Early in the English Renaissance, it occurred to various sonneteers to convert the fourteen-line Italian sonnet into something easier to use in the rhyme-poor English language, and the English sonnet  was one of the alternatives: three quatrains and a couplet, usually run together: ababcdcdefefgg. Iambic pentameter was the usual meter. Because of the enduring popularity of Shakespeare's sonnets, it often bears his name.

            Leave me, O Love, which reachest but to dust,
            And thou my mind aspire to higher things:
            Grow rich in that which never taketh rust:
            Whatever fades, but fading pleasure brings.

            Draw in thy beams, and humble all thy might,
            To that sweet yoke, where lasting freedoms be:
            Which breaks the clouds and opens forth the light,
            That doth both shine and give us sight to see.

            O take fast hold, let that light be thy guide,
            In this small course which birth draws out to death,
            And think how evil becometh him to slide,
            Who seeketh heaven, and comes of heavenly breath.
                  Then farewell world, thy uttermost I see,
                  Eternal Love, maintain thy life in me.
                                                        --Philip Sidney
 

            Unto the boundless Ocean of thy beauty
            Runs this poor river, charg'd with streams of zeal:
            Returning thee the tribute of my duty,
            Which here my love, my youth, my plaints reveal.
                  Here I unclasp the book of my charg'd soul,
            Where I have cast th'accounts of all my care:
            Here have I summ'd my sighs, here I enroll
            How they were spent for thee; look what they are.
                  Look on the dear expences of my youth,
            And see how just I reckon with thine eyes:
            Examine well they beauty in my truth,
            And cross my cares ere greater sums arise.
                  Read it, sweet maid, though it be done but slightly;
                  Who can show all his love, doth love but lightly.
                                                            --Samuel Daniel
 

            TO plead my faith where faith had no reward,
            To move remorse where favor is not borne,
            To heap complaints where she doth not regard, --
            Were fruitless, bootless, vain, and yield but scorn.

            I lovéd her whom all the world admired,
            I was refused of her that can love none;
            And my vain hopes, which far too high aspired,
            Is dead, and buried, and for ever gone.

            Forget my name, since you have scorned my love,
            And woman-like do not too late lament;
            Since for your sake I do all mischief prove,
            I none accuse nor nothing do repent.

            I was as fond as ever she was fair,
            Yet loved I not more than I now despair.
                                            --Robert Devereux, Earl of Essex
 

                                 From you have I been absent in the spring,
                                 When proud-pied April dress'd in all his trim
                                 Hath put a spirit of youth in every thing,
                                 That heavy Saturn laugh'd and leap'd with him.
                                 Yet nor the lays of birds nor the sweet smell
                                 Of different flowers in odour and in hue
                                 Could make me any summer's story tell,
                                 Or from their proud lap pluck them where they grew;
                                 Nor did I wonder at the lily's white,
                                 Nor praise the deep vermilion in the rose;
                                 They were but sweet, but figures of delight,
                                 Drawn after you, you pattern of all those.
                                 Yet seem'd it winter still, and, you away,
                                 As with your shadow I with these did play.
                                                        --Shakespeare
 

            O'ER faded heath-flowers spun or thorny furze,
            The filmy gossamer is lightly spread;
            Waving in every sighing air that stirs,
            As fairy fingers had entwin'd the thread:
            A thousand trembling orbs of lucid dew
            Spangle the texture of the fairy loom,
            As if soft Sylphs, lamenting as they flew,
            Had wept departed summer's transient bloom:
            But the wind rises, and the turf receives
            The glittering web: so, evanescent, fade
            Bright views that youth with sanguine heart believes;
            So vanish schemes of bliss by Fancy made;
            Which, fragile as the fleeting dreams of morn,
            Leave but the withered heath and barren thorn.
                                                --Charlotte Smith

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