The open heroic couplet is more fluid and stichic than the closed couplet, allowing successive couplets to connect with one another more frequently; the lines are not as strongly end-stopped. Yet most lines still terminate with some kind of pause, retaining their integrity as distinct rhythmical units. In the examples below, there is only one instance of enjambment.

                            My head, my heart, mine eyes, my life, nay, more,
                            My joy, my magazine of earthly store,
                            If two be one, as surely thou and I,
                            How stayest thou there, whilst I at Ipswich lie?
                            So many steps, head from the heart to sever,
                            If but a neck, soon should we be together.
                            I like the Earth this season, mourn in black,
                            My Sun is gone so far in's zodiac,
                            Whom whilst I 'joyed, nor storms, nor frost I felt,
                            His warmth such frigid colds did cause to melt.
                            My chilled limbs now numbed lie forlorn;
                            Return; return, sweet Sol, from Capricorn;
                            In this dead time, alas, what can I more
                            Than view those fruits which through thy heat I bore?
                                                                    --Anne Bradstreet

                SWEET Auburn! loveliest village of the plain,
            Where health and plenty cheered the laboring swain,
            Where smiling spring its earliest visit paid,
            And parting summer's lingering blooms delay'd:
            Dear lovely bowers of innocence and ease,
            Seats of my youth, when every sport could please,
            How often have I loiter'd o'er thy green,
            Where humble happiness endear'd each scene!
            How often have I paused on every charm,
            The shelter'd cot, the cultivated farm,
            The never-failing brook, the busy mill,
            The decent church that topt the neighboring hill,
            The hawthorn bush, with seats beneath the shade,
            For talking age and whisp'ring lovers made.
                                                --Oliver Goldsmith

                                 Let hist'ry tell where rival kings command,
                                And dubious title shakes the madded land,
                                When statutes glean the refuse of the sword,
                                How much more safe the vassal than the lord,
                                Low sculks the hind beneath the rage of pow'r,
                                And leaves the wealthy traitor in the Tow'r,
                                Untouch'd his cottage, and his slumbers sound,
                                Tho' confiscation's vultures hover round.
                                                                --Samuel Johnson
 
 
 

                            Scobble for whoredom whips his wife and cries
                            He'll slit her nose; but blubbering she replies,
                            "Good sir, make no more cuts i' th' outward skin,
                            One slit's enough to let adultery in.
                                                                    --Robert Herrick

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