School of Music 107 Brown Music Building Major / Minor Information Course Arthur R. Tollefson, Professor and Dean of School James C. Prodan, Professor and Associate Dean Professors Bass, Cox, Garlington, Gutter, Hess (Covington Distinguished Professor of Music), Kiorpes, Lynam, McCrickard, McIver, Prodan, Sherbon; Associate Professors Burke, G. Carroll, W. Carroll, DiPiazza, Egekvist, Hunkins, Kohlenberg, LeFevre-Milholin, Locke, McCarty, McClaren, Masarie, Marsh, Salmon, Sink, Stewart, Walker, Whittaker, Williams; Assistant Professors Anderson, AsKew, Bach, Charry, Edwards, Holley, Lansdale, Shively, Willis, Yoder-White; Instructors Burns, Rawls, Scott; Lecturers Beerman, King, Mazzatenta, Poindexter The School of Music is an accredited institutional member of the National Association of Schools of Music. The requirements for entrance and graduation as set forth in this catalog are in accordance with the published regulations of the National Association of Schools of Music. The School of Music is the sole representative of the State of North Carolina to the National Association of Music Executives in State Universities. The School of Music offers the only comprehensive music program from undergraduate through doctoral study in both performance and music education in North Carolina. Unlike either more specialized programs in conservatory-type institutions or more general curricula encountered in most departments of music, studies in the School of Music complement rigorous professional training with that broad liberal education necessary for students both to function as informed, responsible citizens and, concurrently, to communicate most effectively as musicians. The Bachelor of Music Performance Major is a professional music degree which prepares students for future careers as performers, composers, and/or teachers; it requires students to spend approximately two-thirds of their time in music study. The Bachelor of Music Music Education Major prepares students for positions as choral directors or teachers of general music (principal performance area usually voice, piano, or organ) or for positions as instrumental directors (principal performance area in orchestral or band instruments) in public schools; it requires students to spend approximately two-thirds of their time in music and teacher certification study. The Bachelor of Arts Music Major is a liberal arts degree which provides valuable undergraduate preparation for a variety of careers; it requires students to spend approximately one-third of their time in music study. Exceptions to prescribed degree programs must have written approval of the Dean of the School of Music. All prospective music majors and minors must audition for members of the music faculty for acceptance into the School of Music and for approval of the major or principal performance area. Such auditions should be arranged in advance through the School of Music; taped auditions are acceptable only if distance prohibits a personal audition. Composition majors should submit scores and/or recordings of completed compositions. Successful audition/composition submission results are valid for one calendar year. Aspects of Music Study Performance Studies. Throughout the four years of undergraduate enrollment, music students will study in one or more performance studies areas: keyboard, voice, strings, winds, percussion, or composition. This study will include private instruction in the major or principal performance area, some group instruction, and work in a secondary performance area (instruments, voice, composition or advanced conducting) outside the major or principal area. Requirements in performance studies are defined both by proficiency level and credit hours. The level of study for each semester is determined by faculty committees in "jury examinations." Specific requirements for these examinations are provided by the faculty in each performance area. Music majors enroll each semester in the major or principal instrument for two or three credit hours as determined by the performance faculty. Secondary performance study or performance study by most minors and non-majors normally grants one credit. Music majors assigned instruction in performance studies must simultaneously carry a minimum of two three-credit music courses. Majors, principals, and minors will be assigned to MUS 151-451 (1-3 credits) for performance studies. Students who are not music majors or minors may enroll for performance study subject to the availability of space. Advance approval must be obtained from the School of Music. Neither noncredit nor audit registration in performance studies is permitted. Performance Activities. B.M. students will participate in one or more large ensembles in their area each semester according to degree requirements. Any student enrolled for two or more credits of performance studies must coregister for a large ensemble (MUS 380, 381A & B, 382, 383, 384, 388, 391, 393, 394, 395, 396D, 396I). Each year advanced voice students may apply for roles in the performances of opera and musical theatre which the School of Music presents in cooperation with the Department of Broadcasting/Cinema and Theatre. Advanced students also have opportunities to perform in the Greensboro Symphony Orchestra and/or other professional ensembles, to serve as church organists, vocal soloists, and directors, and to participate in orchestras hired locally for touring events appearing in the community. Community Opportunities Living in the artistically thriving Greensboro/Winston-Salem/High Point "Triad" area, students enjoy regular opportunities to attend and perform in concerts sponsored by such organizations as the Greensboro Symphony Orchestra, the Greensboro Opera Company, and the Eastern Music Festival. In addition, they interact with some of the world's major artists who frequently schedule informal discussions, open rehearsals, and master classes at UNCG. Facilities. The School of Music is currently based in the Brown Music Building Complex. This facility, in combination with other buildings on campus, provides large and small auditoriums, choral and instrumental rehearsal halls, and numerous practice rooms. The Music Listening Center, also located in the Brown Music Building, houses a large collection of recordings, other audio-visual materials, and scores. Many students explore special interests in the Electronic Music Studio, the Electronic Piano Laboratory, and the Computer Assisted Instruction Laboratory. The Birdie H. Holloway Music Education Laboratory houses reference materials, computer and video cassette recorder equipment, other audio-visual equipment, and the various teaching instruments required for primary and secondary school music instruction. Students in instrumental areas, although encouraged to own the best possible instruments for their personal use, are afforded access to the school's large inventory of orchestral and keyboard instruments. Transfer Student Policy Transfer students to the School of Music must follow the requirements for their major that are in effect during the semester of their initial registration at UNCG, regardless of which AULER catalog is allowed. Student Information Manual Additional policies and regulations are found in the Student Information Manual. This manual is made available to all music students after entrance requirements are met. Adherence to the contents of this publication are the responsibility of the student. Music in General Studies Courses in introductory music appreciation, Afro-American music, non-western music and jazz appreciation are designed for the non-music major. Such courses may be taken either to satisfy degree requirements or as electives. The interested and qualified student may, with consent of the instructor, pursue study in other music courses as well (see pertinent course descriptions). Music Major (Bachelor of Arts) Required: 122-126 semester hours. MUS 090 (4 semesters) MUS 091 (7 semesters) Concentrations in General Music Music History All-University Liberal Education Requirements (AULER) (45 hours) All students in this program must meet the All-University Liberal Education Requirements (AULER). In addition, students in the General Music Concentration must elect two writing intensive courses, as defined and identified in the UNCG Undergraduate Bulletin within their AULER requirements. These students must complete six hours of the same foreign language. This may be accomplished by completing six hours of a new elementary foreign language, by completing six hours through the intermediate level of a previously studied foreign language, or by proficiency through the intermediate level. See pp. 63-66 for a detailed listing of AULER area requirements and courses meeting those requirements.

