Posted on February 13, 2026

Spiro relaxing in the stands with fans
NAV1GATE 1st Day at the G

 Vote for Spiro in the SoCon Mascot Challenge

Calling all Spartans: Spiro needs you! 

Just weeks ahead of the 2026 SoCon Basketball Tournament, UNC Greensboro’s beloved mascot Spiro has a chance to get in the game. 

The Ingles Southern Conference Mascot Challenge pits Spiro against the other mascots in the SoCon. And like Spartans everywhere, as the living embodiment of Spartan Spirit, Spiro belongs at the front of the action. 

Spiro is wise. Spiro is fearless. Spiro is strong. Spiro is kind to children and animals, has sweet dance moves, and looks great in a helmet. Spiro is us. And we are them. 

Spartans can vote for Spiro every day at the Mascot Challenge page. It takes just seconds, and every vote shows your school pride. Even better, a Spiro win means $1,000 for UNCG athletic scholarships and another $1,000 donated on behalf of that school to Hoops Against Hunger, a charity that feeds the schoolkids of western North Carolina when classes are not in session. It’s a win-win-win! 

Voting stays open through the men’s semifinal games at this year’s tournament, held March 5–9 at Harrah’s Cherokee Center in Asheville. The winner will be announced during the men’s championship game there on Monday, March 9. 

Spiro has been showing up for the Spartans since 2004, when the UNCG Spartans mascot debuted. Let’s rally together, stand up for our Spartan, and propel Spiro to the top of the SoCon mascot leaderboard.  

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Posted on February 09, 2026

Two students gaze into each others eyes and hold hands on the UNCG campus

What advice does a couples researcher offer this Valentine’s Day?

According to UNC Greensboro assistant professor and clinical psychologist Danielle Weber, the real foundation of long-term relationships is far simpler than romantic dinners, surprise gifts, or carefully planned getaways.

“The big, flashy things get a lot of attention,” Weber says. “But the real impact is in the small, everyday demonstrations of care.”

Weber joined UNCG in January 2025, bringing more than a decade of research and clinical experience focused on romantic partnerships. As the director of a newly established couples research lab at UNCG, the SHARE Lab, she studies how relationships shape well-being and the ways couples can learn to navigate stress, health, conflict, and change together.

At the heart of her work is a deceptively simple question: How can the person you’ve chosen to build a life with make that life healthier, not harder?

Studying relationships as a health system

Weber headshot
Couples researcher Dr. Danielle Weber

Weber’s research treats romantic relationships as systems that directly influence mental and physical health.

“I really look at health from the perspective of relationships,” Weber explains. “How can that person help enhance your well-being over time? How do we identify the times when you bring out the worst in each other, and how do we avoid those pitfalls?”

She examines core relationship processes such as communication, emotional support, and shared time. Over the years, she has studied how couples respond to mental and physical health challenges, how external stressors affect relationship quality, and how relationship dynamics, in turn, shape individual well-being.

Much of that stress comes from outside the relationship itself.  “It can include parenting, larger family dynamics, financial strain, discrimination — stress from the world around the couple,” Weber says. “All of that filters into how people interact with each other.”

When the thrill is gone

One of Weber’s papers, “When the loss of positives feels negative: Exploring the loss of positive experiences in committed couples,” examines a common concern among couples: the feeling that joy or excitement has faded over time.

“There’s this cultural narrative that if the spark dies, something is wrong,” Weber says. “And I think sometimes that worry is overblown.”

She notes that the intense “honeymoon phase” of a relationship, when partners are deeply focused on each other at the expense of other responsibilities, is not meant to last forever. “It’s actually healthy for that phase to pass,” she says. “You need room to be a full person outside of just your relationship.”

What often replaces that early intensity, however, is stress. Careers accelerate, finances tighten, children arrive, and time spent together becomes harder to protect.

“Under stress, people spend less time together; they have less bandwidth for support and can become more irritable,” Weber explains. “The relationship that used to be a source of strength can start to feel like another stressor.”

