UNCG Composition Program

MUSIC COMPOSITION AT UNCG
The UNCG Composition program is an active, dynamic and supportive community of creative musicians. There are currently about 20 students in the program and we offer a wide variety of courses and opportunities for performance of students’ works. These opportunities come in various forms, including student concerts, orchestra and other large ensemble reading sessions, guest artists, performances or readings, and performances by the Contemporary Chamber Players, a group dedicated entirely to the performance and recording of UNCG-composed music. Every year, over forty student pieces are premiered at UNCG!

The composition area at UNCG also hosts yearly the UNCG New Music Festival, a 3-day event bringing to Greensboro some of the most interesting artists dedicated to new music.

Graduates from our programs typically go on to continue their studies at prestigious Master and doctoral programs, often earning generous scholarships. Recent graduates have received offers from schools such as University of Florida, Bowling Green University, University of Texas at Austin, University of Wisconsin Milwaukee, and the University of South Carolina.

AUDITION

The audition for the Composition Program includes submission of a composition portfolio (usually two to three works) and performance audition on an instrument or voice. We would like to ask that you submit your portfolio at least a week prior to your on-campus audition.

FACULTY

Mark Engebretson
Alejandro Rutty
Greg Carroll

MORE INFORMATION

Program Overview

Electronic Music Studios

Information for Prospective Undergraduate Students (BM in Composition)

Information for Prospective Graduate Students (MM in Composition)

Links/Sound Clips from Current Students and Recent Graduates

UNCG New Music Festival

The Hey, Mozart! Project

PROGRAM OVERVIEW

Two degrees in composition are offered at UNCG, a Bachelor of Music (BM) and the Master of Music (MM). For specific information pertaining to applications and course of study, please see the corresponding links.  UNCG offers outstanding composition resources, from our state-of-the-art Alice Virgina Poe Williams Electronic Music Studios, to our outstanding Computer Lab to the collaborations afforded by top-notch student performers and a faculty that is committed not only to the great canon, but also to new music.The BM degree at UNCG is unique in that not only are composition students encouraged to continue study in an applied instrument or voice, it is required.  Students typically take 2 years of private lessons on their instrument, along with 4 years of composition study.  Scholarships are available for talented incoming students.

The MM is a two-year degree.  In addition to private composition study, students take courses in orchestration, electronic music, counterpoint, advanced theory and history and electives.  Assistantships are available, as are a limited number of in-state and out-state tuition waivers.

Student composers have the opportunity to present their work at each of two Student Composers Concerts each year, and many other performance possibilities exist throughout the year, including large ensemble reading sessions, a "concerto competition" (for composition students as well as performers) and student recitals. The Composition Program hosts an annual New Music Festival in the spring of each year.

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Studio Photos and Inventory

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Macintosh G5

Mac Book Pro Laptop

8.1 surround sound system:


8 Mackie HR824 speakers

Mackie 24 Channel mixing console

SL880 Studio Logic MIDI controller

MOTU 828 Digital Audio Interface


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Miscellaneous gear:

Amplifiers and Effects Processors:

NAD 3240 PE Stereo Amplifier
Alesis XTiC Digital Reverb Processor
Yamaha TX812 FM Tone Generator
DBX Quantum Digital Multi-band Processor
Digitech TSR 24 True Stereo Reverb/Multi effects Processor
Layla 20-bit Multi track recording system
Roland D-110 Multi timbral sound module
2 Zsys 8.8 digital detanglers
Lexicon MPX1 multiple processor
Yamaha REV500 digital reverberator
Lexicon PCM81 Digital Effects Processor
MOTU 2408 Audio interface
Ensoniq Mirage Digital Multi Sampler
M-Audio Firewire 410
Alesis Midiverb II 16-bit digital effects processor
Yamaha SPX90 digital sound processor

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Software:

