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JAZZ
APPRECIATION
MUS
214 - Introductory course designed to give the student new insights
and general knowledge of all jazz styles. Does not require previous
musical training.
JAZZ
THEORY
MUS
103- The Principles of Jazz Theory establishes a foundation of knowledge
for the study of jazz improvisation and composition- stressing jazz
nomenclature, chord/scale analysis, basic chord substitution, and
voice leading.
JAZZ
ARRANGING I
MUS
423/623- Beginning the study of language, techniques and disciplines
of arranging and composition for Small Jazz Groups (duet through nonet)
JAZZ
ARRANGING II
MUS
424/623- The study of techniques used by the jazz masters in writing
for the large jazz ensemble. The writing Count Basie, Benny Carter,
Gil Evans, Duke Ellington, Thad Jones, Jim McNeely, and Maria Schneider
will studied.
JAZZ
IMPROVISATION I
MUS
321- Basic course for the student with little of no previous experience
in jazz improvisation. This course will introduce the student to improvisation.
Jazz forms and will be introduced. This class will end with the study
of playing chord changes, and the blues.
JAZZ
IMPROVISATION II
MUS
322- Contemporary improvisational techniques are studied. This class
begins with the music of Duke Ellington and "rhythm changes",
and ends with the study of music from Wayne Shorter and John Coltrane.
JAZZ
LABORATORY ENSEMBLE
MUS
395 - Performance of literature encompassing all of the jazz idioms
with emphasis on historically significant works. Student compositions
are encouraged.
JAZZ
PEDAGOGY
MUS
409 - Principles of jazz interpretation, improvisation, and arranging.
Procedures of organizing and administering jazz programs. Survey of
jazz study materials.
HISTORY
OF JAZZ
MUS
660 - Chronological survey of jazz music and jazz history. Introduction
to standard reference works and investigation of socio-cultural aspects.
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