ENG 104S-03 Introduction to LiteratureSpeaking Intensive
The Intersections of Literature and Gender
Instructor: Kay McEvoy
Class Info: MWF 11-11:50 in McIver 225
Office: 01E Petty Science Building
Office Hours: MWF 10-10:50 or by appointment
Phone: (336) 334-3294 (or 334-5311 to leave a message)
Email: kamcevoy@uncg.edu
Web Site: http://www.uncg.edu/~kamcevoy/
Literature is constructed not only by the people who write it, but also by the people who read it. No one literary text ever means the same thing to the same peopledifferent works take on different shades of meaning depending on who happens to be engaging with a work at a particular moment. Therefore, the framework through which a person reads a particular literary text becomes intensely important. Meaning and reaction will be colored by a person
This course is an experimental course in the new Speaking Across the Curriculum program at UNCG. In this speaking-intensive ENG 104 course, we will be experimenting with new ideas and activities designed to not only facilitate your understanding of and appreciation for literature, but also to improve your ability to engage with and talk coherently about that literature. Your input and participation in this course will be vital to the development of other SAC courses at UNCG.
The goals for this course are numerous. First, this course will introduce you to various forms and genres of literature from a range of historical periods. Second, it will assist you in understanding and appreciating a variety of literary works. Third, it will give you the skills necessary to write and speak coherently about a work of literature. Fourth, it will demonstrate how an individual
My expectations for students in this course are relatively simple: I expect students to read and engage with the assigned literary works, take comprehensive notes, participate in discussions both in class and on the listserv, and complete all assignments. There is no attendance policy for this course, but keep in mind that participation will be a factor in your final grade, and it is very difficult to participate if you are not in class. Also, there is no way to make up in-class writing or speaking assignments, and I do not accept late work for any reason. In addition, if you are absent from class, you are responsible for getting in any required work to me beforehand, obtaining notes from that day
The assignments for this course will be many and varied. The writing assignments include critical questions, brief reading responses, a short research paper, and in-class reading quizzes. The speaking assignments include reading declamation, discussion leading, individual monologues, group presentations and a group oral mid-term exam. I will discuss these assignments in more depth as the semester progresses.
The readings for this course will include a variety of poems, plays, novels and short stories. The following books are available at the campus bookstore:
These editions are the cheapest versions available, some only costing $1 and the most expensive being $6 (I managed to keep the total costs of these works under $25 pre-tax). Many of these books are no doubt available at used-book stores, but keep in mind that pagination and wording may not be exactly the same in other versions of these texts. In addition to these books, there will be several works placed on regular reserve and e-reserve that you will need to copy or print out.
Classroom etiquette is extremely important for this course (and, really, for all your courses). We will have several small and large group discussions, as well as individual and group presentations. It is extremely rude to carry on another conversation while someone else is talking, whether it is me or one of your classmates. If you can
Also, I have an ethical responsibility for the well-being of the students in my class: mental, emotional and physical. Therefore, I will not tolerate verbal or physical intimidation of any kind from any student directed at anyone in this class, including slurs directed at someone
One final note: I encourage you to conference with me whenever you feel like it. If you need to speak with me, it is best to make an appointment, come by my office during my office hours or send me an email. I truly enjoy spending time with my students and don
I also encourage you to explore the University Writing Center, located in McIver 101, for any assistance you may require with your assignments. Its regular hours are Monday through Wednesday from 9 a.m. to 8 p.m. and Fridays from 9 a.m. to 3 p.m.
Tentative Schedule of Due Dates and Reading Assignments
(Everything listed below is subject to change at any time and for any reason.)
Monday, August 20: introduction to course
Baraka
Wednesday, August 22: Pride and Prejudice, pp. 1-51
Friday, August 24: Pride and Prejudice, pp. 51-103
literary criticism groups assigned
Monday, August 27: Pride and Prejudice, pp. 103-154
Wednesday, August 29: Pride and Prejudice, pp. 154-210
Friday, August 31: Pride and Prejudice, pp. 210-262
Monday, September 3: no classLabor Day Holiday
Wednesday, September 5: The Catcher in the Rye, pp. 1-39
Friday, September 7: The Catcher in the Rye, pp. 40-80
Monday, September 10: The Catcher in the Rye, pp. 81-122
Wednesday, September 12: The Catcher in the Rye, pp. 123-166
Friday, September 14: The Catcher in the Rye, pp. 166-214
Monday, September 17: Frankenstein, pp. 1-46
mid-term exam groups assigned
Wednesday, September 19: Frankenstein, pp. 46-81
Friday, September 21: Frankenstein, pp. 81-120
Monday, September 24: Frankenstein, pp. 120-166
Wednesday, September 26: The Ballad of the Sad Cafe, pp. 3-38
Friday, September 28: The Ballad of the Sad Cafe, pp.39-72
Monday, October 1: "A Good Man is Hard to Find" (reserve)
Wednesday, October 3: "A Rose for Emily" (reserve); Auden
Friday, October 5: no classFall Break
Monday, October 8: no classFall Break
Wednesday, October 10: mid-term exam
Friday, October 12: mid-term exam
Note: The last day to drop classes without penalty is Friday, October 12th.
Monday, October 15: Twelfth Night, pp. 7-45
Wednesday, October 17: Twelfth Night, pp. 49-87
Friday, October 19: Twelfth Night, pp. 91-137
Monday, October 22: Twelfth Night, pp. 141-189
Wednesday, October 24: Twelfth Night
Friday, October 26: Twelfth Night
Monday, October 29: selected poems: Dickinson
Death," "I died for beauty," "I
Wednesday, October 31: selected poems: Whitman
I Heard the Learn
Friday, November 2: selected poems: Dunbar
Hughes
Monday, November 5: The Awakening, pp. 1-39
Wednesday, November 7: The Awakening, pp. 39-73
Friday, November 9: The Awakening, pp. 73-116
Monday, November 12: "The Jilting of Granny Weatherall" (reserve); Bradstreet
My Dear and Loving Husband"
Wednesday, November 14: Poe
Friday, November 16: "The Yellow Wallpaper," pp. 1-15
Monday, November 19: "Turned," pp. 39-47; "Hills Like White Elephants" (reserve)
Wednesday, November 21: no classThanksgiving Holiday
Friday, November 23: no classThanksgiving Holiday
Monday, November 26: Herland, pp. 1-31
Wednesday, November 28: Herland, pp. 32-52
Friday, November 30: Herland, pp. 53-71
Monday, December 3: Herland, pp. 72-102
Wednesday, December 5: Herland, pp. 103-124
Friday, December 7: Sylvia Plath
"Death & Co.," "Daddy" (reserve)
Monday, December 10: last day of class; research papers due
Our final exam is scheduled for Monday, December 17th, from 8:00 until 11:00 a.m.