Professor Karen Weyler

English 630-01:  Studies in Early American Literature and Culture

Wednesdays 3:30 – 6:20 p.m.  McIver Building 138

Spring 2003

 

 

Office:  McIver 109

Office hours:  MF 10:00 – 11:00 a.m.; W 1:00 – 2:00 p.m.  And by appointment.

Telephone:   334-4689       Email:  KAWeyler@uncg.edu       Web site: http://www.uncg.edu/~kaweyler

 

 

Required Texts

Brown, Charles Brockden.  Edgar Huntly.  Penguin

Carretta, Vincent.  Unchained Voices.  Kentucky

Davidson, Cathy.  Revolution and the Word.  Oxford

Derounian-Stodola, Kathryn Zabelle, ed.  Women's Indian Captivity Narratives.  Penguin

Foster, Hannah.  The Coquette.  Penguin

Mulford, Carla, ed.  Early American Writings.  Oxford

 

Course Description

English 630 is a graduate-level course in early American literature for students seeking the M.A., M.F.A., M.Ed., and Ph.D. degrees.  This course is designed as an intensive introductory seminar for graduate students in the field of early American studies, focusing on literature in the New World to 1820.  Its purpose is to familiarize students with the major themes and conceptual problems that have shaped this discipline since the post-WWII era.  We will read in various genres and emphasize historical and cultural contexts for literary texts.  Students will gain an understanding of the diverse groups of people who explored and settled what would become North America, as well as some of the motivations for such settlement.

 

Major literary and critical subjects include: rival models of colonialism and colonization; contradictions in the ideas and ideals of civilization; controversies over race and gender in early modern culture; and, the development of nationalism.  “Early American Literature” includes, among others things, Spanish, French, and English exploration texts; the literature of settlement and revolution; early English-language texts of Native Americans; and writings of Africans both slave and free, in London as well as in the American colonies.

 

Student Learning Goals

By the end of the semester, students will be able to write and speak insightfully about the rationales and consequences of European exploration and settlement of North America.  Students will have gained an understanding of the diverse groups of people who explored and settled what would become British North America.  Students will also understand the varied genres that these people produced and the historical contexts in which their works appeared.  Finally, students will become familiar with some of the major critical work in early American studies.

 

Course Requirements and Evaluation

• Term Paper (17-18 pages)             45%

• Presentations (3 total)                    30%

      • Response Papers (2 total)              10%

• Class Participation                         15%

 

Office Hours and Conferences

You are welcome to visit my office at any point during the semester or to schedule an appointment outside of my usual office hours in order to discuss reading assignments, papers, etc.

 

Academic Integrity Policy

I expect every student to abide by the principles of the Academic Integrity Policy, which appears in the Student Handbook.  Students will need to sign the Academic Integrity Pledge on all major work.  In addition, you must properly document any use of another's words, ideas, or research; unacknowledged use of someone else's thoughts is plagiarism.  Please use MLA style documentation to document any sources used in written work.  Work that is not properly documented will receive a zero; further penalties may be assessed according to the criteria established under the Academic Integrity Policy.  If you have questions concerning documentation, please consult me.

 

Attendance Policy

In a discussion class, your presence is important to the success of the class as a whole; consequently, I require students to attend at least 75% of the scheduled class meetings in order to pass this class.  More than two absences, regardless of excuse, may negatively impact your grade.  Four or more absences, regardless of excuse, will result in the student being dropped from the class.

 

Course Calendar

Please note that this syllabus is subject to change.  In the event of inclement weather, you should be guided by the UNCG adverse weather policy.  If necessary, I will send out email informing you of any changes in our schedule of readings.

 

I've grouped your readings by topic, in rough chronological order.  We will not be able to discuss every text in detail, but the range of readings for each topic will provide you with a broad perspective.

 

W Jan. 15     Course introduction

 

W Jan. 22     Spain in the New World:  Europeans' New World 23-28; Columbus, 28-43; de Las Casas 52-60; Cabeza de Vaca 60-68; de Castaneda 68-73; New Spain 358-60; Sor Juana 361-72; Pueblo Conflict 384-94; Fray Delgado 394-98

                    Review texts:  Patricia Seed, American Pentimento: The Invention of Indians and the Pursuit of Riches; David Weber, The Spanish Frontier in North America

 

W Jan. 29     France in the New World:  New France 426-29; Cartier 110-14; de Champlain 114-123; Radisson 123-39; de Brebeuf 429-40; Martin 440-52; Hachard 452-63

                    Review text:  James Axtell, Beyond 1492:  Encounters in Colonial North America

 

W Feb. 5      The British South and Island Colonies:  Smith 169-88; Lawson 490-98; Byrd 522-31; Cook 563-73; Ligon 204-16; Conflict 216-222; Ward 481-90; Grainger 501-13

                    Review text:  Leo Lemay, The American Dream of Captain John Smith.

