Professor Karen Weyler
English 251-02-S: Survey of
American Literature, Colonial through Romantic Eras
Spring 2003 MWF
Office:
McIver 109
Office hours:
MF
Telephone:
334-4689 Email:
KAWeyler@uncg.edu Web site: http://www.uncg.edu/~kaweyler
Required Text
Heath Anthology of
American Literature,
4th ed., Vol. 1
Course Description
Our objective in English 251 is to introduce you
to representative writings from the geographical area that would become known
as the
This is a discussion-oriented class: Students have a responsibility both to
speak and to listen to their instructor and their classmates. Students
will be expected to participate on a daily basis by engaging in small group and
whole class discussions, being attentive to discussions, asking questions, and
reading aloud passages from our text.
Student Learning Goals
In this speaking-intensive course, students will
speak frequently, both formally and informally.
We will use discussion and formal presentations as means of exploring
important questions about the development of American literature. By the
end of the semester, students will understand the historical and
cultural contexts in which pre-1865 American literature has been produced by
diverse groups of people, as well as the various genres in which Americans have
expressed themselves. By the end of the semester, students will be able
to speak clearly, coherently, and insightfully about pre-1865 American
literature.
Course Requirements and Evaluation
You must complete and turn in all assignments on
the dates that they are due in order to pass this course. The final grade for this course will be based
on the following:
Three oral presentations
(10% each) 30%
5-6 page essay 15%
Mid-term
examination 15%
Final examination 20%
Class discussion 10%
In-class and Blackboard
writing 10%
Office Hours and
Conferences
At the
beginning of the semester, I will schedule brief (10 minute) introductory
conferences in my office so that we will have a chance to speak
individually. You are also welcome to
visit my office at any point during the semester or to schedule an appointment
outside of my usual office hours in order to discuss reading assignments,
presentation topics, etc.
You may choose to visit the
UNCG Speaking Center
You may choose to visit the
Departmental List-serv
English majors should subscribe to the
departmental email list to receive information about the major. From the computer account through which you
receive email, send the following message to listproc@uncg.edu: Subscribe English-l yourfirstname
yourlastname (note that is a lower case L, not the numeral 1, following
English).
Academic Integrity Policy
I expect every student to abide by the
principles of the Academic Integrity Policy, which appears in the Student
Handbook. Students will need to sign the
Academic Integrity Pledge on all major work.
In addition, you must properly document any use of another's words,
ideas, or research; unacknowledged use of someone else's thoughts is
plagiarism. Please use MLA style
documentation to document any sources used in written work. Work that is not properly documented will
receive a zero; further penalties may be assessed according to the criteria
established under the Academic Integrity Policy. If you have questions concerning
documentation, please consult me.
Attendance Policy
I expect students to attend class and arrive on
time. Since we will use class time for
discussion and oral reports, your presence is important to the success of the
class as a whole. Students will be
allowed to make up missed work from excused absences only; arrangements must be
made in advance of the absence. Grounds
for excused absence include such events as illness or death in the family. More than two unexcused absences will lower
your final grade; each unexcused absence after two will lower your final grade
by one-half of a letter grade. If you
miss more than two consecutive classes without contacting me, you may be
dropped from this course. Ten or more
absences, regardless of excuse, will result in a failing grade. It is your responsibility to determine what
you have missed.
What Can You Expect from
Your Professor?
You can expect that I will treat you as an
adult, encourage your participation in this class, listen carefully to what you
have to say, and challenge your thinking.
You can also expect me to evaluate your work fairly, offer constructive
criticism and praise of your oral and written work, and evaluate your work in a
timely fashion.
Course Calendar
Please complete each day's readings before
coming to class. In case of inclement
weather, you should be guided by the UNCG adverse weather policy. If class is cancelled for any reason, please
continue with your reading.
