GER 221. Germanic Mythology

SI, WI, GL, WL, CWL Markers

 

Andreas Lixl

Department of German, Russian, and Japanese Studies

 

 Course Syllabus

Tuesdays from 6:00-8:50 PM, Spring 2003


 

Instructor: Dr. Andreas Lixl, Professor of German, and Head of the Department of German, Russian, and Japanese Studies (http://www.uncg.edu/gar/) at The University of North Carolina at Greensboro (http://www.uncg.edu/), Greensboro, North Carolina, USA.

Contact Information: Office E-mail: Andreas_Lixl@uncg.eduPhone: (336) 256-1155, Fax: (336) 334-5885. Address:

Andreas Lixl
337 McIver Building
Dept. of German & Russian, UNCG
P. O. Box 26170
Greensboro, NC 27402, USA

Office Hours: At posted times, I will be available in the office and online via e-mail to answer questions, provide guidance, discuss concerns and issues related to this course. Students may schedule a visit during office hours in 337 McIver Bldg. UNCG. W, F from 10-12.

 

GER 221 Course Description 


Web Page at  http://www.uncg.edu/gar/courses/lixl/221/GER221.htm

 

GER 221 is a three-credit Germanic Mythology course taught in English. The course carries Global Perspectives (GL) markers, WI writing-intensive markers, and SI speaking-intensive markers under the General Education Core (GEC) program. GER 221 starts with an excursion into Old Norse and Icelandic sagas and myths, the content and style of which emerged during the Viking expansion 790-1170 AD. The center part of the course focuses on German tales, myths and legends, including the Song of the Nibelungs and folk tales of the early modern period. The third part of the course studies German tales from the Romantic era and the Brothers Grimm, who first collected their “house” tales in the early 19th century, to the era of the Weimar Republic in the Twenties. Course discussions will include modern social, feminist, and psychoanalytical interpretations of the readings, as well as literary, cultural, and historical commentaries on Germanic mythology, theories of folk literature, and the modern reception and adaptation of these tales and legends. The curriculum includes excursions into popular culture, literature, social history, art, music, modern media and technology. The guiding pedagogical principles behind the course aim at intertwining speaking and writing intensive activities with the study of German cultural history, including Internet and online exhibits.

Curriculum: In order to advance German speaking, interpretation and composition skills, the course curriculum integrates cultural analyses with historical and critical inquiries. The course starts with a look at Norse myths and legends, followed by readings from the German Middle Ages, and ends with an exploration of popular folk tales of Romanticism and modernist era, including Weimar Germany (1918-1933). The timeline below outlines the various topics and reading assignments for each of the 16 weekly sessions of the course.

Course Objectives: Various essays, presentations, readings and reporting assignments dealing with German civilization topics will provide class members with opportunities to expand their global perspectives and cultural interpretation skills. Part of the assignments will involve the use of the Internet, e-mail, and other electronic learning and research tools, which utilize foreign language resources available on the global web. Upon completion of the course, students will ...

Ø        Have a basic understanding of the literary and cultural scope of Germanic Mythology, including major authors and works, geographic distribution and historical reception.

Ø       Understand the impact of Germanic mythologies on the culture and the intellectual life in the German-speaking countries. 

Ø       Have the ability to research, organize, discuss, and present effective oral presentations on topics in Germanic Mythology.

Ø       Have the ability to research, organize, and develop (in English) coherent critical writings on course topics.

Ø       Have the ability to use the computer as a research and writing tool, and to utilize the library as well as the Internet as a source of knowledge about foreign literatures and cultures.

Graded Activities: There are four different types of graded activities to be completed in this course: (1) students complete the reading assignments and take comprehension quizzes, (2) students prepare oral presentations on Germanic Mythology subject matter, (3) students compose essays for the writing intensive portion of the course. (4) Students write two exams and compose a final paper in English on a Germanic Mythology topic.  Grading/Evaluation: UNCG Official Graduate Grading System

 

Andreas Lixl, UNCG, Spring 2003

GER 221 Germanic Mythology Course Outline

Timeline and Weekly Session Topics, TU 6:00-8:50 PM

 

Week

Topic

Web Resources

 

1

 

Ø        Course Introduction

 

Ø        Norse Myths. Graphic on p. xxii; The Creation, p. 3-6; The War of the Aesir and Vanir, p. 7-8.

