Musical Analysis - selected bibliography


Analytica: studies in the description and analysis of music. 1985.

Bairstow, Edward C. (Edward Cuthbert), Sir, 1874-1946. The evolution 
of musical form.  London, New York [etc.] Oxford university press, 1943.

Bardos, Lajos. Selected writings on music. 1984.

Baur, John, 1947-. Music theory through literature. Englewood Cliffs, 
N.J. : Prentice-Hall, 1985. 

Beitrage zur musikalischen Analyse. 1987.

Bent, Ian. Analysis. NY: WW Norton and Co., 1979, 1987.

Berry, Wallace. Form in Music. Prentice-Hall, 1966, 2nd ed. 1986.

Berry, Wallace. Structural Functions in Music. Prentice-Hall, 1976.

Boretz, Benjamin and Edward T. Cone, eds. Perspectives on
Contemporary Music Theory. New York: W.W. Norton, 1972.

Burde, Wolfgang, 1930-. Studien zu Mozarts Klaviersonaten: 
Formungsprinzipien und ... 1969.

Chailley, Jacques, 1910-.Elements de philologie musicale. 1985.

Clendenin, William R., Music History and Theory, Garden City, N.Y.: 
Doubleday, 1965.

Cogan, Robert, 1930-. New images of musical sound. Cambridge, 
Mass. : Harvard University Press, 1984.

Cogan, Robert and Pozzi Escot. Sonic Design.  Englewood Cliffs:      
Prentice-Hall, 1976.

Cone, Edward T. Musical form and musical performance. New York, 
W. W. Norton, 1968.

Cook, Nicholas. A guide to musical analysis. New York: G. Braziller, 
1987.

Cooper, Paul, Perspectives in Music Theory: an historical-analytical 
approach, New York: Dodd, Mead, 1973.

Dahlhaus, Carl, 1928-. Analyse und Werturteil. 1970. English. 1983.

Damschroder, David Allen. The structural foundations of "the music of 
the future" : a...1981.

Dunsby, Jonathan. Music analysis in theory and practice. New Haven: 
Yale University Press,1988.

Eggebrecht, Hans Heinrich. Sinn und Gehalt : Aufsatze zur musikal. 
Analyse. 1979.

Epstein, David. Beyond Orpheus: studies in musical structure. 
Cambridge, Mass.: MIT Press, c1979.

Erickson, Robert, 1917-. The structure of music: a listener's guide; 
a study of music in terms of melody and counterpoint. New York, 
Noonday Press, 1955.

Eschman, Karl Henry, 1891-. Changing forms in modern music. 2nd 
ed. Boston, E. C. Schirmer Music Co. [c1968]

Federhofer, Hellmut, 1911-. Akkord und Stimmfuhrung in den 
musiktheoretischen Systemen. 1981.

Ferguson, Donald Nivison. A History of Musical Thought, 3rd ed., New 
York: Appleton-Century-Crofts,1959.

Flechsig, Hartmut. Studien zu Theorie und Methode musikalischer 
Analyse. 1977.

George, Graham. Tonality and musical structure. New York, Praeger, 
c1970.

Goetschius, Percy. Lessons in Music Form. Ditson, 1932.

Gotze, Ursula. Methode der strukturwissenschaftlichen Darstellung 
von Tons... .1984.

Green, Douglas. Form in Tonal Music. NY: Holt, 1965.

Hanford, Lisa. A theory of voice leading for music of the classical 
period. diss.1984

Harnoncourt, Nikolaus. Musik als Klangrede : Wege zu einem neuen 
Musikverstandnis ... 1982.

Jonas, Oswald. Einfuhrung in die Lehre Heinrich Schenkers. English. 1982.

Karkoschka, Erhard. Neue Musik Analyse. Herrenburg: Doring, 1976.

Kivy, Peter. Sound and Semblance: reflections on musical representation. 
Princeton, N.J.: Princeton University Press, 1984.

Kohs, Ellis B., 1916-. Musical form: studies in analysis and synthesis. 
Boston : Houghton Mifflin, c1976.

Kresky, Jeffrey, 1948-. Tonal music: twelve analytic studies. 
Bloomington: Indiana University Press, c1977.

Kucukalic, Zija, 1929-. Die Struktur des Kunstwerks: mit besonderer 
Berucksichtigu... 1986.

LaRue, Jan. Guidelines for style analysis. Norton:1970.

Lehmann, Friedrich Johann, 1866-. The analysis of form in music. 
Oberlin, O., A.G. Comings & son [c1919].

Leichtentritt, Hugo. Musical Form. Cambridge: Harvard Univ. Press, 1951.

Lester, Joel. Analytic approaches to twentieth-century music. NY: WW 
Norton and Co., 1989.

Levarie, Siegmund, 1914-. A dictionary of musical morphology. 
Henryville, Pa. : Institute of Mediaeval Music, 1980.

Levy, Janet M. Beethoven's compositional choices : the two versions of 
op.... 1982.

Literature and music : essays on form. Provo, Utah : Brigham Young 
University Press, c1981.