M Jan. 13 Course Introduction
W Jan. 15 Exploration and
Settlement of the
F Jan. 17 "
M Jan. 20 No Class: Martin Luther King Holiday
W Jan. 22 Discuss Speaking Intensive projects;
English settlement in the
F Jan. 24 Smith, 242-44; Generall Historie
245-50; Description 251-53
M Jan. 27 Bradford, 311-21; from Of
W Jan. 29 Winthrop, 294-96; from "A Model of
Christian Charity" 296-304
F Jan. 31 Williams, 335-36; skim Key
337-53; read "To the Town of Providence" 353-54
M Feb. 3 Bradstreet, 282-83; "The
Prologue" 384-85; "The Author to Her Book" 390; "The Flesh
and the Spirit" 391-93; "Before the Birth of One of her
Children" 394; "To My Dear and Loving Husband" 394-95; "Upon
the Burning of Our House" 397-98
W Feb. 5 Rowlandson, 425-27; Narrative
428-56; Report: Derounian-Stodola and
Levernier, "The Captivity Tradition in Fact and Fiction,"
in The Indian Captivity Narrative 1-38
F Feb. 7 Rowlandson, 425-27; Narrative
428-56; Report: Ebersole, "The
Captivating Text: The Mary Rowlandson
Narrative," in Captured by Texts 15-60
M Feb. 10 Mather, 495-97; from Wonders
497-502: Reports: Karlsen, "The Economic Basis of
Witchcraft," in Spellbound 1-24; Reis, "Gender and the Meaning
of Confession," in Spellbound 53-71; and Rosenthal, "Dark
Eve," in Spellbound 75-98
W Feb. 12 The Great Awakening: "Eighteenth Century," 553-71; Edwards, 620-22; "Personal Narrative" 631-41; Sinners
641-52; Report: The Great Awakening:
when, where, and what was it?
F Feb. 14 The American
Revolution: "The Age of
Revolution," 777-79;
M Feb. 17 Paine, 934-36; The
Crisis 942-47; Report: Paine's Common Sense
W Feb.
19
F Feb. 21 Abigail and John Adams, correspondence
957-61; John Adams and Thomas Jefferson, correspondence 965-68; Report: "The Anti-Republican Implications of Coverture," in Linda
Kerber's Women of the Republic
M Feb. 24 Freneau, 1175-76; "To Sir
Toby" 1181-83; Wheatley, 1203-05; "On Being Brought" 1212;
"On the Death of the Rev. Mr. George Whitefield 1770" 1210-11;
"To the Right Honorable" 1208-09; letter to Occom 1220-21; Reports:
Carretta, "Phillis Wheatley, the Mansfield Decision of 1772, and
the Choice of Identity" in Early American Re-Explored; essay: "From 'Uncultivated Barbarian' to
'Poetical Genius': The Public Presence
of Phillis Wheatley"
W Feb. 26 Crevecoeur, 898-99; Letters,
899-918
F Feb. 28 Native
American Voices: Occom, 1078-79;
"Narrative" 1079-84; Apess, 1397-98; An Indian's Looking Glass
1398-1403
M Mar. 3 Midterm
Examination
W Mar. 5 Early
Romanticism:
F Mar. 7 The Culture of Reform: Emerson, 1512-15; "Self-Reliance"
1555-72; Report: The self-culture
movement in Rubin, The Making of Middlebrow Culture
March 10 –
14: No Class: Spring Break
M Mar. 17 Fuller, 1626-28; from Woman in the
Nineteenth Century 1631-53; Report:
Elizabeth Cady
W Mar. 19 Thoreau, 1669-72; "Resistance to
Civil Government" 1672-86; Report: "Economy,"
from Walden
F Mar. 21 "Race, Slavery, and the Invention
of the 'South,'" 1774-75; Douglass, 1814-16; Narrative 1817-43
M Mar. 24 Douglass, Narrative 1843-80
W Mar. 26 Stowe, 2475-78; from Uncle Tom's Cabin
2478-2490; Report: Critical reception of
UTC
F Mar. 28 Stowe, from Uncle Tom's Cabin
2490-2517; Report: Uncle Tom's Cabin and popular culture
M Mar. 31 Romantic
Poetry: Bryant, 2811-13;
"Thanatopsis" 2813-15; "The Yellow Violet" 2815-26;
"The Waterfowl" 2816-17; Longfellow, 2822-23; "Chaucer"
2828
W Apr. 2 Osgood, 2829-31; "The Maiden's
Mistake" 2833; "Little Children" 2840-41; Sigourney, 1497-99;
"The Indian's Welcome to the Pilgrim Fathers" 1507-08; "Indian
Names" 1508-09; "To a Shred of Linen" 1510-12
F Apr. 4 Three Romantic poets respond to
science: Poe, "Sonnet—To
Science" 2457; Dickinson #185 "Faith is a Fine Invention"
(handout); "When I Heard the Learn'd Astronomer" 2934; Reports:
Poe, "The Philosophy of Composition"; free verse
M Apr. 7 Whitman, 2846-49; "Preface"
2849-63; Report: Emerson, "The Poet"; Price, Walt
