English 251W Dr. Scott Romine sbromine@uncg.edu
117 McIver (334-5384)
Fall 2002
MWF 12:00
McIver 139B
Office Hours: MW 1:00-2:30, T 3-4:30, F 9-10.
Text: The Heath Anthology of American
Literature, Fourth edition, vol. 1.
Ed. Paul Lauter et al.
Course objectives—This survey will cover a wide
variety of American poetry, fiction, and non-fiction from the Colonial period
to 1865. As a survey course, English
251W trades depth for breadth: our goal is to get something like a bird's eye
view of the development of American literature, culture, and intellectual
history in the period designated.
Especially early in the semester, many of the texts we'll be reading are
not "literature" in the traditional sense of the word, although they
do constitute essential documents in the development of America. Toward the end of the semester, texts will
be longer and more "literary," thereby allowing greater opportunity
for in-depth discussion.
As this is a writing-intensive class, one of our goals will
be the improvement of our writing. To
this end, we will have frequent workshops on grammar, use of evidence,
organization, analysis, and so forth.
We will also write a good bit in the class, including two papers and
numerous informal in-class writing exercises.
It is imperative that you read the material before
class. Our class time will be devoted
to discussing these works as a class and in small groups, and while I
will usually come to class with one or two main ideas to discuss, I hope that
you will carry most of the conversation.
As preparation for class discussion, I hope you will note your responses
to works as you're reading them, and come to class ready to comment and argue
about points you feel are confusing, interesting, or otherwise engaging. In short, look for the conflicts in
the text and how you feel they are resolved, if indeed they are at all. While I hope we will have some vigorous
disagreements and arguments, I do ask that you respect your classmates, even if
you disagree with their opinions. I
suggest that you read the author introductions in your text to give you a frame
of reference for understanding the material.
Student Learning
Outcomes—At the
conclusion of this course, students will demonstrate
•
knowledge of early American literary movements, traditions, and major works
• an
understanding and appreciation of the diversity of American culture as
expressed in its literature
• an
ability to analyze, sythesize, and critique literary texts
• an
ability to communicate clearly about literary texts in oral and written form
Grades—Your grade will consist of six
major parts: two hour exams (15% each), a take-home final exam (20%), a
"reading notebook" (10%), an 8-page “two-installment” term paper
(25%), and a class participation grade (15%).
I will discuss subject matter and format of all exams in class well
ahead of time; for now, you should know that the exams will include an
objective sections (IDs, short answers) and an essay section. The term paper will be on a topic of your
choosing (in collaboration with me); again, detailed information to
follow.
Reading Notebook—I will set up a class e-mail list
to which you will post five short writing assignments. Your posts should be in the neighborhood of
250-300 words, and can include:
• a
summary and critique of a scholarly article
• a
post on a topic raised in class, raised on the list, or that you choose
yourself
Topics can include comparisons with other works; analyses of
scenes, characters, techniques, themes; special points of interest —anything
that you feel would add to the class's understanding of the work. Note that:
• Posts
will be evaluated mainly on their thoughtfulness, and need not be especially
structured.
•
Although your posts must go to the list, you will also provide hard copies of
your posts at a point late in the semester; this will comprise a "reading
notebook" for which you will receive a grade. For this reason, be sure to keep electronic or hard copies of
your posts. I will not.
• You
must post on at least five different authors, and at least one from each of the
three test sections
• You
may only post on an author as we are reading and discussing him/her in
class. The deadline for posts is one
day after the last class session in which we discuss the author. Early posts are most welcomed.
I
encourage, but do not require you to participate in the list other than your
five posts, but doing so on a frequent basis will be taken into consideration
in determining your class participation grade.
In addition, e-mail is a useful way for you and me to communicate on
topics such as term papers, class cancellations, etc.
Class participation—Class participation will constitute
a significant part of your grade. You
will be evaluated on the frequency, quality, and originality of your
comments—in short, on how much you personally contribute to the class's
engagement with and understanding of the authors we are reading. I expect that you will participate in almost
every class discussion. Please feel
free to introduce new questions and topics to class discussion, and to respond
directly to your fellow classmates' comments.