 

W Feb. 12    Settlement of New England:  Bradford 222-37; Winthrop 237-50; The New England Primer 352- 54; Bradstreet 276-85; Taylor 292-05  

                    Review texts:  Sacvan Bercovitch, Rites of Assent; Sacvan Bercovitch, The American Jeremiad; Patricia Seed, Ceremonies of Possession in Europe's Conquest of the New World

 

W Feb. 19    Heresies, Witches, and Other Challenges to the Puritan Theocracy: Morton 250-57; Williams 257-58; 264-65;

                    additional readings by Mather, on the Salem witch trials, and on Anne Hutchinson are on reserve

                    Review texts:  Mary Beth Norton, In the Devil's Snare; Karol Karlsen, The Devil in the Shape of a Woman

 

W Feb. 26    Indian Conflict:  in Mulford: Williams 328-49; in Derounian-Stodola:  Rowlandson 1-51; Jemison 119-210

                    Review texts:  John Demos, The Unredeemed Captive:  A Family Story from Early America;

                    Richard Slotkin, Regeneration through Violence:  The Mythology of the American Frontier, 1600-1800

 

W Mar. 5     The Great Awakening and Religious Pluralism:  Edwards 668-87; Chauncy 687-97; Occom 867-83; Ashbridge 602-15; Woolman 615-16; 620-28

 

March 10 – 14: No Class:  Spring Break

 

W Mar. 19   The American Revolution:  Paine 836-48; Jefferson 945-63; Declaration 965-67; Federalist Papers 998-1008; Adams 1027-29; Crevecoeur 975-86

                    Review texts:  Jay Fliegelman, Prodigals and Pilgrims:  The American Revolution against Patriarchal Authority; Sandra Gustafson, Eloquence is Power

 

W Mar. 26   The Black Atlantic:  in Mulford:  Sewall, 649-51; Pastorius 725-28; in Carretta:  Introduction 1-16; Wheatley 59-71; Belinda 142-44; Equiano 185-18; Venture Smith 369-87

                    Review text:  Pauline Schloesser, The Fair Sex:  White Women and Racial Patriarchy in the Early American Republic

 

W Apr. 2      Eighteenth-Century Women's Culture:  Turrell 815-17; Terry 822-23; Moore 825-26; Stockton 829-36; Warren 1008-22; Adams 1029-37; Murray 1039-51

                    Review texts:  Linda Kerber, Women of the Republic; Laurel Thatcher Ulrich, A Midwife's Tale:  The Life of Martha Ballard, Based on Her Diary, 1785-1812

 

W Apr. 9      Foster, The Coquette (all); Davidson, Revolution and the Word 1-150

 

W Apr. 16    Brown, Edgar Huntly (all); Davidson, Revolution and the Word 212-53

 

W Apr. 23    Seminar Presentations

 

W Apr. 30    Seminar Presentations

 

 

Final version of essay due by 12:00 p.m. on Friday, May 2.

 

 

Karen Weyler

English 630:  Studies in Early American Literature and Culture

Oral Presentations and Response Papers

 

Oral Presentations

Over the course of the semester, each student will be responsible for three presentations.  These presentations will be as follows:

 

1)       Book Review

These reviews are intended to introduce you and your classmates to some of the major studies of early American literature as well as to give you a chance to practice writing a book review.  You will be responsible for summarizing for the class the main argument(s) of the book/article, along with the critic's general approach and supporting evidence.  Consider how this argument might be useful to us, ways to extend this argument, the methodology, flaws or gaps in the argument, etc.  Your review should be about three pages in length.  A good rule of thumb for reviews is to aim for about 2/3 summary and 1/3 analysis.  For models, you may look at recent reviews in American Literature or Early American Literature.

 

You will turn in to me the written version of your review on the day you give it.  For the oral portion of your report, you will read your paper.  Afterward, be prepared to answer questions about your topic and how it relates to our readings.

