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GERMANY

"ACQUAINTANCE WITH A PIANO SOVEREIGN...energy and emotion, sharp rhythms, deep lyricism, magnificent splendor...We will hear more of him."
Badische Zeitung
(Freiburg, Germany)

"What mastery and virtuosity this pianist possesses!"
La Suisse
(Geneva, Switzerland)

ITALY

"BRILLIANT PERFORMANCE OF THE TEXAN SALMON...Salmon was very much liked for his frank musicality and for his masterfully high technique, fruits not only of superior education, but also of natural talent."
Il Piccolo
(Trieste, Italy)

“With true mastery, he performed etudes of Debussy, Chopin, Scriabin, and Liszt, and the sonata of Samuel Barber. The warmest applause came from the audience, whom the artist treated to two encores by Dave Brubeck.”
Il Gazzettino
(Farra d’Isonzo, Italy)

MOLDOVA

“The UNCG Jazz Trio delighted the audience with a personal rendition of Dave Brubeck’s ‘Take Five’ and Henry Mancini’s classic ‘Moon River.’ I loved the exuberant energy and ultra-professional performance by this band.”
Jurnal de Chisinau
(Chisinau, Moldova)

PORTUGAL

"A remarkable personality, an extraordinary talent, and a sum of qualities which inspires admiration of which only true musicians are worthy."
Commercio do Porto
(Porto, Portugal)

SPAIN

"A tremendous pianist who could soon be placed among the greatest of the day."
El País
(Madrid, Spain)

"PRODIGIOUS MAESTRO...Closing the delightful evening was Brahms' Sonata in C Major, Op. 1, in which Salmon displayed an energetic pianism throughout, marked by captivating impetuousness and pathos. The whole effect was of great depth and conceptual integrity. Especially outstanding was the fluid and elegant finale which made of this fascinating sonata a wonder of expression and dynamism. A concert to remember, one that creates fans and gives them the means to contrast the virtuosity of masters."
Diario de León
(León, Spain)

COSTA RICA

"Upon beginning his jazz improvisations, the pianist confessed that his problem was not knowing when to quit. According to the response from the audience, he could have continued until the early morning hours."
La Nación
(San José, Costa Rica)

UNITED STATES

"Salmon's rapport with the piano is formidable...brilliant performance."
Indianapolis Arts Insight
(Indianapolis, Indiana)

"John Salmon's performance showed why he has won so many competitions. His playing could be both bold and breezy...elegant, engaging, even ingratiating."
Shreveport Journal
(Shreveport, Louisiana)

"PIANIST JOHN SALMON GIVES SUPERB CONCERT...Salmon set his audience on fire...absolutely breathtaking."
The News & Courier
(Charleston, South Carolina)

"Thundering applause brought the pianist back...The audience loved guest performer John Salmon's rendition of Saint-Saëns Piano Concerto No. 2."
York Dispatch
(York, Pennsylvania)

"IMPRESSIVE SOLOIST OPENS PIANO SERIES"
The Indianapolis Star
(Indianapolis, Indiana)

"...stunning...virtuosic piano playing at its best...exquisitely passionate."
Battle Creek Enquirer
(Battle Creek, Michigan)

"John Salmon thrilled an SRO audience with a program of Romantic piano music."
Humanities in the South
(Greenwood, South Carolina)

"A towering presence...mesmerizing boldness and confidence."
Tallahassee Democrat
(Tallahassee, Florida)

"Salmon set fire to the keyboard from one end to the other."
The Indianapolis News
(Indianapolis, Indiana)

"PIANIST SHINES IN RETURN TO HIS HOME TERRITORY...Fort Worth-born and educated pianist John Salmon returned to the area for a scintillating performance."
Arlington News
(Arlington, Texas)