Hands form a heart frame in front of the UNCG campus Minerva statue

Another factor is what researchers call reinforcement erosion — the idea that even positive routines can lose their emotional impact over time.

“That cup of coffee your partner brings you every morning might feel really special at first,” Weber says. “But eventually it can just feel like part of the routine.”

Her research suggests that novelty and intentional connection matter.

“When people say things are starting to feel stale, it usually means you need to bring in some novelty,” Weber says. “Can we find a new way to connect around something we already enjoy or find new interests together? And can we bring in more room for spending time together?”

Stress, communication, and why finances are so hard

Weber’s current research at UNCG builds upon earlier findings that show how different types of stress affect couples in different ways.

In a recent study of Black couples in the rural South, published in the Journal of Consulting and Clinical Psychology, Weber found that communication quality varied sharply depending on the topic.

“Communication about racial discrimination was rated higher in quality than communication about financial stress,” she says. “Communication quality about financial stress was rated the lowest.”

Couples are less likely to place blame for discrimination on one another, she says, because it’s driven by society. “Financial stress, on the other hand, is often tied up with blame, disagreement, and different values.”

Now, using a nationally representative sample of individuals in committed relationships recruited across the United States, Weber’s lab is examining how people communicate about a wide range of stressors, from work and health to parenting, finances, and public policy. Participants report not only how stressful these issues are, but also how united they feel as a couple, whether they believe the problem can be solved, and how often they talk or avoid talking about it.

“We’re trying to identify what distinguishes couples who cope well together from those who struggle,” Weber says. “And what that tells us about how we can improve interventions.”

Communication and Coursework

If there’s one theme that runs through Weber’s research, teaching, and clinical work, it’s communication.

“Communication is usually the No. 1 thing couples starting couple therapy say they’re struggling with,” she says. “And research consistently shows it’s a strong predictor of relationship functioning.”

But she is quick to note that there’s no single “right” way to communicate.

“If you are able to address issues when they show up in a way where you both feel mutually respected and cared about, then that’s going to help you succeed long term,” she says.

That philosophy shapes her undergraduate course, “Interventions for Committed Relationships,” where students examine the science behind couples-therapy approaches while also grappling with real-world complexity.

A person's hand rests on top of another's hand.

One of the most surprising lessons for students, Weber says, is learning to move beyond black-and-white judgements.

“It’s easy to label people as ‘good’ or ‘bad,’” she says. “But when you look closely, you see how small decisions and unclear boundaries can snowball. Understanding that doesn’t excuse harm, but it helps us prevent it.”

A Valentine’s Day takeaway

Gestures of care don’t require money or elaborate planning, just attention.

“A kiss before work, a note on the mirror, bringing your partner a cup of coffee — those little reminders of care build resilience,” Weber says.

When conflict inevitably arises, those moments matter even more.

“They make it easier to endure the hard stuff,” she says. “They remind you that you’re on the same team.”

That, ultimately, is the message at the core of Weber’s work: relationships don’t eliminate stress, but they can make the world easier to navigate.

“I wish I could make stress disappear,” she says. “But what couples can do is learn how to face it together.”


By Sierra Collins, Division of Research and Engagement
Photography by Sean Norona, University Communications

hands make a heart shape

make lives healthier and happier

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Posted on February 16, 2026

Students sit together at a table with flowers and tablecloth.

On Feb. 12, just two days before Valentine’s Day, Fountain View Dining Hall was transformed into an intimate French-inspired supper club, offering students an elevated dining experience unlike any typical weeknight meal. Candlelit tables, intentional pacing, and curated music set the tone for an evening centered around connection, flavor, and atmosphere.

The exclusive event, A Night in Paris, was designed as a loyalty-driven experience through Transact Mobile. Students redeemed their reward points for a chance to win a table for two. Ten winners were selected, each receiving two tickets, welcoming a total of 20 students for a coursed French dining experience. By turning reward points into a meaningful shared experience, Spartan Dining reinforced the value of engagement while creating something memorable.

