CURRICULUM VITAE
EDDIE C. BASS
School of Music, UNCG, PO Box 26167, Greensboro NC 27402-6167
Home Telephone 336-697-8489
Office Telephone 336-334-5911
Fax 336-334-5497
Academic Degrees
Ph. D. Music, University of N. C. , Chapel
Hill, 1964
M. M. Composition, University of N.
C., Chapel Hill, 1959
B. A. Music, University of N.
C., Chapel Hill, 1958
Professional Experience, Teaching and Administrative
1993-Present : Professor of Music, UNCG; Coordinator
for Composition
1988-93: Professor of Music, UNCG;
Chair, Division of Composition, History, and Theory
1973-88: Associate Professor of
Music, UNCG; Chair, Division of Composition, History,
and Theory 1985-88; Chair,
Division of Composition and Theory,1973-82
1968-73: Assistant Professor of Music,
UNCG
1964-1968: Assistant Professor of Music,
Marshall University
Professional Experience, Performance
Market Street Brass (UNCG Faculty Brass Quintet):
1970-2000
Greensboro Symphony Orchestra: Principal Trumpet
1968-83; Co-Principal Trumpet 1983-86
Charleston (W. Va.) Symphony Orchestra: Second
Trumpet 1964-67
Current Professional and Academic Association Memberships
Society for Music Theory
Southeastern Composers' League
American Society of Authors, Composers,
and Publishers
Society of Composers, Incorporated
College Music Society
Compositions (publisher in brackets)
Triptych, for Large Brass and Percussion Ensemble, 2001
On Yonder Mountain, for Clarinet, Viola, and Piano, 2001
Sextet, for Piano and Wind Quintet, 2000
Imagin'd Corners of the Earth, for Trumpet Ensemble, 1999 (Warwick
Music UK)
New Time, New Space, for Oboe and Piano, 1999
There was a Naughty Boy, for Women’s Choir and Piano, 1998
Sonata for Trombone and Piano, 1997 (Warwick Music UK)
Sonata for Viola and Piano, 1997
Five Songs for High Voice, Piano, Clarinet, and Viola
(1995)
The Good Neighbor Rag, for Brass Quintet (1995)
Three Medieval Carols, for Brass Quintet (1994)
House Band, for Clarinet, Violin, and Piano (1993)
Variations on a Gregorian Melody, for Wind Quintet
(1992)
I Died for Beauty: Five Poems of Emily Dickinson.
Versions for
a. Women's Choir and Piano or Wind Quintet (1990)
b. Mixed Choir and Piano or Wind Quintet (1994)
Sonata for Clarinet and Piano (1990)
Vexilla Regis, for Mixed Choir, Trumpet, and Keyboard
(1989) or Mixed Choir and Orchestra
Pas de Quatre, for Trombone Quartet (1989) (Warwick Music
UK)
Windsongs, for Oboe and Keyboard Synthesizer (1987)
Recollections, for Wind Ensemble (1986)
Georgia Fanfare., for Brass Quintet (1986)[New York: Seesaw,
1987]
Epitaphs, for Mezzo-soprano and Orchestra (also with Chamber
Ensemble) (1983)
Variations on a Shaped-Note Hymn, for Brass Quintet (1983) [
New York: Seesaw, 1987]
Brass Quintet (1982) [New York: Seesaw, 1987]
Articles
"Counterpoint and Medium in Mahler's Kindertotenlieder." The
Music Review, 50 (1989), 206
"Tonality and Set-Form Relations in Debussy's Prelude No. 4,
Book I." Theoretically Speaking, 5 (1988), 14
"Musical Time and Musical Space in Berlioz." The Music
Review, 30 (1969), 211
"Thematic Unification of Scenes in Multimovement Works of Berlioz."
The
Music Review, 28 (1967). 45
Honors and Awards
First Prize Winner, Composition Contest of the International Trombone
Association
(for Pas de Quatre)
Outstanding Teacher Award, School of Music, UNCG, 1996-97
ASCAP Standard Awards, 1999-2001