Pro Tools LE with Digi 002 Control Surface
Logic Platinum 7
Peak Pro 5.2
Reason
Recycle
Max/MSP
Jitter
Absynth 2.5
Reaktor 4
Cubase SX
Vegas 6.0
Audacity
DVD Architect 3.0
Notion
Final Cut Pro
Final Cut HD Express

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Dell Desktop Computer

5.1 surround sound system:

2 GENELEC Studio Monitors

2 Event Electronics 20.20 Biamplifiied monitors

1 Mackie HR824 speaker

Yamaha O1v Digital Mixing Console

Kurzweil K2500X Keyboard

Studio 128x 128 MIDI interface/patch bay


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Keyboards and Synthesizers:

Kurzweil K2500RS Sampler
Kurzweil Digital Multi track Interface
Oberheim OB-Xa synthesizer
Casio CZ-101
Casio CZ-1000
Casio HZ-600
Roland XP60 Music Workstation
Roland S-50 Digital Digital Sampling Keyboard
Korg Poly-800
Korg Microkontrol MIDI controller
Korg Analog Sequencer
Korg Synthesizer
Yamaha Portasound PSS-680
Yamaha CP-10 electric piano
Yamaha DX-27
Sequential Circuits Prophet-600
Sequential Circuits Drumtracks
Moog Synthesizer
Arp Synthesizer
Aries Synthesizer


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Requirements for Application to the UNCG School of Music
Bachelor of Music in Composition

-- Application must be made to the University-- Application must also be made to the School of Music

  • The School of Music requires an audition on your principle instrument(s) or voice.  You must be accepted on an instrument or voice in order to undertake composition study.  This is because you will also study your instrument for, generally, two years. For the Composition Program, please submit two representative scores of music you have composed.  Recordings are appreciated, but not necessary.  These may be sent directly to the Coordinator of Composition, Mark Engebretson.
  • Please include a short essay on yourself:  what kind of music do you listen to, what kind of music do you write?  What are your career goals?  What would you like to do creatively?

-- Regular School of Music scholarships are available, and there is even a special scholarship for incoming undergraduate composition majors (see link).

-- For more help with the application and audition process, please contact Dianna Carter at (336) 334-3638 or send her email.

-- Scores, recordings and essays may be sent to Mark Engebretson, School of Music, University North Carolina Greensboro, P.O. Box 26170, Greensboro, NC 27402-6170.

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Requirements for Application to the UNCG School of Music
Master of Music in Composition

-- Application must be made to the Graduate School at the University-- Application must also be made to the School of Music

  • For the Composition Program, please submit a portfolio of three to five representative scores of music you have composed.  Recordings are appreciated, but not necessary. Please write an essay that gives a clear picture of who you are and your plans for the future.  Include information such as your artistic, academic and career goals, musical influences, music-related work experience (inlcuding teaching), aesthetic viewpoints and performances of your music.
  • At present, no formal interview or campus visit is required.  However, prospective students are encouraged to visit campus if possible and meet with the composition faculty.  This gives a chance for us to get to know one another, and for you to get a first-hand look at our facilities.

-- Assistantships are available for talented graduate students.  A limited number of out-of-state tuition wavers  may also be available.  The University furthermore offers highly competitive Fellowships. (see link at right).

-- For more information on Graduate Programs and the application process, please contact Associate Dean William Carroll at (336) 334-3644 or email.

-- Submit your portfolio of scores and essay to Kate Smith, Graduate Secretary, School of Music, University of North Carolina at Greensboro, P.O. Box 26170, Greensboro, NC 27402-6170.

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SAMPLE OF STUDENT'S COMPOSITIONS AND SITES

Matt Johnson, Pretense, for saxophone quartet
Andrew Weathers, Some kind of Texas Accent
Jonathan SalterStreaming induced potential
Michael Cummings, The Gaudy and the Guarded, for orchestra
Eric Bridges, Texturous, for piano and marimba
Nicholas Rich, The Annunciation, for organ and voices
Nick Stubblefield
Chris Hodgin, Rhapsody of Summer, for string orchestra
Thomas Royal
Braxton Sherouse
Adam Murphy

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