Guests were welcomed with a caramelized onion, roasted tomato, and brie tartlet. They had the opportunity to choose between two handcrafted French-inspired mocktails to begin their evening. The first course followed with a mixed greens salad with roasted fig, goat cheese, and honey vinaigrette. The entrée featured a red wine braised short rib with bordelaise, sweet potato purée, wilted baby spinach, and pickled pimento peppers, paired with a special mocktail selected to complement the richness of the dish.

The evening concluded with dessert: a classic crème brûlée paired with grand marnier macerated berries, bringing the experience full circle with a refined finish.

More than just a dinner, the Supper Club created space for students to invite someone meaningful — a friend, partner, roommate, or mentor — and share an intentional meal together. The atmosphere encouraged conversation, celebration, and appreciation, reinforcing the idea that campus dining can be both experiential and community-driven.

A Night in Paris reflects Spartan Dining’s continued commitment to innovation, elevated programming, and transforming everyday dining spaces into memorable moments. By blending culinary excellence with strategic loyalty engagement, the event demonstrated how food can build connection while strengthening student participation.

At Spartan Dining, we’re not just serving meals — we’re creating experiences that students will remember long after the last course is served.

Story by Des St. Cyr, Spartan Dining
Photography courtesy of Des St. Cyr, Spartan Dining

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Posted on February 19, 2026

Museum quilt-themed exhibit at Weatherspoon Art Museum.
View of the installation Harriet’s Powers from the gallery entrance. Image courtesy of the Artist. Photographer Sally Van Gorder.

Threaded narratives will come alive for guests of the Weatherspoon Art Museum’s new exhibitions celebrating the history and creativity of Southern Black quilters.

On view now, the museum is delighted to present Of Salt and Spirit: Black Quilters in the American South, organized by the Mississippi Museum of Art, and a companion installation commissioned by the Weatherspoon, Harriet’s Powers, by Raleigh-based artist Precious D. Lovell. Together, these shows offer a chance to explore the incredible artistry of quilting, the many roles this art form has played for Black communities in the South, and the important cultural contributions of quiltmakers, both collectively and individually.

Of Salt and Spirit

Of Salt and Spirit, curated by quilt scholar Dr. Sharbreon Plummer, features 24 quilts crafted between 1968 and 2010 in a range of styles and techniques, patterns and subjects.

The quilts were originally collected by Black folklorist Roland L. Freeman, who spent decades meeting with Black quilters to document their stories, making sure their lives were not separated from their craft.

“Dr. Plummer and the Mississippi Museum of Art have done a remarkable job of extending Freeman’s legacy,” says Weatherspoon Director Juliette Bianco, “and it’s a privilege for us to not only present these stunning quilts but also recognize and honor the women who made them.”

Among those women, and of particular note for UNC Greensboro audiences, is Gwendolyn Magee. A native of High Point, North Carolina, she graduated from the University with a sociology degree in 1963 and decades later took up quilting while living in Jackson, Miss.

“It’s always exciting to be able to feature the work of alumni artists,” says Emily Stamey, Weatherspoon Head of Exhibitions.

Harriet’s Powers

Visitors can continue their exploration of quilting history in an immersive installation on the other side of the hall commissioned specifically for the Weatherspoon. Before they even step inside the gallery for Harriet’s Powers, they might pick up the sound of cicadas or a woman’s voice sharing stories of sewing. Soon they will realize they are in for a breathtaking trip back in time to meet one of the most influential women of American quilting history.

Close-up of quilt patterns in a shirt at Weatherspoon Art Museum.
Harriet’s Powers, detail image.
Image courtesy of the Artist. Photographer Sally Van Gorder. 

Artist Precious D. Lovell’s site-specific artwork honors Harriet Powers, often referred to as the mother of African American quilting. In the center of the room stands a three-part sculpture described by the artist as “an altar-totem-tree of life for Powers and all Black female quilters.” Surrounding the sculpture, a soundscape fills the space and amplifies the work’s message.

