class writing exercise

HW Read and evaluate your groupmates essays

W 9/19 Group workshop

HW Revise essay #2

F 9/21 Revised essay #2 due; discuss field notes and close observation; observation exercise; essay #3 assigned

HW Choose subject for ethnographic study; journal entry describing your preconceptions and connections of your subject; read Indries Shah "Seeker After Knowledge" from the Sufis 52-58

WEEK SIX:

M 9/24 Discuss Shah; time in class set aside for observation (timed, dual entry notes)

HW Read "Birds with No Feet" 103-122

W 9/26 Discuss "Bird With No Feet;" time in class set aside for observation

F 9/28 Discuss observations; discuss writing assignment; time in class set aside for observation

HW Complete draft of writing assignment

WEEK SEVEN

M 10/1 In-class revision of writing assignment (essay #3)

W 10/3 Presentation of ethnography; advanced draft of essay #3 due

HW Read Martin Luther King, Jr.s "Letter From a Birmingham Jail;" note reading strategies

F 10/5 Class canceled

 

WEEK EIGHT

M 10/8 Class canceled: fall break

W 10/10 Intro. to rhetoric; rhetorical study of "Letter From a Birmingham Jail;" newspaper assignment

HW Work on newspaper assignment

F 10/12 Complete discussion of "Letter;" in-class rhetorical analysis

HW Read Etty Hillesum "Letter From a Nazi Concentration Camp" 76-85, and submit text to a rhetorical analysis (essay #4)

 

WEEK NINE:

M 10/15 Discuss Hillesum; rhetorical analysis (essay #4) due

HW Complete newspaper assignment

W 10/17 Newspaper assignment due for class presentations

HW Read Barretts "Soroche" 80-102; and "Rare Bird" 59-79

F 10/19 Class canceled

 

WEEK TEN:

M 10/22 Discuss short stories

HW Read Harvey Cox "Understanding Islam" 90-100; and Barretts "The Marburg Sisters" 123-158

W 10/24 Discuss short stories; in-class writing assignment

THURSDAY OCTOBER 25: ATTENDANCE MANDATORY AT ANDREA BARRETT READING AT 4PM. MAKE ARRANGEMENTS TO BE THERE WELL IN ADVANCE

F 10/26 In-class rhetorical analysis of Andrea Barretts presentation; class discussion; research essay assigned

HW Choose a subject to research, learn its major issues and be prepared to discuss them in class

Schedule to be announced:

WEEK ELEVEN: RESEARCH, LIBRARY, MLA, ARTIFACTS, CALL TO ACTION

M 10/29 Class presentations of subjects

W 10/31

F 11/2

WEEK TWELVE: RESEARCH, LIBRARY, MLA, ARTIFACTS, CALL TO ACTION

M 11/5

W 11/7

F 11/9

WEEK THIRTEEN: RESEARCH, LIBRARY, MLA, ARTIFACTS, CALL TO ACTION

M 11/12

HW Make four copies of your essay to bring to class

W 11/14 In-class writing assignment; bring in four copies of an advanced draft of research essay to give to group members

HW Read and evaluate your group members essays

F 11/16 Group workshop

 

WEEK FOURTEEN

M 11/19 Research essay due; class presentations

W 11/21 Class canceled: Thanksgiving Break

F 11/23 Class canceled: Thanksgiving Break

 

WEEK FIFTEEN:

M 11/26 Class Presentations

W 11/28 Portfolio assigned; Revision discussion

F 11/30 Class presentations

HW bring in four copies of a journal entry you plan to revise and be able to explain your plan for revision

WEEK SIXTEEN:

M 12/3 Group workshop of journal revisions

W 12/5 In-class self evaluation/cover letter

F 12/7 Group workshop anything you want

 

WEEK SEVENTEEN:

M 12/10 Final portfolios due by the end of class