 

Ø        Introduction to Internet Lab: Online course pages and web resources

 

SI Assignments (5 students) for week 2

1.        Summary of Yahoo index Society and Culture:Mythology and Folklore.

2.        Summary of The Norse Mythology Web Page

3.        Summary of web page Germanic Myths, Legends, and Sagas. Background information and links to sites related to this course.

4.        Text (summaries & commentaries) 9-43

5.        Text (summaries & commentaries) 44-79

 

Reading Assignment (all students) for week 2

Norse Myths p. 9-79

 

 

Germanic Myths, Legends, and Sagas. Background information and links to sites related to this course.

 

Norse Creation Myth from Snorri's Edda.

 

Yggdrasil. A short poem by H. C. Andersen about the mythical ash tree beneath which the Norse gods held court.

 

The Norse Mythology Web Page, a summary by Nicole Cherry of the California Institute of Technology.

 

Yahoo index Society and Culture:Mythology and Folklore.

 

 

2

 

Ø        SI Presentations (5 topics, see above)

 

Ø        Discussion of Norse Myths p. 9-79

 

Ø        WI (in-class) list of “Favorite Childhood Tales, Legends, and Stories”

 

Ø        Internet excursion: Viking Heritage exhibits and Museums

 

SI Assignments (5 students) for week 3

1.        Texts 16 + 17 (Thor’s Journey, etc.)

2.        Texts 18-22

3.        Texts 23-26

4.        Texts 27-28 (Death of Baldur, etc.)

5.        Texts 30-32 (Loki)

 

WI Assignment (all students) for week 3

2-page draft: “Favorite Childhood Tales, Legends, and Stories”

 

Reading Assignment (all students) for week 3

Norse Myths p. 80-176

 

 

The World of the Vikings, a well-organized collection of links.

 

Academic link collection

Thor's Home Page and Thor's Hammer Möllnir (with interesting photographs) and Thor and the Midgard Serpent from Snorri's Edda.

Balder's Home Page

The Norse The last great waves of European migrations began in the eighth century and picked up dramatically in the ninth and tenth centuries.

 

3

 

Ø        Due: (2-page draft) “Favorite Childhood Tales, Legends, and Stories”

 

Ø        SI Presentations (5 topics, see above)

 

Ø        Discussion of Norse Myths p. 80-176

 

Ø        Introduction: Norse Migrations and Settlements

 

Ø        Web Excursion: The Norse and Old Norse Religion: Early Volsung History

 

Reading Assignment (all students) for week 4

The Saga of the Volsungs, p. 35-75

 

SI Assignments (5 students) for week 4

1.        Text p. 35-42

2.        Text p. 42-50

3.        Text p. 50-57

4.        Text p. 57-66

5.        Text p. 66-75

 

 

Wild Huntsman Legends and tales about Odin (also known as Wotan in Germanic myths).

 

Ertha, the Germanic Earth Goddess. Account by Tacitus in 98 AD, of a north German deity named Ertha, Hertha, Nerthus, or Mother Earth. She may be related to the folkloric figures of Bertha or Frau Holle.

 

The Bifrost Project . Links to other Viking, Anglo-Saxon, Celtic, and Norse pages.

 

The World of the Norse (also called the Vikings)

 

The Saga of Grettir the Strong. A perennial choice for the "source" for Beowulf.

 

 

4

 

Ø        SI Presentations (5 topics, see above)

 

Ø        Discussion of The Saga of the Volsungs, p. 35-75

 

Ø        Corrected return of 2-page draft “Favorite Childhood Tales, Legends, and Stories”

 

Reading Assignment (all students) for week 5

the Saga of the Volsungs, p. 76-109

 

WI Assignment  (all students) for week 5

Revise and expand essay on “Favorite Childhood Tales, Legends, and Stories” (3 pages)

 

SI Assignments (4 students) for week 5

1.        Text p. 76-84

2.        Text p. 84-92

3.        Text p. 92-100

4.        Text p. 100-109

 

 

The Story of the Volsungs

 

Superstitions. Supernatural beliefs prevalent in northern Europe as late as the mid nineteenth century. Many of these superstitions have their roots in the ancient religions of the Celts, Germans, and Slavs.