Powers, born enslaved in Georgia in the 1830s, was freed at the end of the U.S. Civil War and owned a farm with her husband. In addition to her work on the farm, Powers showed her quilts at local fairs. When the farm fell on hard times, she chose to sell at least one of those quilts and accept a commission for the sale of another. Today, those quilts are in the collections of the Smithsonian Institution in Washington, D.C., and the Museum of Fine Arts, Boston.

Using carefully selected imagery, objects, and symbols, Lovell evokes Powers’s life, work, and legacy. The exhibition reflects African American history and the ways in which Black women across time have created lives for their families, their communities, and themselves. Her installation begins with an altar-like base covered in a blue fabric evocative of the Atlantic Ocean and presenting artifacts of enslavement and resistance. It includes examples of the cash crops raised on plantations and farm tools that doubled as weapons. Also included are later objects from Greensboro’s contributions to the Civil Rights Movement, such as a Green Book listing the historic Magnolia House and a menu from the Woolworth’s lunch counter.

At the center of the altar, a totem extends upward, filled with quilting tools, including an antique sewing machine that closely matches the one Powers used. At its top, a quilted shirt includes symbols from Powers’s two surviving quilts. Above that garment, celebratory bunting with stars, streamers, and phrases that include the word “power” extends up into the gallery’s ceiling, which has been painted a brilliant blue.

While visitors take in these visual elements, they will be surrounded by a soundscape inspired by Powers’s life. The rush of ocean waves and click-clack of an antique sewing machine mingle with regional bird calls and stories of sewing told to Lovell by her Aunt Elizabeth. Layered throughout the composition, female vocalists sing Nina Simone’s “I Wish I Knew How It Would Feel to Be Free.”

In Conversation and Community

As a project, Harriet’s Powers embodies community. Lovell began her research with a visit to see Of Salt and Spirit at the Mississippi Museum of Art and talk with its curator and exhibiting artists. She then created Harriet’s Powers with elements sewn by students in UNCG’s Consumer Apparel and Retail Studies program, and she developed its soundscape with Grammy-nominated sound designer Bill Toles and singing recorded by UNCG’s PopTech students.

“Projects like Harriet’s Powers are one of the many things that make university art museums such special places,” says Weatherspoon Associate Curator for Academic Programming Raechel Cook. “This installation was made possible by Lovell’s deep artistic research and disciplinary expertise, enhanced by student collaboration.”

Of Salt and Spirit is on view through August 1, and Harriet’s Powers through July 25.

Save the Dates
Explore the Deeper Meanings in Of Salt and Spirit and Harriet’s Powers

A Patchwork of Song and Sound
March 5, 6–7:30 p.m.

An evening of gallery performances by students from the UNCG School of Music, inspired by the themes of quilting, community, and history.


Tissue Quilt Workshop
March 28, 1–3 p.m.

Raleigh-based artist Maya Freelon leads a collective artmaking workshop designed in the spirit of quilting bees, culminating in a monumental tissue quilt. Appropriate for all ages and abilities. FREE, but registration suggested.


In Conversation: Curator Dr. Sharbreon Plummer and Artist Precious D. Lovell
April 23, 5:30 p.m.

Join the curator for Of Salt and Spirit and creator of Harriet’s Powers as they discuss the legacies of Black Southern quilting and the continuing importance of this tradition today. Stay after the conversation to enjoy the museum’s Spring Open House.

Story by Janet Imrick, University Communications
Photography by Sally Van Gorder

Come See where creativity and Culture connect.

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Posted on February 16, 2026

UNCG's Clara Hidalgo hands Beth Todd an award.
Clara Hidalgo presents Beth Todd with the Gladys Strawn Bullard Award for staff in 2025.

Nominations for the 2026 Gladys Strawn Bullard have begun.

The Gladys Strawn Bullard Awards were established in 1981 through an endowed gift from Bern F. Bullard and his family in honor of Gladys Strawn Bullard, an alumna of UNCG. Mrs. Bullard was a past president of the UNCG Alumni Association and a former member and vice chairman of the UNCG Board of Trustees.
  
