
A trumpeter plays a fanfare while a dosebadge
measures
decibel levels for possible hearing damage.
Music-related
hearing loss is one of many areas the
new Music
Research Institute will explore.
The School
of Music is taking a national leadership role by taking
music research in new directions beginning this year.
The university
trustees’ approval this winter of the establishment
of the Music Research Institute and the addition of
two nationally known music researchers to the faculty
signals the school’s commitment to advance our
understanding of music through interdisciplinary explorations
ranging from neuroscience and the musical abilities
of animals to music-related hearing loss.
“It’s about deeply understanding the role
of music in the human experience,” said Dr.
Donald Hodges. “No other center is bridging
the gaps between disciplines and bringing everything
together. We want to create a more holistic approach.”
The center will focus its efforts in eight targeted
areas: music education, biomusic, music medicine,
music-related hearing loss, music perception and cognition,
neuromusical research, cognitively-impaired musicians
and music psychology.
Hodges was named Covington Distinguished Professor
at the UNCG School of Music in the fall of 2003 and
will lead the efforts of the new center. He comes
to the school from the University of Texas at San
Antonio, where he founded the Institute for Music
Research in 1992.
Hodges’ primary area of expertise is music psychology.
In the mid-’90s, he collaborated in one of the
first studies to map musicians’ brains using
PET scans, and he is continuing this line of research
with collaborators at Wake Forest University School
of Medicine and lectures internationally on his findings.
“Music is such a powerful window into the brain.
It activates so many parts,” Hodges said. Since
Hodges began his brain mapping studies, he has discovered
that the brain processes musical activity not in the
conventionally believed “left-brained”
manner, but though activation across several regions.
Since he began studying the way the brain processes
music, the amount of research and interest in the
topic has exploded.
Joining Hodges in the efforts of the Music Research
Institute is Dr. Patricia Gray, the School of Music’s
new clinical professor and senior research scientist.
She attributes part of the growth in music research
to recent strides in technology, a trend that has
especially impacted her area of study – music
found in nature.
“Elephants sing in infrasound and whales compose
and remember songs but humans have a limited range
of hearing and hear at a slow rate,” Gray said.
“Until technology made it possible for us, we
just weren’t privy to these musical sounds.
All this new information is opening up a larger conversation
about the role of music in the biosphere.”
Gray studies the musical abilities of bonobo apes
and is the co-principal investigator for the BioMusic
Science Exhibition and Public Programs Project. The
$6 million project, partially funded in August by
a $2.7 million grant from the National Science Foundation,
will introduce kids and families nationwide to BioMusic
– the exploration of the musical sounds in all
species including human cultures. An estimated 3 million
viewers will see the exhibit, which will tour 18 cities
in six years, beginning in 2007. The project will
also have a spin-off children’s radio series,
produced in partnership with the award-winning Boombox
Classroom.
Part of the grant will fund the development of a school
curriculum that interweaves music and science. Educational
materials will be produced in collaboration with A+
Schools, a program housed at UNCG that encourages
the integration of arts education across disciplines.
“We are advancing the cross-talk between music
and science,” said Gray, who is also an acclaimed
concert pianist. “By working together, we develop
a shared understanding and a common way of talking
about the same phenomena. These new ways of thinking
and talking about music are expanding our horizons
and deepening our perspective on the role of musicians.
We see the center as a bold new direction for music
study.” Gray will also give lectures and lead
symposia on the UNCG campus as part of her position.
While Hodges and Gray will be major players in developing
the new center, they will not work alone. They will
encourage studies throughout the school, across campus
and with institutions worldwide. Partnerships are
already being formed with the Association of Science-Technology
Centers Inc., the Science Museum of Minnesota, Wake
Forest University School of Medicine and Moses Cone
Hospital. Currently, several studies are being conducted
with UNCG’s Department of Communication Sciences
and Disorders in the area of music-related hearing
loss and tinnitus.
Hodges believes that the cumulative research and findings
of the center will reshape music’s future as
a critical partner for other academic disciplines.
“Most
everybody understands the need for music classes at
the elementary level. Yet only 12 to 14 percent of
students participate in a formal learning setting
during secondary school,” he noted. “One
of the possibilities is our research will raise the
profile of music as something that is absolutely critical
to our lives and to our future.”