 

2)       Pedagogical assignment

For this assignment, you will put together a teaching unit of early American literature.  Many of you plan to teach literature, at one level or another.  If you are called upon to teach early American literature, how would you do so?  What would be your teaching goals?  What would you want students to learn?  What teaching strategies would you use to achieve those goals?  This assignment will help you think through some of these issues as you develop a sample teaching unit for early American literature.

 

You will:  define the class level (e.g. high school, college level survey, etc.); develop teaching and learning goals relevant to that class level; decide which texts and editions you will use; and, develop reading and writing assignments.

 

These presentations will be scheduled at the end of the semester.  You'll have 5 minutes in which to present your ideas to the class.  Make enough copies of all your materials so that everyone in the class can take home a copy.

 

3)    Research presentations

These are scheduled on the syllabus for the end of the semester.  During these presentations, you will deliver a short version of your essay to your classmates, with time allowed for discussion.  Each student will also serve as a respondent to another student's paper.

 

 

Response Papers

Each of you will be responsible for writing two response papers over the course of the semester, which we will use to jump-start our discussions.  At the beginning of the semester, I'll set up an assignment schedule for dates/topics.  In your response paper, you should indicate what strikes you as interesting, surprising, and significant.  What questions were you left with?  You'll bring to class two copies of your response paper—one to give to me at the beginning of class, and the other to read aloud to begin our discussion.

 

Karen Weyler

English 630:  Studies in Early American Literature and Culture

Research Paper Assignment

 

Due dates:

Prospectus and proposed bibliography:   no later than Monday, March 31.  (I'll return these in-class on April 2)

Final version of paper: Friday, May 2, 12:00 p.m.

 

Length and formatting of final essay:  17-18 pp.  All essays should be typed and double-spaced with 1 ½ inch margins and a professional-looking 11- or 12-point font.  All source material should be cited parenthetically according to MLA style.

 

Your final project for this class is a research paper of significant scope.  You should:  develop an original idea about one or more of the texts that we have read; research your idea in the relevant scholarship; and then coherently argue for your idea throughout your essay, while gracefully incorporating scholarly evidence to further your argument.

 

The prospectus that is due by March 31 will provide a preliminary overview of what you intend to do in the final paper.  I’ll respond to your prospectus with comments designed to guide you in further work on your topic.  I’ll suggest which avenues of inquiry seem most productive and which seem least productive.  I’ll also comment on the quality of your proposed sources.  You are encouraged to use me as a sounding board before you turn in a prospectus.

 

Your prospectus should be 1-2 pages in length.  In it, you should sketch out the major elements of your argument, including questions or issues you want to explore.  This is not an outline—your prospectus should be written in well-organized paragraphs.  Along with your prospectus, include a “Works to be Consulted” page that lists the sources you intend to consult.  You do not have to have read all these sources yet.  In fact, you may need to request some of them through interlibrary loan—order those as soon as possible so that they will arrive in time to be useful to you.

 

Library Research:  The amount of scholarly research on the authors whose works we have read this semester varies widely.  There is considerable scholarship on Jonathan Edwards, for instance, but not as much on Samson Occom.  Obviously you can’t read everything written about Edwards and will thus have to be selective in your sources, but you could easily look at everything relevant to your topic written about Samson Occom's narrative.

 

There is no magic number of scholarly sources for any given paper, but I expect your essay to demonstrate a professional awareness of the present state of scholarship on your topic.  That means your scholarship needs to cover both important earlier scholarship and studies that are well as more recent.

 

Where to start with research:  After you have a potential topic or two in mind, spend some time with the MLA Bibliography, which you can access from the library itself or the library’s home page.  Has your topic been done to death?

 

That fact that there are many entries on a particular topic doesn’t mean you can’t write on it.  You can still write on that topic, IF you have something new to say, something new to contribute to the scholarly conversation on this topic.  If you have nothing new to say, then you should choose a different topic, as I am not interested in reading a simple survey of the scholarship.

 

Note:  While the Dictionary of Literary Biography entries and other biographically-based reference essays are useful for providing background information, but they do not provide enough depth for a graduate-level research paper.  If you need biographical information for your essay, you should consult a standard biography.  In general, however, you will want to avoid excessive use of biographical information.

 

Student research presentations are scheduled for the last two weeks of the semester.  I'll announce the schedule once I know what your topics are.  You'll be expected to give a formal, 8-10 minute version of your paper, to be followed by a 10 minute discussion led by a respondent (one of your classmates).  We have numerous reports to hear, so I will hold you strictly accountable for time.