1.	Large Ensemble: 5 semester hours
2.	One 500-level music elective in history/literature, theory or pedagogy.
3.	Electives sufficient to complete the 122 semester hours requried for the degree

Music History Concentration

1.	Large Ensemble: 2 semester hours
2.	Collegium Musicum: 6 semester hours
3.	MUS 497C (6 semester hours) to culminate in a senior thesis; MUS 507; three of the following: MUS 511, 521, 527, 528, 529, 530, 531, 532, 533, 534, 537, 538.
4.	Electives sufficient to complete the 122 semester hours requried for the degree

Performance Major (Bachelor of Music)
A concentration in voice or an instrument
Performance Major: Jazz Studies (Bachelor of Music)
A concentration in an instrument with emphasis on jazz
Composition Major (Bachelor of Music)

A concentration in music composition (proficiency in at least one performance area required for
acceptance).

Required: 128 semester hours.

	MUS 090 (7 semesters)
	MUS 091 (7 semesters)

All-University Liberal Education Requirements (AULER) (39 semester hours)
All students in this program must meet AULER requirements.

For All Three Majors:		Semester Hours
1.	British or American Literature (BL)		3
2.	Historical Perspectives on Western Culture (HP)		3
3.	Mathematics (MT)		3
4.	Natural Science (NS)		6
5.	Non-Western Studies (NW)		3
	Required: MUS 343
6.	Reasoning and Discourse (RD)		6
7.	Social and Behavioral Sciences (SB)		6
8.	World Literature (WL)		3
9.	Electives (from any of the above areas or foreign language)		6

The above reflects waivers approved for this program in the areas of Analytic and Evaluative Studies (AE), 3 hours, and Fine Arts (FA), 3 hours. See pp. 63-66 for a detailed listing of the complete AULER area requirements and courses meeting those requirements. Major Requirements

Core courses for all three majors

1.	Theory: MUS 101, 102, 105, 106, 201, 202, 205, 206, 301
2.	Performance Studies: 12 semester hours

PERFORMANCE MAJOR

1.	Major area Performance Studies: 12 semester hours (10 for voice and keyboard majors) beyond core requirement culminating in senior recital (at least 3 at 451 level)
2.	Secondary Performance Studies: 2 semester hours
3.	History: MUS 331, 332, 333, 343 (fulfills NW AULER requirement; see above)
4.	Large Ensemble: 8 semester hours (4 for keyboard majors)
5.	Conducting: 1 semester hour
6.	History/Literature and Theory: 9 semester hours (two areas must be represented)
7.a.	Guitar Students
	Class Piano: 2 semester hours through MUS 134 or proficiency
	Small Ensemble: 2 semester hours
	Pedagogy: 3 semester hours
	Music Electives: 6 semester hours
b.	Harpsichord Students
	MUS 284, 285, and 2 semester hours of 384
	Collegium Musicum: 2 semester hours
	Piano: 4 semester hours
	Keyboard Harmony: 2 semester hours
	MUS 530: 3 semester hours
	Pedagogy: 3 semester hours
	Music Electives: 4 semester hours
c.	Orchestral Instrument Students
	Class Piano: 2 semester hours through MUS 134 or proficiency
	Small Ensemble: 2 semester hours
	Pedagogy (string, woodwind, brass, or percussion): 3 semester hours
	Music Electives: 6 semester hours
d.	Organ Students
	MUS 284, 285, and 4 semester hours of 384
	Small Ensemble: 2 semester hours
	Keyboard Harmony: 2 semester hours
	Pedagogy: 3 semester hours
	Music Electives: 6 semester hours
e.	Piano Students
	MUS 284, 285 and 4 semester hours of 384
	Small Ensemble: 2 semester hours
	Pedagogy: 3 semester hours
	Keyboard Harmony: 2 semester hours
	Music Electives: 6 semester hours
f.	Voice Students
	Class Piano: 2 semester hours through MUS 134 or proficiency
	Diction: 4 semester hours
	Vocal Repertory and Pedagogy: 7 semester hours (375, 513, 514, 541)
	Music Electives: 2 semester hours
	FRE 101, GER 101-102, and ITL 101 ( 6 hours may be used to fulfill AULER electives)

PERFORMANCE MAJOR: JAZZ STUDIES (INSTRUMENTAL)

1.	Major area Performance Studies: 12 semester hours (beyond core requirement) culminating in senior recital of mainly jazz literature (must achieve 351 level in classical studies and at least 3 credits at 451 level in jazz studies)
2.	Secondary Performance Studies: 2 semester hours
3.	History: MUS 332 and 333; 331 or 334; 343 (fulfills NW AULER requirement)
4.	Class Piano (not required of keyboard principals): 2 semester hours through MUS 134 or proficiency
5.	MUS 395: 8 semester hours
6.	MUS 321, 322, 358, 372, 558, 560
7.	Music Electives: 5 semester hours

COMPOSITION MAJOR

1.	Composition: 2 semester hours (beyond Performance Studies core requirement) culminating in senior recital (at least 3 at 451 level)
2.	Principal Performance Area: 8 semester hours (must attain 351 level)
3.	History: MUS 332 and 333; 331 or 334; 343 (fulfills NW AULER requirement)
4.	Class Piano: 2 semester hours through MUS 134 or proficiency
5.	Large Ensemble or 20th-Century Players: 8 semester hours
6.	Small Ensemble: 2 semester hours
7.	MUS 203, 350, 372, 472, 507, 508, 566
8.	Music Electives: 6 semester hours

Choral/General Music Education Major (K-12) (Bachelor of Music)
Instrumental Music Education Major (K-12) (Bachelor of Music)
Required: 128 semester hours

	MUS 090 (7 semesters)
	MUS 091 (7 semesters)

All-University Liberal Education Requirements (AULER) (39 semester hours)

All students in this program must meet AULER requirements. For Both Majors:

