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KAREN KILCUP has broad research and teaching interests in 19th- and earlier 20th-century American literatures; her work has encompassed women and gender, romanticism and regionalism, poetry and poetics, humor, and American multicultural literatures (especially Native American). Her interests in contemporary American literary and cultural theory include ethnocriticism, feminism, and new historicism, as well as genre, reader response, and canon theory. Recipient of a US national Distinguished Teacher award (1987), Professor Kilcup has also been awarded the distinguished Dorothy M. Healy Visiting Professorship for the study of nineteenth-century American women writers (1996), an Andrew W. Mellon Fellowship for the study of American women's diaries (1997), and the Edna and Jordan Davidson Eminent Scholar Chair in the Humanities in Miami (2000).
She has been Chair of the Foerster Prize
Committee (1999), which selects the best essay in American Literature,
and has given numerous presentations, including invited lectures at Cambridge
University in England, Johann Wolfgang
Goethe-Universität, Frankfurt am Main
in Germany, and Universität Bern in Switzerland. Editor
of Studies in American Humor
and an editorial board member of
Comparative
American Studies, European Journal of American
Culture, and The Robert Frost Review, Professor Kilcup has edited special issues
on nineteenth-century American women writers for Colby Quarterly
(1998) and the European Journal of American
Culture (1997). Her publications include From Beacon Hill to the Crystal Palace: the 1851 Travel Diary of a
Working-Class Woman (Iowa,
2002), Native American
Women Writers c. 1800-1924: An Anthology (Blackwell,
2000), Soft Canons: American Women Writers and Masculine Tradition
(Iowa, 1999), Jewett and Her Contemporaries:
Reshaping the Canon (Florida, 1999), Robert
Frost and Feminine Literary Tradition (Michigan,
1998), Nineteenth-Century
American Women Writers: A Critical Reader (Blackwell,
1998), Nineteenth-Century
American Women Writers: An Anthology (Blackwell,
1997), “Anthologizing
Matters: The
Poetry and Prose of Recovery Work,” “Emily Dickinson’s Pearls,” “‘“Men
work together,” I told him from the heart’: Frost’s (In)Delicate Masculinity,”
“‘Quite Unclassifiable’: Crossing Genres, Crossing Genders in Twain and
Greene,” “‘Essays of Invention’: Transformations of Advice in Nineteenth-Century
American Women’s Writing,” “Reading Trickster; Or, Theoretical Reservations
and a Seneca Tale,” and “‘I stop somewhere waiting for you’: Whitman’s
Femininity and the Reader of Leaves of Grass.” Her forthcoming work
includes “‘I
like these plants that you call weeds’: Historicizing American Women's Nature
Writing,” Memoirs
of Narcissa Owen, 1831-1907 (Florida,
2003),
Teaching Nineteenth-Century American Poetry (Modern Language
Association, 2003), and The
Selected Writings of Ora Eddleman Reed
(Nebraska,
2004). You can buy Professor Kilcup's books by clicking on
title links above or by searching for used copies at this
link.