 

Heathen Monuments. Legends about ancient alters, graves, megaliths, mounds, pictographs, runestones, picture stones, standing stones, and other such monuments from the past. Read the legends contained at this site.

 

 

5

 

Ø        Due: (3-page essay) “Favorite Childhood Tales, Legends, and Stories”

 

Ø        SI Presentations (4 topics, see above)

 

Ø        Discussion of the Saga of the Volsungs, p. 76-109

 

Ø        Exam information

 

Study Assignment for Exam I

For the 6-weeks exam, research arguments for in-class essay on “Passion, Power, and Humanity in Norse Mythology” 

 

Reading Assignment (all students) for week 6

Introduction to the Saga of the Volsungs, p. 1-29

 

SI Assignments (2 students) for week 6

1.        Comments on “Introduction” to Volsungs, p. 1-29

2.        Comments on “Introduction” to Volsungs, p. 1-29

 

 

The Saga of the Volsungs

 

The full version is available from the Online Medieval Library

 

Clio web page about women in religion and mythology

 

Germanic Goddesses

 

Mother Holle

 

 

 

6

 

Ø        SI Presentations (2 topics, see above)

 

Ø        Discussion of “Introduction” to the Saga of the Volsungs

 

Ø        6-Weeks Exam

1.        Identifications of characters and events in Norse Myths and Saga of the Volsungs (20 minutes)

2.        In-class essay (30 minutes) “Passion, Power, and Humanity in Norse Mythology”

 

Reading Assignment (all students) for week 7

Handout text: Nibelungenlied (42 pages)

 


Visuals
: The Sigurd Portal. Doorposts from a church in Hylestad, Norway, carved with figures illustrating scenes from Sigurd the dragon slayer. The Sigurd Runestone. Rock in Sweden engraved with figures illustrating the death of the dragon Fafnir, and of the sword smith Regin by Sigurd. Dolmens in Denmark. Norsemen believed that these monuments proved the former existence of giants in northern Europe.

 

7

 

Ø        SI presentations: exam essay summaries

 

Ø        Introduction to German Legends of the Rhine

 

Ø        Discussion of handout text Nibelungenlied (42 pages)

 

Ø        Video: Siegfried, Kriemhild’s Revenge

 

Ø        Introduction to Wagner’s Ring des Nibelungen

Nationaltheater Mannheim / Der Ring des Nibelungen, and Wagner's operas: Der Ring des Nibelungen  and San Francisco Opera: Der Ring des Nibelungen

 

Reading Assignment (all students) for week 8

The Great Fairy Tale Tradition

Read section introductions and all Grimm tales from p. 1-334 (9 tales)

 

SI Assignments (9 students) for week 8

Comments tale 1, Comments tale 2, Comments tale 3

Comments tale 4, Comments tale 5, Comments tale 6

Comments tale 7, Comments tale 8, Comments tale 9

 

 

The Germanic Heritage Page, by Arlea Anschütz, includes links and essays focusing on Germanic folklore and mythology.

 

Composed around 1200 for an Austrian court wedding, the Nibelungenlied tells of the Burgundians Gunther and Kriemhild, her lover, Siegfried, Gunter's wooing of Brunhild, the treachery of Hagen, and the court of Etzel, also known as Attila the Hun.

 

The story of Sigurd, Gudren, Grimhild and Brynhild is found in the 13th century work Volsunga Saga, (see course sections above) and also told in The Poetic Edda.

 

Human Sacrifice in Legends and Myths

 

8

 

Ø        Introduction to German Folk Tales and the Brothers Grimm

 

Ø        SI Presentations (9 tales, see above)

 

Ø        Discussion of The Great Fairy Tale Tradition, section introductions and all Grimm tales from p. 1-334 (9 tales)

 

Ø        Web excursion: Romanticism took its name from the medieval stories and poems called romances, which centered on heroic legends, and were written in the vernacular of the people.  As the Classical musical period ended after the Napoleonic Wars with the late compositions of Beethoven, the aesthetic goals of Romanticism began to dominate in music (1820-1910). Democratic, patriotic, and individualistic political ideals informed Romanticism in all European cultures, including Russians (Borodin, Mussorgsky, Tchaikovsky), French (Berlioz, Saint-Saens), Italians (Rossini, Donizetti, Verdi, Puccini), and German and Austrian composers like Weber, Schubert, Schumann, Mendelssohn and Liszt. The Romantic era in music ended with Wagner, Strauss, Bruckner, Brahms, Sibelius, and Mahler. See Romantic Era Music Links