		Semester Hours
1.	British or American Literature (BL)	3
2.	Historical Perspectives on Western Culture (HP)	3
3.	Mathematics (MT)	3
4.	Natural Science (NS)	6
5.	Non-Western Studies (NW)	3
	Required: MUS 343
6.	Reasoning and Discourse (RD)	6
7.	Social and Behavioral Sciences (SB)	6
	Required: PSY 121 and HEA 201
8.	World Literature (WL)	3
9.	Electives (from any of the above areas or foreign language)	6

The above reflects waivers approved for these programs in the areas of Analytic and Evaluative Studies (AE), 3 hours, and Fine Arts (FA), 3 hours. See pp. 63-66 for a detailed listing of the complete AULER area requirements and courses meeting those requirements. Major Requirements Core Courses

1.	Theory: MUS 101, 102, 105, 106, 201, 202, 205, 206, 301
2.	History: MUS 332 and 333; 331 or 334; 343 (fulfills NW requirement of AULER; see above)
3.	Performance Studies: 12 semester hours (at least 2 at 351) culminating in a half recital during a semester enrolled at the 351 level. Keyboard students may fulfill the recital requirements by accompanying a half recital or chamber recital.
4.	Large Ensemble: 7 semester hours

Choral/General Music Education Major

1.	Keyboard Students:
2.	a. MUS 170, 171, 208, 319, 355, 356, 367a, 419, 464, 468, 469; select 2 credits from 270, 271, or 152 (secondary voice)
	Class Voice: 2 semester hours
	Secondary Voice: 3 semester hours
	Music Electives: 2 semester hours
b.	Voice Students:
	MUS 170, 171, 208, 270, 271, 319, 355, 356, 367a, 419, 464, 468, 469
	Class Piano: 2 semester hours through MUS 134 or proficiency
	Secondary Piano: 3 semester hours
	FRE 101, 102, or GER 101-102
3.	Music Electives: 2 semester hours
	Instrumental Music Education Major
1.	MUS 209, 355, 357, 363, 364, 365, 366, 367b, 368, 372, 467, 468, 469, 472
2. a.	Wind, Percussion, or Bowed String Instrumental students
	Class Piano: 2 semester hours through MUS 134 or proficiency
b.	Keyboard students
	Secondary study of Wind, Percussion or Bowed String Instrument: 2 semester hours

Teacher Licensure Requirements

(See "Teacher Education Programs", Chapter 7, for full explanation.)

1.	AULER requirements as identified within each major.
2.	HEA 201 Personal Health
3.	PSY 121 General Psychology
4.	ELC 381 The Institution of Education
5.	CUI 450 Psychological Foundations of Education
6.	CUI 470 Reading Education
7.	MUS 465 Student Teaching and 466 Student Teaching Seminar

Music Minor
Required: 21 semester hours in School of Music

1.	Theory: MUS 101, 102, 105, 106
2.	History: MUS 332
3.	Performance Studies: 4 semester hours (must satisfy requirements for entrance to 251 level)
4.	Large Ensemble: 4 semester hours
5.	Music Electives: 4 semester hours

Accelerated Masters Program for Undergraduates' BA in General Music and MBA in Business Administration The accelerated program in General Music/Business Administration provides the opportunity for a student to complete a BA in General Music (122 hours) within a four-year period and to shorten the time required to finish the Master of Business Administration degree. Interested students should: 1. have some Advanced Placement credit upon admission to UNCG in order to reduce the number of required undergraduate hours. See courses on pp. 20-21 for which AP credit is available. 2. identify themselves as potential accelerated candidates early in their academic careers in order to receive appropriate advising. Although formal admission to an accelerated program usually occurs in the junior year, careful selection of undergraduate courses beginning in the freshman year is essential. Interested students should talk with an advisor in the School of Music as early as possible. 3. In the spring of the junior year, students should take the GMAT 4. apply for admission to the Graduate School and the MBA program

Requirements for Combined Accelerated BA in General Music/MBA in Business Administration

A.	AULER Component (45 hours max)**	Hours	Hours reduced by 30 courses meeting more than one requirement
	Special AULER area requirements for this program:
	Mathematics (MT)- required: MAT 120 or	3	-3
	191 (see C below)
	Nonwestern Studies (NW)- required: MUS 343	3	-3
	(see B below)
	Social and Behavioral Sciences (SB)-	6	-6
	required ECO 201, 202 (See C below)
	AULER Electives (EL)- required: 6 hours of	6
	the same foreign language
	Total Hours	45
	Total Hours (reduced)	33	(-12)
	** NOTE: Students must select two writing intensive courses
B.	General Music Major Requirements (53 hours)
1.	Theory: MUS 101, 102, 105, 106, 201, 202, 205, 206, 301	15
2.	History: MUS 331 or 334, 332, 333, 343 (meets AULER	12
	NW requirement)
3.	Class Piano: 4 semesters through 134 or proficiency	4
4.	Performance Studies: 10 semester hours including	10
	at least 2 hours at 351 level
5.	Large Ensemble	5
6.	MUS Elective: one 500-level course in history/literature,	3
	theory, or pedagogy
7.	MUS 090 for 4 semesters	0
8.	MUS 091 for 7 semesters	0
	Total hours	49
C.	MBA Prerequisites (21 hours)
1.	MAT 120 or 191 (meets AULER MAT requirement)	3
2.	ISM 110 (prerequisite for ECO 250)	3
3.	ECO 201 and 202 (meet AULER SB requirement), 250	9
4.	ACC 201, 202	6
	Total hours	21
	Total Undergraduate Requirements	103
D.	Other Undergraduate Electives	19
	Total Undergraduate Semester Hours	122
E.	Related Requirements for the MBA (43.5 hours)
	Senior Year (7.5 hours)
	MBA 601, 604 (Fall)	3.0
	MBA 605, 606, 607 (Spring)	4.5
	Summer Following Senior Year (4.5 hours)
	Internship and 4.5 credits	4.5
	Graduate or 5th Year (24 hours)
	Required foundation and strategic management	24.0
	level requirements; electives
	Summer (3 hours)
	Remaining required and elective courses	7.5
	Total MBA Semester Hours	43.5