Mrs. Bullard was a longtime civic leader in Raleigh, where she formerly was the first president of the Democratic Women of Wake County and a past president of the Raleigh Woman’s Club. Through the years, she also served on numerous boards of nonprofit organizations. She passed away in December 2014. 
  
The Gladys Strawn Bullard Award was established to recognize and reward members of the student body, faculty, and staff of UNCG who provide outstanding leadership and service to the University. Members of the faculty and staff are eligible after two years of full‐time service to the University. Students must have completed three semesters of full-time course work.

  • Remember to consider the people who may quietly guide as well as those who are more visible.
  • Three $1,000 awards will be given to a member of each group
  • A committee, representatives of the diverse constituencies of the campus and appointed by the Chancellor, will select the recipients.
  • All entries must be submitted electronically, via this form, no later than Saturday February 28, 2026.

Please note that nominees for the Staff Excellence Award may also be considered for the Gladys Strawn Bullard Award.

The nomination and selection process will be coordinated by the Human Resources Department. For all questions or concerns, please contact Donna Kannenberg at dlstull@uncg.edu.

Patricia M. Lynch 
UNC Greensboro 
Associate Vice Chancellor and 
Chief Human Resources Officer

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Posted on February 09, 2026

UNCG faculty/staff Janet Boseovski and Jessica Quattrucci hold awards on the basketball court.

This year, the Southern Conference chose Dr. Janet Boseovski, professor of psychology; and Jessica Quattrucci, academic advisor for the Bryan School of Business and Economics, as representatives of UNCG on the All-Conference Faculty and Staff Team. They were honored at the men’s basketball Feb. 4 game.

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Posted on February 23, 2026

Susanna Barton in her UNCG graduation gown with three gerontology faculty members.

A surprise phone call introduced Susanna Barton ’25 to the world of caregiving. She took on the role for a couple of old friends then decided to make it a career change, moving out of journalism to a newfound cause thanks to UNCG’s gerontology master of science program.

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Posted on February 10, 2026

Arnaud Tattevin

Jeb Burns ’08 MEd and his wife, Molly, fund student-athletes like senior Arnaud Tattevin, a leader on the Men’s Soccer team, who contributed to their success in the third round of the NCAA tournament. Tattevin credits the Burnses for their generosity and the impact they’ve had on his Spartan experience.

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Posted on February 16, 2026

UNCG lecturer Geoffrey Hughes with a student at an Old Salem dig site.
Dr. Geoffrey Hughes does field research with students in Old Salem.

Archaeologist Geoffrey Hughes, Ph.D., lecturer in anthropology, is being featured as an academic expert on an episode of the PBS show Finding Your Roots. His archaeological dig site at Old Salem intersected with the “Point God,” 12-time All-Star Chris Paul.

Paul, a Winston-Salem native who just announced his retirement after 21 seasons, is related to Peter Oliver. Oliver was a slave who labored at Bethabara and Salem. He joined the Moravian church, became a skilled potter, and used his earnings to secure his freedom in Pennsylvania in 1800. He then returned to Salem as a free man.

The Finding Your Roots episode “Love & Basketball” focuses on Paul’s connection to Oliver, with Hughes providing the historical and archaeological information about Peter’s kiln site at Old Salem. Hughes has been conducting field schools at Old Salem. He and his students have been excavating an experimental pottery kiln site at Old Salem Museums & Gardens, which played a crucial role in Peter Oliver’s experience as a potter and his journey to freedom.

Special Find Your Roots Showing

Poster for "Finding Your Roots" special screening on February 22 at 3 p.m. at UNC School of the Arts in Winston-Salem.

On Sunday, Feb. 22, Hughes will speak at a special screening of the episode “Love & Basketball” at the Main Theater at the Ace Exhibition Complex-UNCSA School of Filmmaking.

Feb. 22, 3–5:30 p.m.
1533 S. Main Street, Winston-Salem

Hughes will serve on a discussion panel at the end of the screening. The audience will also hear from members of Paul’s family and PBS North Carolina staff with a behind-the-scenes look at the episode at its historical context.

The event is free and open to the public, but requires an RSVP. A reception will follow.

