English 322W-01 Elizabeth Chiseri-Strater
Tue/Thur 12:30-1:45 Office McIver 114
Class McIver 139B email: e_chiser@uncg.edu
TEACHING WRITING
Writing, more than any other task, brings one face to face with important human responsibilities." John Gage
Required Texts:
Gaines, Earnest. A Lesson Before Dying
Kutz, Eleanor and Hephzibah Roskelly. An Unquiet Pedagogy: Transforming
Practice in the English Classroom.
Lamott, Ann. Bird by Bird: Some Instruction on Writing and Life.
Sebranek, Meyer, Kemper. Writer
Every student is required to have an email account.
COURSE OBJECTIVES
This course focuses on how to teach writing to secondary schools students by introducing future English teachers to the theories and practices of using writing and reading in language arts classrooms. The overall course goal is for participants to develop a coherent philosophy of literacy instruction based on the range of course readings, researched topics, fieldwork experiences, and self reflections about writing, reading, and learning.
A number of assumptions inform and give shape to the ability to become what Donald Schon
has called the "reflective practitioner" who is able to learn and try out a range of teacher research activities (interviewing, observation, case studies, and classroom based reports). To begin, our classroom will model the kinds of activities and responses that might take place in a secondary school language arts setting so that we can experience these for ourselves: writing in multiple genres, practicing informal and formal writing, learning about teacher response, integrating media an technology, and designing curriculum. Since teachers of writing need to write themselves, we will organize a reading/writing community where we will practice the stages of the writing process by writing together, responding to each other
Nulla dies sine linea
Pliny
In compliance with the University
A. Understand the relationships between the theories of writing and teaching writing to classroom practices of students and teachers in a variety of context, including student diversity and learning abilities.
B. Explore methods of combining areas of literacy (reading, writing, speaking) into a coherent program of instruction
C. Reflect in writing on their reading, writing, and learning practices, their potential students, and their realizations about education and language instruction across the course
D. Learn and practice the stages of process writing (invention, drafting, revising, editing and publishing)
E. Learn the differences between small groups and collaboration, and practice strategies for both, particularly in writing groups, in group presentations, and in class activities
F. Write in a range of genres and for various purposes (journal writing, freewritng, essays, case studies, lesson plans, evaluative responses, letters/email to instructor, creative writing genres, writing about literature, and writing portfolios)
G. Learn and practice multiple forms of informal writing along with their purposes and benefits (reading responses, dialectical journals, listing, freewriting, brainstorming, mapping, one minute writings, etc)
H. Experience and learn about various forms of teacher response to writing and writing assessment
I.. Experience and learn about various forms of teacher research (observation, ethnography, interviewing, educational studies and reports, case studies, and theory-practice articles etc.)
J. Account for various media and technology options, student learning styles, and student language and cultural diversity when discussing and planning teaching methods
K. Design reading and writing activities for the high school English classroom (including literature) that reflect the NC Standard Course of Study
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COURSE RITUALS: ROUTINES AND RULES
Attendance/ Participation: This class is totally dependent upon participation, involvement, and immersion. You are expected to be ON TIME and be prepared to contribute to the ongoing class discussion, and to be engaged with the class writing and peer response activities. You are expected to know everyone
Reading/Writing Notebook: You are asked to keep a journal/notebook, learning log for this class to be used for a variety of purposes. Your journal will include some in-class writing exercises and notes from your peer response groups but will be used primarily to react to the wide range of readings you will encounter in the course. Each time you read a chapter or article, you will write about it in your journal. These responses should not be "summaries" of the readings but show an attempt to weave connections between your own ideas and the readings.
I will expect two pages of response to each day
evaluation: Since as a teacher you will be involved in the process of evaluation yourself and you will be asked to evaluate student writing on the Praxis exams, we will practice may different types of evaluative criteria in this course. Your evaluation will be based on ungraded informal writing, form papers and a writing portfolio. Your journal will be collected several times and accounts for a portion of your final grade as does a collaborative project. Your writing portfolio, which will include several short papers ( 3-5 pages) that will go through the processes of peer review, conferencing and revision, will be a major part of your final grade. For your portfolio you will be asked to reflect on and evaluate the work you have done for the course by considering your own class participation, the quality of your written work, and your overall understanding and commitment to the ideas and materials of the course. Your self evaluation and philosophy of teaching writing statement will accompany your portfolio. Finally, your performance in this course will be evaluated with respect to presenting yourself as a future English teacher.