MUSIC COURSES (MUS) Music courses marked with an asterisk (*) are open to all University students. Some of the following courses may not be available every year. Please inquire at School of Music for schedule. For Undergraduates 090 Convocation (0:1). Weekly presentations by students, faculty and guests. See Student Information Manual. (FA,SP) 091 Recital Attendance (0). Music Majors are required to attend an approved number of performances each semester. See Student Information Manual. (FA,SP) 101 Music Theory I (2:3). Basic principles of the Western musical language. Rhythm and meter, scales, triads, and seventh chords; fundamentals of part-writing and harmonic progression. (FA,SP) 102 Music Theory II (2:3). Pr. 101, or permission of instructor. Continued study of harmony within the diatonic major-minor system; exercises in part-writing and analysis. (FA,SP) 105 Ear-Training I (1:2). Music reading and dictation. Performance, aural recognition, and notation of melody, rhythm, and triads. (FA,SP) 106 Ear-Training II (1:2). Pr. 105, or permission of instructor.Continuation of music reading and dictation. Performance, aural recognition, and notation of melody, rhythm, harmony, and two-voice counterpoint. (FA,SP) 125 *Class Voice (1:0:2). May be repeated for credit. Study of basic principles of vocal production, to include acquaintance with a variety of solo literature and the development of poise and stage deportment. (FA,SP) 130 Class Guitar (1:0:2). Pr. consent of School of Music to enroll. May be repeated for credit. Group instruction in functional guitar for beginning guitar students. 131, 132, 133, 134 *Class Piano (1:0:2), (1:0:2), (1:0:2), (1:0:2). Laboratory instruction in piano. Offered as preparation for piano proficiency required of music majors whose major or principal area is not piano. 131, first level; 132, second level; 133, third level; 134, fourth level. (Each level - FA,SP) 151-551 Performance Studies (.5-3:.5-2). Pr. audition required. Enrollment for 2-3 credits requires coregistration in a large ensemble. Instruction on principal or major instrument or in voice. (FA,SP,SU) 152-552 Performance Studies (.5-2:.5-1). Instruction for non-majors or on secondary instrument or in voice. (FA,SP,SU) 170 Italian and Latin Diction for Singers (1:1:1). Study of International Phonetic alphabet and its application to the pronunciation of Italian and ecclesiastical Latin and special problems involved in singing these languages. (FA) 171 English Diction for Singers (1:1:1). Pr. 170, or permission of instructor.Study of the International Phonetic alphabet and its application to the pronunciation of English and special problems involved in singing in English. (SP) 201 Theory III Musical Structure (2:3). Pr. 102 or permission of instructor. More advanced study of harmony and musical form within the diatonic major-minor system, with emphasis on modulation and chromatic harmony. Exercises in part-writing and analysis. (FA,SP) 202 Theory IV Musical Structure (2:3). Pr. 201, or permission of instructor. Basic forms and formal processes of Western music, including binary and ternary forms, theme and variations, fugue, sonata form, and rondo. Exercises in analysis. (FA,SP) 203 Instrumentation (2:2). Study of orchestral and band instruments, their ranges, technical limitations, and tonal possibilities with practical application in scoring for small ensembles and instrumental choirs. 205 Ear-Training III (1:2). Pr. 106, or permission of instructor.More advanced music reading and dictation. Performance, aural recognition, and notation of melody, harmony, and two-voice counterpoint. (FA,SP) 206 Ear-Training IV (1:2). Pr. 205, or permission of instructor.Continuation of more advanced music reading and dictation. Performance, aural recognition, and notation of melody, harmony, and two-voice counterpoint. (FA,SP) 208 Introduction to Teaching Instrumental Music (2:2:1). Pr. admission to School of Music as a Choral/General Emphasis Music Education major or permission of instructor.Introduction to the fundamentals of teaching instrumental music in the public schools. Includes pedagogical and performance skills in a laboratory setting. Required: choral/general emphasis music education majors. (SP) 209 Introduction to Teaching Choral and General Music (2:2:1). Pr. admission to the School of Music as an Instrumental Emphasis Music Education major/permission of instructor.Introduction to general and choral methods at the secondary level. Includes vocal laboratory. Required: instrumental music education majors. (SP) 214 *Jazz Appreciation (3:3). Introductory course designed to give the student new insights and general knowledge of all jazz styles. Does not require previous musical training. [FA, CFA]. (FA,SP,SU) 241 *Music Appreciation (3:3). Not open to music majors. Introduction to Western culture art music through a survey of its history, composers, forms, styles. Requires listening assignments and recital attendance. No musical training required. [FA, CFA]. (FA,SP,SU) 270 French Diction for Singers (1:1:1). Pr. 170, or permission of instructor.Phonetic alphabet as it relates to French language and special problems involved in singing this language. (FA,SP) 271 German Diction for Singers (1:1:1). Pr. 170, or permission of instructor. Phonetic alphabet as it relates to German language and special problems involved in singing this language. (FA,SP) 284 Fundamentals of Keyboard Accompanying I (1:1:1). Pr. 106, or permission of instructor.Class discussion, study and performance of literature for voice and/or instruments with keyboard accompaniment. Special attention given to sight reading techniques, German Lieder and Italian opera reductions. 285 Fundamentals of Keyboard Accompanying II (1:1:1). Pr. 284, or permission of instructor.Class discussion, study and performance of literature for voice and/or instruments with keyboard accompaniment. Special attention given to ensemble playing, the style of French melodie and German opera reductions. 300 Recital (0). Coreq. 351. Presentation of a varied program of music. (FA,SP,SU)301 Theory V, Musical Structure in the Late Nineteenth and Twentieth Centuries (3:3). Pr. 202, 206, or permission of instructor. Techniques of pitch and temporal organization in music of the 20th century. Analysis of music from Debussy through Stravinsky, Webern, and others. (FA,SP) 302, 303 Keyboard Harmony I, II (1:0:2), (1:0:2). Pr. 102, 106, 251 level in keyboard, or permission of instructor. A keyboard approach to the study of harmony, emphasizing extemporaneous keyboard harmonization, harmonization of melodies, and figured bass realization. (302-FA,303-SP) 319 Choral Laboratory I (1:1:1). Pr. 106 or consent of instructor, 125 or one semester of voice study.Conducting techniques, especially as related to choral conducting; rehearsal procedures, continued study of choral repertory. (FA) 321, 322 Jazz Improvisation I, II (3:3), (3:3). Pr. 321 or consent of instructor. Basic course for the student with little or no previous experience in jazz improvisation. First semester: essential theoretical knowledge and practical skills and practice of integrating them into improvisation. Pr. successful completion of 101, 102, 105, 106, and attainment of the 251 level in applied music. Second semester: continued development of knowledge and skills present in 321 with emphasis on increased fluency and mastery. (321-even FA,322-odd SP) 323 *The Arts as Human Experience (3:3). An examination of the meaning of the arts experience, including its historical and personal significance. Includes reading and related work in art, dance, drama, and music. (Same as ART 323, COM 323, DCE 323.) [FA, CFA]. 331 History of Western Music I (3:3). Music history of the Western tradition from its beginnings to about 1600. Pr. 333, or permission of instructor. (FA) 332 History of Western Music II (3:3). Pr. 102, 106, or permission of instructor. Music history of the Western tradition from about 1600 to about 1815, including a brief introduction to music before 1600. (FA) 333 History of Western Music III (3:3). Pr. 332, or permission of instructor. Music history of the Western tradition from about 1815 to the present, including a brief introduction to music in America. (SP, SU) 334 History of Western Music IV (3:3). Pr. 333, or permission of instructor.History of music in America. Psalmody, ballads, spirituals, gospel, blues, jazz, bluegrass, musical theater, rhythma dn blues, rock and roll, and Native American music. (SP) 343 *Music of the Non-Western World (3:3). Survey of major world music cultures moving from Africa through the Middle East, Iran, India, Indonesia, Japan, China, and the Americas. [NW, CNW]. (FA,SP,SU) 344 *Afro-American Music (3:3). Historical survey of the musical contributions of Black Americans beginning with oral traditions of Africa and culminating with jazz and music of contemporary Black American composers. Does not require previous musical training. 350 *Electronic Music (3:2:2). Pr. junior standing or permission of instructor.Introductory course in electronic composition. Lecture and laboratory experience. Projects involving analog synthesis, tape techniques, computer and MIDI control of electronic instruments. (FA,SP) 355 Computers and Electronic Media in the Music Classroom (1:0:2). Pr. admission to the School of Music.Experience in the use of computers including software packages and electronic technology for successful use in music teaching. (SP) 356 General Music in the Secondary Schools (2:2:1). Pr. junior standing or permission of instructor.An overview of current approaches to teaching general music in middle and secondary school (6-12) with emphasis on teaching strategies and materials. Includes supervised teaching practicum. (SP) 357 Marching Band Techniques (2:2:1). Pr. junior standing or permission of instructor. Study of marching band techniques, including drill design, auxiliary units, personnel & equipment management. (FA) 358 Jazz Arranging I (3:3). Pr. 201, 205.Beginning study of language and techniques employed in arranging music for various jazz ensembles. (Odd FA) 361 Music for the Classroom Teacher (2:2:1). Pr. Junior standing or permission of instructor. Elementary school music program and its place in curriculum. Emphasis on music fundamentals, materials, teaching techniques, and interrelationship of the arts. Required for elementary education majors. (FA,SP,SU) 363 Teaching Strings Laboratory (2:1:3). Pr. admission to School of Music or permission of instructor. Class instruction in orchestral bowed string instruments. Covers performance, pedagogy, and literature for teaching at elementary/intermediate level. Required: instrumental music education majors. (SP) 364 Teaching Brass Laboratory (2:1:3). Pr. admission to School of Music or permission of instructor. Class instruction in brass instruments. Covers performance, pedagogy, and literature for teaching at elementary level. Required: instrumental music education majors. (FA) 365 Teachings Woodwinds Laboratory (2:1:3). Pr. admission to School of Music or permission of instructor. Class instruction in woodwind instruments. Covers performance, pedagogy, and literature for teaching at elementary/intermediate level. Required: instrumental music education majors. (FA) 366 Teaching Percussion Laboratory (2:1:3). Pr. admission to School of Music or permission of instructor.Class instruction in orchestral basic percussion instruments. Covers performance, pedagogy, and literature for teaching at elementary level. Required: instrumental music education majors. (SP) 367a General Music in the Elementary School (3:3:1). Pr. junior standing or permission of instructor. An overview of music curriculum (K-5) with emphasis on theories of learning and development in relation to music; teaching strategies and materials; includes supervised teaching practicum. (FA) 367b Foundations of Teaching Instrumental Music (3:3:1). Pr. 363, 364, 365, 366, junior standing, or permission of instructor. Philosophies and methods of organizing and teaching instrumental music in the schools. Includes planning and implementing pedagogic techniques in laboratory sessions. (SP) 368 Band Instrument Repair (1:0:3). Pr. instrumental methods courses and/or performance knowledge of band instruments. Mechanics of wind and percussion instruments, plus laboratory time to develop skills in repairing instruments. (SP) 372 Instrumental Conducting I (1:0:2). Introductory course in instrumental conducting. Emphasis on baton technique and non-verbal communication. (FA) 375 Opera Performance Techniques (2:2:2). Pr. consent of instructor. May be repeated for credit. Techniques for the singer-actor; study of the materials and nature of music theatre; development of basic skills required in opera/music theatre. (FA) 380 Women's Choir (1:0:3). Pr. Membership by audition. May be repeated for credit. Choral organization for graduate and undergraduate women's voices. (FA,SP) 381A Men's Glee Club (1:0:3). Pr. Membership by audition. May be repeated for credit. Choral organization for graduate and undergraduate men's voices. (FA,SP) 381B Women's Glee Club (1:0:3). Pr, Membership by audition. May be repeated for credit. Choral organization for graduate and undergraduate women's voices. (FA,SP) 382 University Chorale (1:0:4). Pr. Membership by audition. May be repeated for credit. Mixed choral organization of approximately 50 graduate and undergraduate singers. (FA,SP) 383 Symphonic Chorus (1:0:3). Pr. Membership by audition. May be repeated for credit. Mixed choral organization. (FA,SP) 384 Keyboard Accompanying (1:0:3). Pr. 284/285 or permission of instructor. May be repeated for credit 4 semesters. Students are assigned vocal and/or instrumental students to accompany with literature appropriate to the student's level. Fulfills large ensemble requirement. (FA,SP) 388 Chamber Singers (1:0:3). May be repeated for credit. Select mixed vocal ensemble of 16 graduate and advanced undergraduate singers. 