Eng 340 Later
Shakespeare
Fall 2002 Russ
McDonald
22 Reading Day (no class): Begin reading Othello;
Read Bedford Companion, Introduction & Chapter 1
27 Othello
29
Othello Quiz
30
September 3 Othello Bedford Companion
Chapter 2
5 Othello
10 Measure for Measure
12 Measure for MeasureQuiz
17 Measure for Measure Bedford
Companion, Chapter 3
19 Measure for Measure
24 King
Lear
26 King Lear Quiz
October 1 King Lear Bedford
Companion. Chapter 4
3 King
Lear
8 King
Lear Bedford Companion, Chapter 5
17 Macbeth
22 Macbeth Quiz
24 Macbeth
Bedford Companion, Chapter 6
29 Antony and Cleopatra
31 Antony
and Cleopatra Quiz
November 5
Antony and Cleopatra Bedford Companion, Chapter 7
7 Antony
and Cleopatra
12 The Winter’s Tale
14 The
Winter’s Tale Quiz
19 The Winter’s Tale Bedford
Companion, Chapters 8 and 9
21 The Winter’s Tale
26 The Tempest Quiz
28
Thanksgiving Recess
5 The
Tempest
Final Examination
INSTRUCTOR
Russ McDonald
McIver 126; Phone:
334-4694 (voice mail)
e-mail address: r_mcdona@uncg.edu
web page: http://www.uncg.edu/~r_mcdona/home.html
Office Hours: Tuesday and
Thursday, 3:30-4:30; also by appointment.
You are encouraged to consult me about problems in reading, for help
with writing papers, and on other such matters.
From the computer on which
you receive e-mail, send the following message to listproc@uncg.edu:
Subscribe English-l yourfirstnameyourelastname (with the lower case L, not the
numeral 1 following English).
TEXTS
G. B. Evans,
ed. The Riverside Shakespeare,
2nd. ed (Houghton Mifflin,
1997). Any modern text with adequate
notes may be used instead of the Riverside. Older editions without notes or with minimal introductory matter
are unacceptable; using such a faulty text will damage your performance in the
course and thus damage your grade.
Russ McDonald, The Bedford Companion to Shakespeare,
2nd Edition (St. Martin’s, 2001).
Upon completion of
ENG 340, you will
* be able to read a Shakespeare play, as well as other works of literature, with pleasure and understanding
* demonstrate an understanding of the components of drama generally
* be able to apply your reading and critical skills to other texts
* have attained a more sensitive appreciation for language
* have acquired a general understanding of Elizabethan culture, particularly its theatrical and literary aspects
* be able to write an effective analysis of a literary work
COURSE REQUIREMENTS
Work load:
there will be substantial reading, one critical paper, a quiz on each play, and
a mid-term and final examination. On
the first day devoted to a play, you should have read at least half of it, i.e.
you should be well into Act Three. You
will then need to finish the play by the next class.
The quiz, given on the second day devoted to the
play, will cover the entire work and is designed to see that you are reading
carefully. There will be ten questions
and a bonus. Questions will concern
characters, their actions, paraphrasing of lines, and other such basic
information. (A sample quiz is
available on my web page.) One quiz
grade will be dropped; there are no make-ups on quizzes.
Regular attendance is expected, and participation
in discussion is encouraged and rewarded.
Absence will damage your performance.
Papers are due on the date assigned, at the
beginning of class. Late papers will be
penalized in fairness to those who have sacrificed other duties to finish their
papers on time.
Plagiarism or other
violations of the University Honor Code will be dealt with harshly. My web page contains information that may be
helpful in the preparation of papers
Grades will be calculated according to the
following imprecise scale: the two tests count about half; quizzes and critical
paper count about half; you may improve your grade by regular class
participation and by improvement over the course of the term.
FILMS AND VIDEOS
Filmed versions of most of the plays have been placed on
reserve in the Teaching and Learning Center, McNutt Building, corner of Forest
and Spring Garden Streets. The tape is
usually available one week before we take up the play in class. You are strongly encouraged to avail
yourselves of these performances, while recognizing that watching the video
will not substitute for a careful reading of the play. Ideally, you would read the play carefully,
then watch a filmed performance, and then re-read certain scenes of the
text. Many of the films I have
designated, as well as other versions, are available for rent at commercial
video stores and for borrowing at the public library.
On Reserve:
Othello (two versions)
Measure for Measure (BBC)
King Lear (Laurence Olivier)
Macbeth (RSC)
The Winter’s Tale (BBC)
The Tempest (RSC)
Also, through September 15: Shakespeare in Love