 

Reading Assignment (all students) for week 9

The Great Fairy Tale Tradition

Read section introductions and all Grimm tales from p. 335-505 (8 tales)

 

SI Assignments (8 students) for week 9

Comments tale 1, Comments tale 2, Comments tale 3

Comments tale 4, Comments tale 5, Comments tale 6

Comments tale 7, Comments tale 8

 

 

German Culture web page: Romanticism to 1848

 

Grimm's Fairy Tales and online fairy tales

 

Witchcraft Legends, The Witch That Was Hurt

 

The Cinderella Project A text and image archive of a dozen English-language versions of Cinderella published between 1729 and 1912. The texts come from the collections of the de Grummond Children's Literature Research Collection at the University of Southern Mississippi. (For information on other versions of Cinderella, see Variations on the Cinderella Story.)

 

The Little Red Riding Hood Project. A text-and-image archive of sixteen early versions of the story, drawn from the de Grummond Children's Literature Research Collection.

 

Snow White. An excellent site by Kay Vandergrift. Good comparative texts and illustrations, and critical perspectives on the fairy tale and its variations.

 

 

9

 

Ø        SI Presentations (8 tales, see above)

 

Ø        Discussion of The Great Fairy Tale Tradition, section introductions and all Grimm tales from p. 335-505 (8 tales)

 

Ø        Introduction to Goethe’s Faust legend.

Faust Legends. Stories about mortals who enter into contracts with the demonic powers.

 

Reading Assignment (all students) for week 10

The Great Fairy Tale Tradition

Read section introductions and all Grimm tales from p. 506-698 (12 tales)

 

WI Assignments (all students) for week 10

Graded essay draft (2 pages, one topic only.)

1.        Witches, Stepmothers, and Heroines: Women in Grimm’s Fairy Tales

2.        Cruelty, Passion, and Morality in Grimm’s Fairy Tales

3.        Children and their Heroes in Grimm’s Fairy Tales

 

Ninteenth-Century German Stories. Struwwelpeter, Busch, Grimm Brothers in German- and English-language versions, often with illustrations. From the Foreign Language Department - Virginia Commonwealth University.

 

German Changeling Legends. Stories from German-speaking countries about how fairies, trolls, elves, and devils kidnap human children, leaving their own demonic offspring in their place.

 

Werewolf Legends from Germany, from collections published, for the most part, in 19th century Germany.

 

German Info: Roads Worth Traveling along the 372-mile-long Fairy Tale Road, travelers can trace the milestones of the Grimm Brothers’ lives.

 

 

10

 

Ø        Due: (2-page draft) “Witches, Stepmothers, and Heroines: Women in Grimm’s Fairy Tales” or “Cruelty, Passion, and Morality in Grimm’s Fairy Tales” or “Children and their Heroes in Grimm’s Fairy Tales”

 

Ø        Discussion of The Great Fairy Tale Tradition p. 506-698 (12 tales)

 

Ø        Introduction to Heinrich Heine and his tales

 

Ø        Information for Exam II

 

Reading Assignment (all students) for week 11

Siegfried Neumann’s essay in The Great Fairy Tale Tradition p. 969-678.

 

 

Library of Congress: American Folklife Centre. Information about the Library of Congress' Folk Culture collections, and about current folklife events.

 

Lamhfada online magazine of myth and story, featuring articles, tales, reviews, and more.

 

Fabula: Zeitschrift für Erzählforschung/Journal of Folktale Studies/Revue d'Etudes sur le Conte Populaire

 

Marvels & Tales: Journal of Fairy-Tale Studies

 

 

11

 

Ø       Return of essay draft

 

Ø        Mid-Term Exam

1.        SI Presentations (time limit: 2 minutes) on a topic of choice related to Germanic Mythology, including commentary on selected myths and legends, characters, web sites, and museum exhibits (60 minutes)

2.        Identifications of characters and events in the Nibelungenlied and  The Great Fairy Tale Tradition (25 minutes)

3.        Discuss main points of Siegfried Neumann’s essay in The Great Fairy Tale Tradition p. 969-678. (15 minutes)

 

Reading Assignment (all students) for week 12

Read Goethe’s “Fairy Tale” (p. 3-32), and Brentano’s “The Tale of Honest Casper and Fair Annie” (p. 129-159) in Romantic Fairy Tales.