391 University Symphony Orchestra (1:0:4). May be repeated for credit. Full symphony orchestra, performance of important works from symphonic repertoire of eighteenth, nineteenth, and twentieth centuries. (FA,SP) 393 University Wind Ensemble (1:0:4). May be repeated for credit. Wind ensemble for advanced students. Performance of appropriate wind ensemble works from all eras. (FA,SP) 394 University Concert Band (1:0:3). May be repeated for credit. Performance of literature from all eras, including contemporary works for this medium. (FA,SP) 395 Jazz Laboratory Ensemble (1:0:3). Pr. Membership by audition. May be repeated for credit. Performance of literature encompassing all of the jazz idioms with emphasis on contemporary composition. (FA,SP) 396 Small Ensemble (1:0:3) or (1:0:2). Pr. Membership by audition. May be repeated for credit. Participation by advanced students in trios, quartets, and other ensembles appropriate to the performance area. Includes Collegium Musicum, Honors Wind, Jazz Ensemble, 20th-Century Players, Percussion Ensemble, Opera Chorus (spring semester), Show Choir. (FA,SP) 400 Recital (0). Coreq. 451. Presentation of a varied program of music. (FA,SP,SU) 403 String Instrument Pedagogy (3:3). Pr. MUS 351 performance level on bowed string instrument or permission of instructor. Survey of methods and materials utilized in the teaching and performing of string instruments (Odd SP) 404 Woodwind Pedagogy (3:3). Pr. MUS 351 performance level on principal woodwind instrument or permission of instructor. A survey of methods and materials utilized in the teaching and performing of woodwind instruments with special focus on the principal instrument. (Even SP) 407 Brass Instrument Pedagogy (3:3). Pr. MUS 351 performance level on principal brass instrument or permission of instructor. Survey of methods and materials utilized in the performance and teaching of brass instruments. (Odd FA) 408 Percussion Pedagogy (3;3). Pr. MUS 351 performance level as percussion major or principal or permission of instructor. Survey of methods and materials utilized in the teaching and performing of percussion instruments. (Odd SP) 409 Jazz Pedagogy (3:3). Pr. MUS 202, 206, or consent of instructor. Principles of jazz interpretation, improvisation, and arranging. Procedures of organizing and administering jazz programs. Survey of jazz study materials. (Even FA) 419 Choral Laboratory II (2:1:2). Pr.206, 319, or 372; or permission of instructor. Supervised practice in conducting choral rehearsals; comparative study of rehearsal procedures and of choral objectives; continued study of choral repertory. (FA) 464 Choral Music in the Secondary School (3:3:1). Pr. senior standing or permission of instructor; admission to Teacher Education.Survey of choral music instruction in secondary school, including evaluation of materials, development of teaching and rehearsal strategies, and organization of choral music program; includes supervised teaching practicum. Required of all choral/general music education majors. (FA) 465 Student Teaching in Music (10). Pr. 464 or 467, senior standing, admission to the professional semester for student teaching, concurrent registration in 466, 468, 469. Intensive, field-based internship in school music education. Includes practical applications of previous coursework in supervised settings. (FA,SP) 466 Seminar for Student Teachers (0:0:1). Pr. concurrent enrollment in 465, 468, 469. Forum providing special education opportunities in conjunction with student teaching experiences. Emphasis placed on professional aspects of teaching. Required: student teachers. (FA,SP) 467 Instrumental Music in the Schools (3:2:2). Pr. senior standing, 363, 364, 365, 366, 367B; admission to teacher education. Methods of teaching instrumental music, including study of administrative procedures, repertoire, personnel, and resources; application of music teaching techniques. (FA) 468 Teaching Music in a Multicultural Population ((1:1). Pr. concurrent enrollment in MUS 465 or permission of instructor. Seminar for prospective music teachers to develop understanding and teaching strategies for students in a broad spectrum of ethnic groups. (SP) 469 Teaching Music to the Exceptional Child (1:1:1). Pr. concurrent enrollment in MUS 465 or permission of instructor. Seminar for beginning music educators to develop skills and acquire knowledge necessary to plan for and teach exceptional students in mainstreamed and self-contained music teaching and learning environments. (SP) 472 Instrumental Conducting II (2:1:2). Advanced conducting techniques, with emphasis on instrumental conducting. (SP) 493 Honors Work (3-6). See prerequisites under Honors Program, XXX 493 (p. 379). (FA,SP,SU) 497 Directed Study in Music (1 to 3). Pr. consent of supervising professor, Division Chairman and Dean of School of Music. May be repeated for credit if topic differs. Supervised research in advanced subject area resulting in written document or composition. Project outline (available in School of Music office) prepared by student and supervising professor and approved by Division Chairman and Dean of School of Music. A, Directed Study in Music Education; B, Directed Study in Performance, Composition, Theory; C, Directed Study in Music History and Literature. (FA,SP,SU) For Advanced Undergraduates and Graduate Students Courses in the 500 and 600 groups may not be available every year. Please inquire at School of Music for schedule. 600 level courses are not available for undergraduate students unless qualified for dual registration. 500 Organ Pedagogy (3:3). Pr. junior, senior, or graduate keyboard major or principal. A study and evaluation of procedures used in the teaching of organ. Emphasis on skills and techniques through exercises and literature. (Not offered every year.) 501 Piano Pedagogy I (3:3). Pr. keyboard principal or major or consent of instructor. Survey of current piano teaching philosophies, methods, and materials and their application for private and group instruction. Supervised teaching of beginning piano students. (Even FA) 502 Piano Pedagogy II (3:3). Pr. keyboard principal or major or consent of instructor. Survey of intermediate and moderately advanced teaching literature with emphasis on basic pedagogical approaches to technique, style, and interpretation. Procedures for teaching functional skills. Supervised teaching experience. (Odd SP) 507 Modal Counterpoint (3:3). Pr. 202 and 206 or consent of instructor. Contrapuntal techniques and standard forms of Renaissance sacred vocal repertoire. Analysis of music by such composers as Josquin, Palestrina, and Lassus. Standard writing techniques of motet and mass; aural training. (SP) 508 Tonal Counterpoint (3:3). Pr. 202 and 206 or consent of