ENG 104S-03 Introduction to LiteratureSpeaking Intensive

The Intersections of Literature and Gender

 

Instructor: Kay McEvoy

Class Info: MWF 11-11:50 in McIver 225

Office: 01E Petty Science Building

Office Hours: MWF 10-10:50 or by appointment

Phone: (336) 334-3294 (or 334-5311 to leave a message)

Email: kamcevoy@uncg.edu

Web Site: http://www.uncg.edu/~kamcevoy/

 

Literature is constructed not only by the people who write it, but also by the people who read it. No one literary text ever means the same thing to the same peopledifferent works take on different shades of meaning depending on who happens to be engaging with a work at a particular moment. Therefore, the framework through which a person reads a particular literary text becomes intensely important. Meaning and reaction will be colored by a persons standpointpersonal background, knowledge and preconceptions. Standpoint is also created by factors such as race, class, religion, and gender.

This course is an experimental course in the new Speaking Across the Curriculum program at UNCG. In this speaking-intensive ENG 104 course, we will be experimenting with new ideas and activities designed to not only facilitate your understanding of and appreciation for literature, but also to improve your ability to engage with and talk coherently about that literature. Your input and participation in this course will be vital to the development of other SAC courses at UNCG.

The goals for this course are numerous. First, this course will introduce you to various forms and genres of literature from a range of historical periods. Second, it will assist you in understanding and appreciating a variety of literary works. Third, it will give you the skills necessary to write and speak coherently about a work of literature. Fourth, it will demonstrate how an individuals standpoint dramatically affects engagement with and comprehension of a literary work. In particular, we will focus on the importance of gender, both the authors and the readers, in generating meaning and reaction to literature.

My expectations for students in this course are relatively simple: I expect students to read and engage with the assigned literary works, take comprehensive notes, participate in discussions both in class and on the listserv, and complete all assignments. There is no attendance policy for this course, but keep in mind that participation will be a factor in your final grade, and it is very difficult to participate if you are not in class. Also, there is no way to make up in-class writing or speaking assignments, and I do not accept late work for any reason. In addition, if you are absent from class, you are responsible for getting in any required work to me beforehand, obtaining notes from that days discussion, and finding out (from your peers, not me) what work will be due in subsequent classes. I do not accept absence from class as an excuse for missing work or being unprepared.

The assignments for this course will be many and varied. The writing assignments include critical questions, brief reading responses, a short research paper, and in-class reading quizzes. The speaking assignments include reading declamation, discussion leading, individual monologues, group presentations and a group oral mid-term exam. I will discuss these assignments in more depth as the semester progresses.

The readings for this course will include a variety of poems, plays, novels and short stories. The following books are available at the campus bookstore:

  • 101 Great American Poems by the American Poetry and Literary Project (Dover)
  • Pride and Prejudice by Jane Austen (Dover)
  • The Awakening by Kate Chopin (Dover)
  • Herland by Charlotte Perkins Gilman (Dover)
  • The Yellow Wallpaper and Other Stories by Charlotte Perkins Gilman (Dover)
  • Ballad of the Sad Café and Other Stories by Carson McCullers (Bantam)
  • Catcher in the Rye by J. D. Salinger (Little, Brown)
  • Twelfth Night, or What You Will by William Shakespeare (New Folger Library)
  • Frankenstein by Mary Wollstonecraft Shelley (Dover)

These editions are the cheapest versions available, some only costing $1 and the most expensive being $6 (I managed to keep the total costs of these works under $25 pre-tax). Many of these books are no doubt available at used-book stores, but keep in mind that pagination and wording may not be exactly the same in other versions of these texts. In addition to these books, there will be several works placed on regular reserve and e-reserve that you will need to copy or print out.

Classroom etiquette is extremely important for this course (and, really, for all your courses). We will have several small and large group discussions, as well as individual and group presentations. It is extremely rude to carry on another conversation while someone else is talking, whether it is me or one of your classmates. If you cant possibly pay attention, you should leave, and I reserve the right to ask students to leave the class at any time. Coming to class unprepared is also a lapse in etiquette. If you cant adequately participate in the work for that day, I will ask you to leave.

Also, I have an ethical responsibility for the well-being of the students in my class: mental, emotional and physical. Therefore, I will not tolerate verbal or physical intimidation of any kind from any student directed at anyone in this class, including slurs directed at someones race, class, gender, ethnicity, religion, sexual orientation or political views. Anyone displaying rude or aggressive behavior will be asked to leave, and I may not allow disruptive students back into the class.