Lucas, Clarence, 1866-1947. The story of musical form. Boston: 
Longwood Press, 1977.

Mason, R. M. (Robert Marion), 1928-. Modern methods of music analysis 
using computers. 1985.

Mersmann, Hans, 1891-. Versuch einer phanomenologie der Musik. 1973. 

Moore, Douglas Stuart, 1893-. A guide to musical styles, from madrigal 
to modern music. rev. ed. New York, W. W. Norton [1962]

Mooser, R.-Aloys (Robert Aloys) Regards sur la musique contemporaine, 
1921-1946. 1946.

Morgan, Robert P. The delayed structural downbeat and its effect on the 
tonal... diss.1969.

Morris, Reginald Owen, 1886-1948. The structure of music; an outline 
for students. London, Oxford University Press, H. Milford, 1935.

Musical grammars and computer analysis : atti del convegno,...1984.

Nallin, Walter Edward, 1918-. The musical idea: a consideration of music 
and its ways. New York, Macmillan Co. [c1968]

Narmour, Eugene, 1939-. Beyond Schenkerism : the need for alternatives 
in music analysis. Chicago: University of Chicago Press, 1977.

Nattiez, Jean Jacques. Musicologie generale et semiologie. 1987.

Ouseley, F. A. Gore (Frederick Arthur Gore), Sir, Baronet.,1825-1889. 
A treatise on musical form and general composition. Oxford, Clarendon 
Press, 1875.

Piston, Walter, 1894-1976. Principles of harmonic analysis. Boston:  
E. C. Schirmer, 1933.

Prautzsch, Ludwig. Vor deinen Thron tret ich hiermit : Figuren und 
Symbole in ....1980.

Rahn, Jay, 1947-. A theory for all music: problems and solutions in 
the analsis of non-Western forms. Buffalo: University of Toronto 
Press,1983.

Ratner, Leonard G. The musical experience: sound, movement, and 
arrival.  New York: W.H. Freeman, 1983.

Reti, Rudolph Richard, 1885-1957. The thematic process in music. 
Westport, Conn. : Greenwood Press, 1978, c1951.

Rosen, Charles.  The Classical Style.

Salzer, Felix, Structural Hearing: tonal coherence in music, [Unabridged 
and corr.], New York: Dover Publications, 1962.

Schenker, Heinrich. Five Graphic Music Analyses. ed. Felix Salzer. New 
York: Dover, 1969.

Schonfelder, Gerd. Prinzip Wahrheit, Prinzip Schonheit : Beitrage zur 
Asthetik...1984.

Silberhorn, Heinz. Die Reihentechnik in Stockhausens Studie II.1980.

Simms, Bryan R. Music of the twentieth century: style and structure. 
New York : Schirmer Books ; London : Collier Macmillan, 1986.

Solomon, Larry Joseph, 1940-. Symmetry as a determinant of musical 
composition [microfilm]. 1973.

Spalding, Walter Raymond, 1865-. Music: an art and a language. Boston, 
New York, Arthur P. Schmidt [c1920].

Spencer, Peter, 1939-. A practical approach to the study of form in 
music. Englewood Cliffs, N.J. : Prentice-Hall, c1988.

Tenney, James. Meta+hodos: a phenomenology of 20th-century musical 
material. 1988.

Theory, analysis and meaning in music. c1994.

Thornhill, William Robert. Texture in Stravinsky's Svadebka. 1985.

Toch, Ernst, 1887-. The shaping forces in music, an inquiry into 
harmomy, melody, counterpoint, form. New York, Criterion Music Corp. 
[1948]

Tovey, Donald Francis, Sir, 1875-1940. Essays in musical analysis. 
1939, Oxford University Press, 1981.

Tovey, Donald Francis, Sir, 1875-1940. The forms of music: musical 
articles from the Encyclopaedia Britannica. London, Oxford University 
Press [1957].

Trowbridge, Lynn Mason, 1942-.The fifteenth-century French chanson 
a computer-aided study... diss. 1982

Upton, George Putnam, 1834-1919. The standard concert guide; a 
collection and analysis of standard instrumental and vocal works in the 
concert-room repertory. Rev. and enl. ed. Chicago, A. C. McClurg, 1917.

Vogel, Martin, 1923-. Anleitung zur harmonischen Analyse und zu reiner 
Intonation. 1984.

Warfield, Gerald. Layer analysis: a primer of elementary tonal 
structures. New York: McKay, 1976. 

Wenk, Arthur B. Analyses of nineteenth- and twentieth-century music. 
1987.

Wenk, Arthur B. Analyses of Nineteenth-Century Music:1940-1980. Boston: 
Music Library Association, 1984.

Werner, Robert. EDM : (Elektronische Datenverarbeitung fur Musik) : 
Modell.

White, John David, 1931-. The analysis of music. Prentice-Hall, 1976, 
1984. Metuchen, N.J. : Scarecrow Press, 1984.

Yeston, Maury, ed. Readings in Schenker Analysis. New Haven: Yale Univ. 
Press, 1977.


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