instructor. Contrapuntal techniques and standard forms of the middle and late Baroque. Analysis of music by composers from Corelli to Bach, composition in representative forms, and aural training. (FA) 509 Analysis and Interpretation of Music (3:3). Pr. 301 or consent of instructor. Principles of musical interpretation as applied to representative works from eighteenth, nineteenth, and twentieth centuries. Emphasis on derivation of rational bases for interpretive decisions, based on musical analysis. (Not offered every year.) 511 *History of Opera (3:3). Pr. 331, 332 and 333 or consent of instructor. Principal opera composers and styles from Monteverdi to the present; analytical study of selected major works. (Odd SP) 513a, 514a Song Repertory I, II: Voice (1:0:2), (1:0:2). Pr. Voice 251 and courses in the grammar and/or the phonetics of the language (German for 513a, French for 514a), or consent of instructor. Each semester may be repeated once for credit. Open to junior, senior, and graduate music majors. Class study of selected songs with emphasis on stylistic elements. First semester: German Lieder from Haydn through Strauss. Second semester: French song from Berlioz to present; modern English and American songs. (513a-FA, 514a-SP) 513b, 514b Song Repertory I, II: Piano (1:0:2), (1:0:2). Pr. Piano 251 or consent of instructor. Each semester may be repeated once for credit. Open to junior, senior, and graduate music majors. Class study of selected songs with emphasis on stylistic elements. First semester: German Lieder from Haydn through Strauss. Second semester: French song from Berlioz to present; modern English and American songs. (513b-FA, 514b-SP) 515 Piano Literature I (3:3). Pr. keyboard majors or principals at junior, senior, or graduate level or consent of instructor. Survey of piano literature from ca. 1760-1825, with a preliminary investigation of music for other keyboard instruments from earliest extant sources. (Odd FA) 516 Piano Literature II (3:3). Pr. keyboard majors or principals at junior, senior, or graduate level or consent of instructor. Survey of piano literature from ca. 1825 to present. (Even SP) 521 *History of Art Song (3:3). Pr. 333 or consent of instructor. Detailed study of art songs representative of various styles and periods from 1650 to the present. Emphasis on musical and poetic considerations and stylistic development of the major composers of the Lied and melodie. (Even FA) 522 *Guitar Literature (3:3). Pr. two years of classical guitar study or equivalent. Survey of guitar literature from Renaissance to present; detailed study of lute tablatures, instrument construction, and development of technique. (Not offered every year.) 523 Woodwind Chamber Literature (3:3). Pr. 300 level in woodwind or horn performance studies or consent of instructor. A survey of woodwind ensemble repertoire from the seventeenth century to the present. Emphasis on historical perspectives, performance of representative works, and score analysis. (Even FA) 525 Overview of Tonal Harmony and Form (3:3). Pr. permission of instructor. For graduates and undergraduates: credit does not apply toward graduation nor count in the studentís GPA. Review of tonal harmony, voice-leading, and form. (FA) 526 Overview of Western Music History (3:3). Pr. permission of instructor. For graduates and undergraduates: credit does not apply toward graduation nor count in the studentís GPA. Review of western European music history from the Greeks to the present day including the classical art tradition in America. (SP) 527 *Performance Practices of Western Music (3:3). Pr. 331, 332, and 333 or consent of instructor. Investigation from Middle Ages to present of the problems of performing music in historically correct manner. Emphasis on theoretical writings and on comparison of performances. (Not offered every year.) 528 *Choral Music since 1750 (3:3). Pr. 332, 333 or consent of instructor. Study of significant genres and major composers of choral music since 1750; detailed examination of selected masterworks. (Even FA) 529 *Renaissance Music (3:3). Pr. 331 or consent of instructor. Comprehensive, historical survey of music in fifteenth and sixteenth centuries with detailed study of representative composers evidenced in selected monumental works. Attention given to bibliography and discography for further study. (Even SP) 530 *The Baroque Period in Music (3:3). Pr. 332 or consent of instructor. Comprehensive, historical survey of music of Baroque era from Monteverdi through Bach and Handel with detailed study of styles of representative composers evidenced in selected monumental works. Attention given to bibliography and discography for further study. (Even FA) 531 *Classicism and Romanticism in Music: 1750-1850 (3:3). Pr. 333 or consent of instructor. Examination of major contributions of Mozart, Haydn, Beethoven, Schubert, Berlioz, Schumann, etc., to western traditions. Special attention given to development of music for symphony orchestra and piano. (Odd SP) 532 *The Post-Romantic Tradition in Music: 1850-1914 (3:3). Pr. 333 or consent of instructor. Study of developments in history of music from Wagner through early Schoenberg. Special attention given to changes in styles between music and other arts. (Odd FA) 533 *Twentieth-Century Music c. 1890-1950 (3:3). Pr. 333 or consent of instructor. Survey of composers and musical styles which emerged in Europe and the Americas from impressionism through the beginnings of electronic music. (Even SP) 534 Music Since 1945 (3:3). Pr. 333 or consent of instructor. Study of creative trends and issues in music and related media in Europe and the United States since World War II. (Even FA) 535 Percussion Literature (3:3). Pr. Upper division undergraduate and graduate percussion majors. Survey of percussion literature from the medieval era to the present emphasizing the role of percussion in various musical settings. (Even SP) 536 *Band Literature (3:3). Band literature and origins of the band emphasizing its import and expanded cultivation during past century in United States and Europe. (Odd SP) 537 String and Keyboard Chamber Literature (3:3). Pr. Upper division undergraduate or graduate standing in performance studies or consent of the instructor. Survey of string and piano chamber music literature from the seventeenth century to the present. Emphasis on historical perspectives, performance of representative works, and score analysis. (Odd FA) 538 *The Symphonic Tradition (3:3). Pr. 332, 333 or consent of instructor. Advanced study of symphonic styles and techniques from Baroque era to present. (Even SP) 539a, 539b Advanced Conducting (3:3), (3:3). Pr. 472 or 419; consent of instructor required. Advanced conducting skills including baton technique, score reading, rehearsal techniques, score analysis, repertoire, programming, and interpretation. 