One final note: I encourage you to conference with me whenever you feel like it. If you need to speak with me, it is best to make an appointment, come by my office during my office hours or send me an email. I truly enjoy spending time with my students and dont feel inconvenienced at all when they need a bit of my time. Students often put off speaking to a professor about a problem until it is too late to do anything about itso dont be afraid to talk to me.

I also encourage you to explore the University Writing Center, located in McIver 101, for any assistance you may require with your assignments. Its regular hours are Monday through Wednesday from 9 a.m. to 8 p.m. and Fridays from 9 a.m. to 3 p.m.

Tentative Schedule of Due Dates and Reading Assignments

(Everything listed below is subject to change at any time and for any reason.)

Monday, August 20: introduction to course

Barakas "Preface to a Twenty Volume Suicide Note" (handout)

Wednesday, August 22: Pride and Prejudice, pp. 1-51

Friday, August 24: Pride and Prejudice, pp. 51-103

literary criticism groups assigned

Monday, August 27: Pride and Prejudice, pp. 103-154

Wednesday, August 29: Pride and Prejudice, pp. 154-210

Friday, August 31: Pride and Prejudice, pp. 210-262

Monday, September 3: no classLabor Day Holiday

Wednesday, September 5: The Catcher in the Rye, pp. 1-39

Friday, September 7: The Catcher in the Rye, pp. 40-80

Monday, September 10: The Catcher in the Rye, pp. 81-122

Wednesday, September 12: The Catcher in the Rye, pp. 123-166

Friday, September 14: The Catcher in the Rye, pp. 166-214

Monday, September 17: Frankenstein, pp. 1-46

mid-term exam groups assigned

Wednesday, September 19: Frankenstein, pp. 46-81

Friday, September 21: Frankenstein, pp. 81-120

Monday, September 24: Frankenstein, pp. 120-166

Wednesday, September 26: The Ballad of the Sad Cafe, pp. 3-38

Friday, September 28: The Ballad of the Sad Cafe, pp.39-72

Monday, October 1: "A Good Man is Hard to Find" (reserve)

Wednesday, October 3: "A Rose for Emily" (reserve); Audens "The Unknown Citizen"

Friday, October 5: no classFall Break

Monday, October 8: no classFall Break

Wednesday, October 10: mid-term exam

Friday, October 12: mid-term exam

Note: The last day to drop classes without penalty is Friday, October 12th.

Monday, October 15: Twelfth Night, pp. 7-45

Wednesday, October 17: Twelfth Night, pp. 49-87

Friday, October 19: Twelfth Night, pp. 91-137

Monday, October 22: Twelfth Night, pp. 141-189

Wednesday, October 24: Twelfth Night

Friday, October 26: Twelfth Night

Monday, October 29: selected poems: Dickinsons "Because I could not stop for

Death," "I died for beauty," "Im nobody! Who are you?" & "This is my letter to the world;" Lazarus "The New Colossus;" Wilcoxs "Solitude"

Wednesday, October 31: selected poems: Whitmans "I Hear America Singing" & "When

I Heard the Learnd Astronomer;" Cranes "War is Kind;" Frosts "Fire and Ice" & "The Road Not Taken;" Sandburgs "Chicago"

Friday, November 2: selected poems: Dunbars "Sympathy" & "We Wear the Mask;"

Hughes "I, Too," "Mother to Son," & "Still Here;" Cullens "For Paul Laurence Dunbar" & "Incident"

Monday, November 5: The Awakening, pp. 1-39

Wednesday, November 7: The Awakening, pp. 39-73

Friday, November 9: The Awakening, pp. 73-116

Monday, November 12: "The Jilting of Granny Weatherall" (reserve); Bradstreets "To

My Dear and Loving Husband"

Wednesday, November 14: Poes "Annabel Lee" & "The Raven"

Friday, November 16: "The Yellow Wallpaper," pp. 1-15

Monday, November 19: "Turned," pp. 39-47; "Hills Like White Elephants" (reserve)

Wednesday, November 21: no classThanksgiving Holiday

Friday, November 23: no classThanksgiving Holiday

Monday, November 26: Herland, pp. 1-31

Wednesday, November 28: Herland, pp. 32-52

Friday, November 30: Herland, pp. 53-71

Monday, December 3: Herland, pp. 72-102

Wednesday, December 5: Herland, pp. 103-124

Friday, December 7: Sylvia Plaths "The Applicant," "Lady Lazarus," "Ariel,"

"Death & Co.," "Daddy" (reserve)

Monday, December 10: last day of class; research papers due

Our final exam is scheduled for Monday, December 17th, from 8:00 until 11:00 a.m.