Class participation is an assignment like any other, and while you are
free to choose whether you fulfill the assignment, your grade will reflect your
choice.
Absences—More than five unexcused absences
will result in a lower final grade.
More than ten absences for any reason will result in your failing the
course or being forced to withdraw.
Absences are excused only for illness and family emergencies; absences
will be excused only if you contact me before class (via email or voice
mail). If you have a major health or
personal emergency, please let me know as soon as possible.
Groupwork—You will soon be divided up into
small groups in which you will discuss issues almost every class. Your participation in groupwork will affect
your class participation grade.
Plagiarism—Plagiarism, defined as the
intentional representation of another person's intellectual work as your own,
will not be tolerated in this class.
Please familiarize yourself with UNCG’s Academic Integrity Policy.
Class rules—Please do not leave the classroom
unless you absolutely must. If you need
to leave early, please let me know ahead of time.
Syllabus
Monday August 19—Introduction
W21—Columbus
(all), de Vaca (all)
F23—Winthrop
(all), Williams (353-54)
M26—Bradford
(all)
W28—Mather
(497-504, skim 505-511, 520-521)
F 30—Rowlandson
(all)
M September 2—LABOR DAY (No class)
W4—Taylor
("occasional poems"), Bradstreet (384-398)
F6—John
Smith (all), Byrd (600-617, non-italicized text only)
M9—John
Woolman (667-677)
W11—Edwards
(skim "Personal Narrative"), Franklin (785-794)
F13—Franklin
(853-867), Paine, The Age of Reason, skim Common Sense
M16—
Jefferson, Notes, Letter to B.Banneker
W18—Crevecoeur,
Letters 2, 3, 12, skim 9
F20—NO CLASS
M23—Crevecoeur
cont.
W25—TEST 1
F27—"Creation
of the Whites” (64); Handsome Lake (all); Samson Occom (1079-1085), William
Apess (all), Elias Boudinot (all)
M 30—Freneau
(1185-1190), Bryant (2811-2818),
W2—Garrison
(all), Fitzhugh (all), Walker (1777-1786)
F4—Stowe (UTC
Chs. 1, 7, 11, 30, 40, 41)
M7—Stowe
cont.
W9—Jacobs
(all),
F11—Douglass
(1817-1843)
M14—FALL BREAK (no class)
W16—Douglass
(1843-1880)
F18—Emerson
(1516-1517, "Self-Reliance")
M21—Emerson
cont., Thoreau (Resistance to Civil Government)
W23—Thoreau
(1687-1703, 1713-1721))
F25—Thoreau
cont.
M28—TEST 2
W 30—Whitman
(“Song of Myself,” sect. 1-20)
F November 1—Whitman
(finish “Song of Myself”)
M4—Dickinson (Life/Lifestyle: Poems 249, 285, 303,
306, 401, 435, 613, 1072; Death: 241, 280, 465, 712; Nature: 130, 219, 258,
285, 328, 348, 632, 986 )
W6—Dickinson (Religion/God: 49, 324, 357, 1545,
1719; Poetry: 315, 441, 448, 569, 657, 675, 709, 754, 883, 1129),
F8—NO CLASS
M11—Sigourney
(1499-1501. 1507-1511), Caroline Kirkland (all), Fanny Fern (all)
W13—Poe
(2390-2422)
F15—Poe
(2423-2442)
M18—Hawthorne
(Young Goodman Brown, skim “The Custom House,” 2259-2275)
W20—Hawthorne
(2275-2346)
F22—Hawthorne
(finish The Scarlet Letter)
M25—Melville,
"Bartleby, the Scrivener"
W27—THANKSGIVING (no class)
F 29—THANKSGIVING (no class)
M December 2—Melville,
Billy Budd
W4—Melville,
Billy Budd
F 6— open
class
M 8—open
class
Note: Although we'll try to take up
these authors on the days allotted, we may make slight revisions as the
semester progresses. We will, however,
take the writings up in this order unless indicated otherwise in class.