539a: Instrumental; 539b: Choral/Instrumental. (539a-FA, 539b-SU) 540 Piano Teachersí Seminar (3:3). May be repeated for credit by degree students once. Piano literature, technique, and interpretation for teachers of piano. Specific course content described with each offering of the seminar. (Not offered every year.) 541 Principles of Vocal Pedagogy (3:3). Pr. senior or graduate standing as a voice major or principal or consent of instructor. Teaching process as applied to singing. Includes historical development and an examination and comparison of concepts and approaches past and present. (FA) 543 Music for Exceptional Children (3:3). Pr. 361 or consent of instructor. Review of learning styles of exceptional children and implication for providing realistic musical activities in the classroom. Emphasis placed on musical goals and developing musical skills with special learners. (FA) 544 Contemporary Trends in Music Education (3:3). Current philosophies and concepts which are influencing forces in contemporary music education practices, methods, and materials. Investigation into social psychology of music as it applies to existing musical organizations and classes in public schools. (SP) 545 Teaching Elementary Music: Theory and Practice (3:3). Pr. Music teaching experience in elementary school OR the equivalent of MUS 465. Emphasis on strategies and materials for developing children's musicianship and problem-solving skills. Consideration of the application of current child development and learning theories in teaching elementary general music. (Even FA) 550 *Electronic Music (3:2:2). Same as 350 above. Introductory course in electronic composition. Lecture and laboratory experience. (FA,SP) 558 Jazz Arranging II (3:3). Pr. 201, 202, 203, 205, and 206 or graduate standing in music theory. Advanced study of techniques and disciplines employed in arranging for jazz ensembles. (Even SP) 560 History of Jazz (3:3). Pr. 206, 301, 331, 332, 333. Chronological survey of jazz music and jazz history. Introduction to standard reference works and investigation of socio-cultural aspects. (Even SP) 563 Band Arranging (3:3). Arranging, editing, and rescoring for concert and marching bands for performance at various levels. (Not offered every year.) 566 Orchestration (3:3). Advanced techniques in instrumental writing. Practical exercises in scoring and arranging for small and large ensembles, emphasizing orchestral instruments. (Odd SP) 567 Choral Arranging (3:3). Advanced study of techniques and procedures required in arranging and in creative writing for voice. (Not offered every year.) 568 Organ Literature (3:3). Survey of organ literature from sixteenth century to present. (Not offered every year.) 570 Piano Technique, A Pedagogical Survey (3:3). Pr. 300 level or above in piano performance studies, or consent of the instructor. A chronological survey of theories of piano technique from the clavier methods of the early eighteenth century to the present. (Even FA) 571 String Solo Literature (3:3). Pr. upper division and graduate string students, or consent of instructor. Survey of literature for the violin, viola, cello, and bass from the seventeenth century to the present. Emphasis on historical perspectives, score analysis, aspects of performance practice, and performance of representative compositions. (Even FA) 572 Woodwind Solo Literature (3:3). Pr. 300 level or above in woodwind performance studies or consent of instructor. Survey of solo woodwind literature from the seventeenth century to the present. Emphasis on historical perspectives, aspects of performance practice techniques, performances of representative works, and score analysis. (Odd FA) 573 Brass Solo Literature (3:3). Pr. 300 level or above in brass performance studies or consent of instructor. Survey of brass solo literature from the seventeenth century to the present. Emphasis on historical perspectives, aspects of performance practice techniques, performances of representative works, and score analysis. (Even SP) 574 Twentieth-Century Vocal Techniques (2:2). Pr. 301, 331, 332, 333 or consent of instructor. Performance practices in twentieth-century vocal music, including an overview of the literature, learning and rehearsal procedures, and information about contemporary notation. (Not offered every year.) 578 Orff in the Music Classroom (3:3). Pr. advanced undergraduate or graduate standing in music or consent of instructor. Practical experiences in the Orff-Schulwerk method of music teaching. Recorder proficiency, Orff instrumental technique and orchestration for Orff instrumentarium are emphasized. 579 Music Education Workshop (1 to 3). Pr. consent of School of Music, to be based upon appropriate academic or professional training. May be repeated once for credit if topic differs. Grade: Satisfactory/ Unsatisfactory, S/U. Activities and study involving specific experiences related to music education. Credit hours, duration, and subject emphasis for the course will vary as announced. For Graduate Students Only 595 Jazz Laboratory Ensemble (1:0:3). 596 Small Ensemble (1:0:3). 600 Recital (0). 601 Research Methods in Music (3:3). 602 Research Seminar in Music History (3:3). 603 String Instrument Pedagogy (3:3). 604 Woodwind Instrument Pedagogy (3:3) 605 The Measurement of Musical Behavior (3:3). 606 Seminar in Music Literature (3:3). 607 Brass Instrument Pedagogy (3:3). 608 Percussion Instrument Pedagogy (3:3). 609 Jazz Pedagogy (3:3). 610 Lecture-Demonstration (2:1). 611 Seminar in Musical Analysis (3:3). 615 Nineteenth-Century Piano Literature (3:3). 616 Techniques of New Music for Piano (3:3). 618 Psychology of Music (3:3). 619 Acoustics of Music (3:3). 620 Seminar in Piano (3:3). 621 Seminar in Vocal Literature (3:3). 622 Seminar in Choral Literature (3:3). 628 Choral Music of the Renaissance and Baroque (3:3). 629 Choral Laboratory III (2:1:3). 630 The Study of Phonetics as Applied to Singing (3:3). 641 Advanced Vocal Pedagogy (3:3). 644 Pedagogy of Theory (3:3). 650 Seminar in Music Education (3:3). 653 Music Supervision (3:3). 654 Computers in Music Research (3:3). 660 Theory and Analysis of Rhythm (3:3). 661 Advanced Analytical Techniques (3:3). 662 Schenkerian Analysis (3:3). 675 Opera Performance Techniques (2:2:2). 680 Women's Choir (1:0:3). 681A Men's Glee Club (1:0:3). 681B Women's Glee Club (1:0:3). 682 University Chorale (1:0:4). 685 Seminar on Opera Direction and Production (3:2:3). 688 Chamber Singers (1:0:3). 690 Readings in Music Theory (3;3). 691 University Symphony Orchestra (1:0:4). 693 University Wind Ensemble (1:0:4). 694 Univeristy Concert Band (1:0:3). 697 Directed Study in Music (1 to 6). 698 Document in Music Theory (1). 699 Thesis (3 to 6). 701 Research Methods in Music II (3:3). 702 Musicological Research for Performers (3:3). 750 Doctoral Seminar (3:1:4). 797 Directed Study in Music (1 to 12). 799 Dissertation (1 to 12). 800 Graduate Registration (0).

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