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Posted on January 20, 2026

A composite photo includes a headshot of a smiling woman and a pressed plant in an old book

When Dr. Jewel Parker, a 2024 graduate of UNC Greensboro’s History Department, learned that her dissertation had won the C. Vann Woodward Dissertation Prize, she was stunned.

“It’s one of the most competitive awards in Southern history,” she says. “I truly didn’t expect it.”

The award, bestowed each November by the Southern Historical Association, recognizes the best dissertation on Southern history defended in the previous calendar year.

The project was directed by Dr. Greg O’Brien, professor and department head of history. “It’s a coup for our department,” O’Brien says. “This prize is typically dominated by flagship institutions and Ivy Leagues.” The distinction places Parker and the university’s graduate history program among the strongest in the nation.

The C. Vann Woodward Prize recognizes scholarship that advances the field. Parker’s project does so by bringing together three medical traditions that historians often study separately: Native American botanical and spiritual healing practices, African and African-descended healing knowledge developed during and after enslavement, and European medical traditions transplanted to the Americas.

“No one had ever tried to integrate all three,” O’Brien explains. “We’ve had studies of enslaved healers, studies of European medicine, and studies of Native medicine—but not a comprehensive picture. Jewel created one.”

America’s medical history

Parker traced the history of Native Southerners as the region’s first medical experts. Their knowledge—built through thousands of years of experimentation with local plants and ecosystems—became the foundation on which European settlers and enslaved Africans learned to heal in the Americas.

Imagine encountering—with no prior knowledge of its existence—a rattlesnake.

Cherokee and Choctaw healers, says Parker, warned Europeans when they arrived about the dangers the snakes posed. They also identified roots that could help with bite severity if applied quickly. 

“Our modern pharmacopeia still relies on compounds derived from botanical remedies used by these communities,” Parker says. “That history has largely been forgotten. My goal was to recover the origins of the medicines we use today and give credit where it’s due.”

Parker and O’Brien

Examples in Parker’s dissertation include American ginseng, valued for pain relief and overharvested after settlers learned of its medicinal uses, and willow bark, used by Native healers for its pain-reducing properties long before its active compound inspired modern aspirin.

The botanical practices were sometimes learned through trade and intermarriage, sometimes observed and recorded, and sometimes extracted under coercive or exploitative conditions.

Parker’s work highlights this complex, everyday intercultural exchange that shaped the region’s medical landscape.

Ultimately, she hopes her efforts encourage scholars and the public alike to rethink the origins of American health care.

“Our modern medicines are deeply rooted in Native and African knowledge,” she says. “We should remember that, honor it, and continue learning from it.”

A national honor rooted in UNCG Training

For Parker, who now teaches at Appalachian State University, her path to the award began long before her dissertation defense. She credits O’Brien’s mentorship as essential to her success.

During her time at UNCG, he encouraged her to apply for competitive funding—and to make a case for why her work mattered. The results funded her to travel to archives across the country, where she uncovered the documents that brought her project to life.

Samples of pink snakeroot, rattlesnake master, and knottgrass (l-r) from the Gideon Lincecum Collection at the UT Austin Briscoe Center. “Lincecum was a physician who spent some time living among the Choctaws in Mississippi and learning directly from a Choctaw doctor,” says Parker. “He writes that the Choctaws viewed pink snakeroot as one of their most valuable remedies against snakebite, while rattlesnake master was a Muscogee remedy. Knottgrass was a Choctaw remedy for preventing miscarriages.”

“UNCG faculty were incredibly supportive,” Parker says. “Dr. O’Brien pushed me academically, helped me secure research funding, and taught me how to communicate my work clearly. That mentorship shaped the historian I became.”

Her gratitude is shared: O’Brien won the UNCG Excellence in Graduate Mentoring Award in spring 2025, with Parker as one of the students who nominated him.

“She did innovative, important work,” O’Brien says. “It’s exciting to see the wider field recognize that. This award is a major accomplishment for her—and a real point of pride for our department.”


By Sierra Collins, Division of Research and Engagement

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