Whitman: The Contemporary Reviews
W Apr. 9 Whitman, "When Lilacs Last in the
Dooryard Bloom'd" 2941-48; Draft
Workshop
F Apr. 11 No Class Meeting
M Apr. 14 Dickinson 2969-74; letters 3015-19;
N.B.:
W Apr. 16 Dickinson 2969-74; "I like a look
of Agony" 2977; "After great pain, a formal feeling comes" 2985;
"I heard a Fly Buzz—when I died—" 2989; "The Brain—is wider than
the Sky—" 2994; "One need not
be a Chamber—to be Haunted—" 2997; "Because I could not stop for
Death—" 2998-99; "The Bustle in a House" 3003; "Volcanoes
be in Sicily" 3007; Papers due in
class
F Apr. 18 No Class Meeting: Spring
M Apr. 21 Fiction
of the American Renaissance: Poe,
2387-89; "The Tell-Tale Heart" 2420-23; "The Black Cat"
2423-29; Report: mysterious
circumstances of Poe's death and the theories it has spawned
W Apr. 23 Poe, "The Fall of the House of
Usher" 2400-2413; Paper Presentations
F Apr. 25 Paper Presentations
M Apr. 28
W Apr. 30
F May 2 Melville, 2550-54; "Benito
Cereno" 2598-2655
M May 5 Melville, "Benito Cereno"
discussion continued; wrap-up; course evaluations
T May 6 Make-up day
if needed
Final
Examination: May 14,
Karen Weyler
Spring 2003
English 251-S: Speaking Assignments and Evaluation
For the speaking-intensive portion of this
course, you will be evaluated based on your contributions in the following
areas:
1)
Class
Discussion (10% total):
8Informal
discussion: Discussion, both small group and whole class,
is an integral aspect of this course; in addition to soliciting individual
comments, I will frequently ask small groups to report the results of their
discussions to the class as a whole.
8Re-cap
of previous day's discussion: We will begin each
class by having one student briefly (2-3 minutes) re-cap the previous day's
discussion and suggest continuities or connections to the present day's
readings, followed by any questions for the instructor. When giving the re-cap, avoid simply
re-creating our discussion point by point.
Instead, synthesize and indicate the major areas of discussion. E.g.:
The most important issues we discussed with regard to Writer X were . .
. .
2)
Presentations
(30% total): Each
student will give three formal oral presentations to the class over the course
of the semester, as enumerated below.
These presentations are intended to facilitate both individual and
class-wide learning about the daily readings.
8Presentation
1: Introduction of
authors: Each student will be
responsible for a 4-5 minute presentation of important biographical and
critical information about the authors whose works we will be reading. These reports will help shape and inform our
understanding of the texts themselves.
Your sources for these presentations will include both the introductions
in our text as well as entries from the Dictionary of Literary Biography,
which is shelved in the Reference area of Jackson Library. 10%
8Presentation
2: Each student will
be responsible for making a 5-7 minute presentation to the class about a
special topic, ranging from reporting on a critical article to providing
information about the critical reception of a text. These topics are highlighted in bold text on
the syllabus. 10%
8Presentation
3: The final
presentations of the semester will be based on your formal essay. 10%
Assessment
of oral communication competency:
On the back of this sheet, you will see a sample
evaluation sheet for formal oral presentations.
I will also ask you to do a self-assessment after your "special
topic" presentation.
Please
note: Due to the large number of
presentations that will occur over the course of the semester, it is imperative
that you be present on the days on which you are scheduled to present to the
class. You will be able to make up
missed work from excused absences only.
You must clear these absences and re-schedule your presentation in
advance; otherwise, you will receive a zero for the assignment. No exceptions.