READING AND WRITING OUTLINE
8/21 Introductions to the course and each other
8/23 Discussion of memorable teachers
Journal writing: Why Write? Why teach writing? What is the content of writing instruction?
8/28 Getting Started: Invention
Reading: Lamott, "Getting Started" and "Short Assignments" Bird by Bird
Writing: List of 15 possible topics for learning/literacy paper
8/30 Writing as Composing
Reading: Chapter 6, Unquiet Pedagogy
Writing : What makes a good writing teacher? Two pages of response to the chapter, including your response to this question.
9/4 Writing Workshop: Establishing Writing Communities
Reading: Writer
Writing: Short literacy/ learning moment paper
"For me, a good page of prose is where one hears the rain." John Cheever
9/6 Drafting and Revising
Reading: Lamott, "Shitty First Drafts, Perfectionism, School Lunches, Polaroids," Bird by Bird
Journal Writing: Make a plan for revising your literacy/learning paper
Conferences will be scheduled the week of 9/11 to discuss first papers
Bring journals with you to your conference
9/11 Writing about Literature
Reading: First half of A Lesson Before Dying
Journal Writing: Description of artifact or quote in the book
9/13 Reading and Meaning
Writing: Design an informal assignment for A Lesson Before Dying for your own future students which requires some type of technology
9/18 Reading and Meaning
Chapter 7, Unquiet Pedagogy
Journal Writing: Write about yourself as a reader
9/20 Writing about Literature
Reading: Finish A Lesson Before Dying
Journal Writing: Write about what literacy means in this novel from at least three perspectives
9/25 Writing to Learn
Writing: Design a formal assignment in response to the novel, A Lesson Before Dying
9/27 Writing about Literature
Writing: Complete your classmate
10/2 The Culture of The Classroom
Reading: Chapter 1, Introduction, Unquiet Pedagogy
Journal Writing: Write about a specific film or media image about the culture of school
10/4 Observations and Fieldnotes
Reading: "Ethnographic Inquiry (325-329) Unquiet Pedagogy
Journal Writing: Write one descriptive paragraph about something that involves close ethnographic observation
Journals will be collected on this date
NO CLASS October 9
10/11 Writing Workshop
Writing: Share "Hanging out" papers
10/12 Last day to drop
10/16 Language and Literacy
Reading: Chapter 3, Unquiet Pedagogy
Journal Writing: Respond to an idea that struck you in this chapter
10/18 Grammar and Literacy
Reading: Writer
10/23 Teacher Response
Reading: Student essays, pp. 274-278, Unquiet Pedagogy, Praxis exam questions
Journal Writing: Write a response to one student essay
10/25 Teacher Evaluation
Reading: pp. 279-285, Unquiet Pedagogy and reading by Lape and Glenn
Journal writing: Write about a paper grade you remember
Name of teacher or student you plan to observe due today.
Attend Andrea Barrett
10/30 Creative Writing
Reading: Lamott, finish rest of part one: Writing, Bird by Bird
Writing: Try out some dialogue
11/1 Creative Writing Workshop
Reading: Lamott, Part two, The Writing Frame of Mind, Bird by Bird
Writing: Time Expansion exercise due
11/6 Collaboration
Reading, pp. 259-267, Unquiet Pedagogy, online article by Roskelly and others
Journal Writing: Write about a successful or unsuccessful collaboration
11/8 Group Work
1/13 Group Work
11/15 Group Presentations
11/20 Group Presentations
11/22 Thanksgiving Holiday, No Class
Writing Conferences will be held the week of 11/27
11/27 Writing Workshop
Writing: Classroom Observation/ Student Case Study Papers Due
11/29 Revision Workshop
12/4 Revision Workshop
12/6 Last Class
Writing: Portfolios due in class
Portfolios will be returned during the scheduled exam time period
Portfolio Outline:
Select 15 pages of your formal and informal writing from this class to be handed in for evaluation. This may come from journal writing, in class exercises, your more formal papers such as the Literacy Moment, Hanging Out, Classroom Observation, Lesson Plans on Gaines
"In teaching writing we are tacitly teaching a version of reality. We are not simply offering training in a useful technical skill that is meant as a simple complement to the more important studies of other areas. We are teaching a way of experiencing the world, a way of ordering and making sense of it." James Berlin
" Writing was the only work I did that was for myself and by myself. In the process, one exercises sovereignty in a special way. All sensibilities are engaged, sometimes simultaneously, sometimes sequentially. While I am writing, all of experience is vital and useful and possibly important." Toni Morrison