 

 

 

A Fairy Tale by Johann Wolfgang von Goethe; Wearied with the labors of the day, an old Ferryman lay asleep in his hut, on the bank

 

 

The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm. Edited by Jack Zipes University of Minnesota.

 

12

 

Ø        Introduction to Romantic Fairy Tales

 

Ø        Discussion of Goethe’s “Fairy Tale” (p. 3-32), and Brentano’s “The Tale of Honest Casper and Fair Annie” (p. 129-159) in Romantic Fairy Tales.

 

Ø        Slide Show: Romanticism in Art

 

Ø        Introduction of essay topics, due on Final Exam Day

 

Reading Assignment (all students) for week 13

Read Fouque’s “Undine” (p. 55-125) in Romantic Fairy Tales.

 

SI Assignments (5 students) for week 13

1.            Summary of Introduction p. vii-xiii in Romantic Fairy Tales

2.            Summary of Introduction p. xvii-xix,  Romantic Fairy Tales

3.            Comments on  “Undine” (p. 55-125), Romantic Fairy Tales

4.            Comments on  “Undine” (p. 55-125), Romantic Fairy Tales

5.            Comments on  “Undine” (p. 55-125), Romantic Fairy Tales

 

 

Romantic Fairy Tales available from Penguin Putnam Inc.

 

Biography of Goethe

 

German Romanticism

 

Reform, Liberation and Romanticism in Prussia

 

Images of Fairy Tales

 

German Folklore. Rapunzel, Schneewittchen. German Fairy Tales

 

Commentary on Goethe's Fairy Tale

 

The Green Snake Play. Goethe's fairy tale

 

 

13

 

Ø        SI Presentations (5 introductions, see above)

 

Ø        Discussion of Fouque’s “Undine” (p. 55-125) in Romantic Fairy Tales

 

Ø        Sirens and Water Spirits. Germany’s Lorelei Legend

 

Reading Assignment (all students) for week 14

Read Weimar Tales. Hand-out (40 pages)

 

WI Assignment (all students) for week 14

Final essay draft (2 pages), including text citations, and bibliography

 

 

Water Spirit Legends. Stories about mermaids, nixies, and other supernatural creatures who live in the water

 

Melusina. Legends about mermaids, water sprites, and forest nymphs and their relationships with mortal men.

 

Friedrich de la Motte Fouqué: Undine. German text of 1811.

 

Lorelei legend in Germany

 

 

14

 

Ø        Due: Final essay outline (2 page draft), including title, text citations, and bibliography

 

Ø        Introduction to Weimar Culture

 

Ø        Discussion of Weimar Tales. Hand-out (40 pages)

 

Ø        Video excerpts: Weimar Film Mythology  

 

SI Assignment (all students) for week 15

Present final essay, including main ideas, text citations, and bibliography

 

 

Fairy Tales as political propaganda

 

Weimar Culture 1918-33

 

The Weimar Republic

 

Fairy Tales: Select Reading List of Secondary Material. Family, Friction, and Socialization in the Weimar Republic and Nazi Germany.

 

15

 

Ø       SI Final Presentations (all students): Discuss Final Essays

 

Ø       Introduction to Nazi Mythology

 

Ø       Slide Show: Aryan and Nordic Cults in Nazi Germany

 

Ø       Postmodern Mythology: The Neverending Story

 

Ø       Video: The Neverending Story

 

WI Assignment (all students) for week 16

Final Paper (3 pages), with at least 3 text citations, and bibliography

 

 

Anti-Semitic Legends

 

Nazi Propaganda Slogans, Myths, and Images

 

Lebensborn: The Nazi Effort to Breed a Pure Race

 

Postmodern Fairy Tales

 

1984 Fantasy film by Wolfgang Petersen The NeverEnding Story

 

16

 

Due: Final Paper

 

PipelineUNCGenie

 

 

 

- A. Lixl, Spring 2003, UNCG