"Guest pianist John Salmon joined the orchestra for the Piano Concerto No. 23 in A Major, K. 488. Salmon's playing produced gem-like sound, sensitive and poetic nuances, and classic clarity of texture. Salmon's carefully thought-out reading, nevertheless, preserved human warmth and spontaneity and did not hint at academic rigidity."
Asheville Citizen
(Asheville, North Carolina)

"Great credit should go to John Salmon of the UNCG piano faculty who is also the director and guiding spirit of [Focus on Piano Literature]. His organizational skills are impressive, but his artistic abilities at the keyboard are altogether remarkable...in all respects, in an elevated class by itself."
Greensboro News & Record
(Greensboro, North Carolina)

“John Salmon’s jazz arrangement of ‘As Time Goes By’ by Herman Hupfeld was a hit with the larger-than-normal audience. Pianist Salmon started with a straightforward playing of the hit song from Casablanca and began to embroider it before it was taken up in turn by Steve Haines on double bass and Thomas Taylor on drums. Each player had his chance to shine, cadenza-like, and the ensemble improvisation was on a high level.”
Classical Voice of North Carolina
January 2004
(www.cvnc.org )

“Salmon played splendidly, showing from the outset the outstanding pianism that has made him one of our finest mid-generation artists. It is apparent that Salmon can play superlatively well just about anything he decides to take up.”
Classical Voice of North Carolina
March 2004
(www.cvnc.org)

Reviews of John Salmon Plays Dave Brubeck Piano Compositions (Phoenix PHCD 130):

“All of this music is appealing, and it is well played by John Salmon, who seems as home with the jazzy Brubeck moments as with the Ivesian.”
Michael Ullman, Fanfare

“Salmon’s consistently rewarding interpretations of these infrequently performed Brubeck pieces receive great praise from the composer himself, with good reason. Very highly recommended.”
Ken Dryden, www.artistdirect.com

"Sitting down to what I thought might be a novelty, I was ill-prepared for this brilliant recording [“John Salmon Plays Brubeck Piano Compositions,” Phoenix PHCD 130]. John Salmon is remarkably persuasive. He seems equally conversant in jazz and classical realms, and melds the two with an uncanny conjunction of clarity and poignancy."
Shelly Berg, Piano & Keyboard

“Listeners are fortunate to discover [Brubeck’s piano pieces] through the expert hands of John Salmon…The pianist’s main achievement is to show with clarity the logic of Brubeck’s compositions without sacrificing their mellifluousness. He successfully brings out the natural playfulness of the music.”
Alain Drouot, Clavier

Reviews of John Salmon Plays Brubeck (Naxos 8.559212):

"The performance on this disc by John Salmon is of the highest caliber. He plays beautifully, both with precision and expertise, and pulls the most out of each note. His facility at the keyboard is wonderful. If a better performance of these works can be done, I would be amazed... this disc is truly excellent. The music is a joy. The performance is exquisite. Very highly recommended."
Patrick Gary, www.musicweb.uk.net

“Salmon is the ideal interpreter for this music; he has a flawless technique, an absolutely sure sense of rhythm, and keeps a firm structure.”
Gwyn Parry-Jones, www.musicweb.uk.net

“This fine disc of [Brubeck’s] more formal piano pieces was born from long years of dedication by American pianist John Salmon… Throughout the disc, Salmon plays with rhythmic strength and remarkable digital clarity.”
Bradley Bambarger, Gramophone

“Altogether this is an interesting and enlightening recording. Play it and see.”
Annie Dendy, Worcester Evening News (UK)

“This Naxos disc shows that Brubeck can knock up a triple fugue with the best of them. The present pieces show rich talent.”
Peter Palmer, Nottingham Evening Post (UK)

“In pianist John Salmon’s hands, these works are alluring, convincing, and seasoned with subtle surprises.”
Kenneth Walton, The Scotsman (UK)

“I suspect that people will want to listen to this music when much else has fallen by the wayside.”
Robert Beale, Manchester Evening News
(UK)

Salmon and Brubeck (cvnc.org)

жаз-карнавал 2003: иллюстрация к дискуссиям