DCE 201: Dance History I
MW 2:00-3:15
HHP 340
Ann Dils
Office Hours: 12-1:45 PM

Course Description: Study of the history and philosophy of dance in selected geographical locations through the nineteenth century

Course Goals:

Course Calendar: August 21 - December 11

Monday, August 21: Course Introduction

Wednesday, August 23: Movement observation

Monday, August 28 and Wednesday, August 30: the Western tradition from Greece through the Renaissance

Monday, September 4: Labor Day Holiday

Wednesday, September 6: Baroque dance

Monday, September 11 and Wednesday, September 13: Romantic ballet in Paris and Copenhagen

Monday, September 18: Research day

Wednesday, September 20 and Monday, September 25: Classical ballet

Wednesday, September 27 and Monday, October 2: Diaghilev and Ballets Russes

Wednesday, October 4: Studio day

Monday, October 9: FALL BREAK

Wednesday, October 11: Exam Review

Monday, October 16: History of ballet exam

Wednesday, October 18, Monday, October 23, Wednesday, October 25, and Monday, October 30: The Romany Trail:. Dance in India, Egypt, and Spain

Wednesday, November 1: Studio day

Monday, November 6 and Wednesday, November 8 (studio day): African dance in Brazil: capoeira

November 13 and Wednesday, November 15: Korean dance

Monday, November 20: Research day

Wednesday, November 22: Thanksgiving break

Monday, November 27 (lecture) and Wednesday, November 29 (studio day): Croatian dance: Miriana Lausic
HISTORICAL FICTION PROJECT DUE

Monday, December 4 and Wednesday, December 6: Project presentations

Monday, December 11: Final exam review

EXAM: Monday, December 18: 12-3 PM

GRADING AND EXPECTATIONS

Midterm Exam 15%

Final
15%

Attendance at two dance events: Submit a program for one event and a 3 page write-up for another 5% each

Class attendance and participation-10% (After 2 absences, grade lowered 1/3 letter grade per absence. Being late to class or leaving early will also lower your grade. 2 lates and / or early departures - 1 absence)

World dance notebook: 25%: Keep careful records of the class notes, studio sessions, handouts, and Web page readings in this section. In each section, include a carefully prepared summary that shows your thinking about and integration of the readings, video showings, discussions, and presentation. These should include:

Historical fiction project: Dancers' Lives- 25%: This project can be done on your own or in a group. In this project, you explore the life of a real or fictional dancer by reading various kinds of histories, then integrating what you've found into a short piece of historical fiction. My only requirement is that the dance e born BEFORE 1850.

Your fiction project must contain:

Successful projects don't have to produce compelling stories. They DO have to produce evidence that you've begun to understand bodily theorics, the cultural factors that surround, inform, and reinforce any bodily activity.

We will discuss your notebooks and projects during the last two days of class.

TEXTS: Jack Anderson, Ballet and Modern Dance: A Concise History. Princeton, New Jersey: Princeton Book Company.

UNCG DEPARTMENT OF DANCE PERFORMANCE SCHEDULE FOR FALL 2000
Tickets available through campus box office: 334-4849
UNCG Dance Department Theatre - Walker Avenue: